Art & new technologies / digital art / interactive art / net art / media art

This monographic catalogue maps and decodes fifteen years of an artistic practice oriented towards DIY strategies and new technologies, investigating manifold spaces of reflections with a powerful political and theoretical radicality.

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?

Presented as a work-in-progress, this text on American artist Rindon Johnson's video practice offers a reflection on the widening creative possibilities in the multimodal digital landscape, while discussing the political and personal aspirations of a new generation of artists and critics.

A transdisciplinary discussion on the influence of computer-based technologies on the conditions of biological research.

Co-editors: Nicolas Maigret and Maria Roszkowska, intervioews with Špela Petrič, Tega Brain, Joyce Hinterding, Kat Austen, Thomas Thwaites, Melle Smets; The Sound of Disappearance and The Sonic Sublime; reports of ISEA 2019 Lux Aeterna, 58th Venice Biennale and Liechtenstein Brunch, 18th Media Art Biennale WRO “Human Aspect”.

The General's Stork explores historical accounts of biblical prophecies, colonial narratives, and the politics of technological warfare in the Middle East from a bird's eye view.

Stemming from a series of works by Sidsel Meineche Hansen, this monographic catalogue offers a range of perspectives on urgent issues around gender, sexuality and labour in the digital age.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the first volume of an annual periodical series wishing to explore urgent issues in today's curatorial practices.

Box set comprising five books, a vinyl and a supplementary dust jacket, each highlighting different practices and transformative developments occurring in the realm of writing and speaking today as triggered by digital communication.

Publication documenting the award-winning web series Revisiting Genesis by Oreet Ashery. This documentary fiction on mourning in the digital age explores complex issues such as gender and death, digital reincarnation, and women artists.

A collection of 360 postcards of cities from all around the world, made with screenshots from 3D software Apple Maps and Google Earth.

A dictionary designed as a tool for analysis and resistance to the new realities of neurocapitalism. With 285 definitions stemming from the fields of political philosophy, media studies and neuroscience.

A lexical survey on compositional practice in contemporary dance.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the first volume of an annual periodical series wishing to explore urgent issues in today's curatorial practices.

New monograph.

This reader brings together artistic and theoretical contributions on the instertitial nature of sound. This issue is addressed through a variety of prisms, such as format, language, politics, or new technologies.

Julio Le Parc and the practices generated by digital creation.

A proposal for a radio project on the diffusion of world music in the digital age, focusing on the concept of “seismographic sound”.

This bilingual publication retraces a journey and a set of studies, graphic creations and texts that lead to a process of drawing research in a digital environment.

Coéditrice : Rachel O'Dwyer ; entretiens avec Pip Thornton, Joana Moll, Mendi et Keith Obadike; ASurveying Surveillance Capitalism, Decode: Data Cooperatives, Our voices granted to machines ; Transmediale 2019, Master/Slave exhibition, Leonardo 50 years anniversary...