Women (female artists)

Reprint of Kusama's porno-artistic tabloid of 1969.

Reference monograph.

Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.

Urlaub constitutes Genzken's multilayered inquiry into the meaning of work and leisure.

This book presents the whole texts of the Living series by Jenny Holzer, printed on 400 tracing paper pages.

Catalogue.

Exhibition catalogue.

A series of wedding dresses sculptures: the ghosts of historic and mythological women of the Antiquity.

35 copies limited edition poster, signed.

Exhibition catalogue.

Cindy Sherman's first catalogue.

“Reading” of the famous Artemisia Gentileschi (1593-1633) painting Judith et Holopherne by contemporary artists(Buren, Kosuth, Paolini, Sonneman, Twombly...); texts by Roland Barthes, Eva Menzio and Léa Lublin.

Over a decade’s worth of essays: movies of America in parallax view.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

Published several years after the fact, "Exposure" is a catalogue for Patricia L. Boyd's solo exhibition "Hold" at Kunstverein München in 2021.