Art & new technologies / digital art / interactive art / net art / media art

An international essay (France, USA, Brazil, etc.) on digital poetry, from the first attempts to generate text on the computer to the most contemporary developments and the problems posed by artificial intelligence.

In The Institute for Other Intelligences, Mashinka Firunts Hakopian brings speculative fiction and media studies to bear on an imagined future where machine intelligences convene annually for curriculum on algorithmic equity.

The very first book devoted to the creations of artificial intelligences in literature and art, and the problems they raise.

A contemplation on the abstruse nature of machine learning, mathematics, and the deep incursion of racial hierarchy.

An exhibitions book including 2 CDs with new pieces by Phill Niblock performed By Stephen O'Malley, Deborah Walker, Kasper Toeplitz, Franck Vigroux, David Maranha and many others.

Blind spots of the ubiquitous digital—a critical and loving glossary: 138 entries to explore the unspoken aspects of new technologies, artificial intelligence and other aspects of digital.

Image and contemporary art in the post-digital age.

How the impact of code on everyday life has become comparable to that of speech and writing.

The first comprehensive publication documenting Israeli artist and experimental cinematographer Ran Slavin's work.

293 new digital drawings by the Swiss artist.

A reflection on the domination of the software industry on our use of computers, which calls for a stimulating reinterpretation of materialism.

A critical anthology on the spatial mediation of art consumption through digital technology.

Combining art and activism, semiotics and capitalism, art and finance, control and subversion, Monitoring Control by Paolo Cirio represents a critique of the social manipulation imposed by new technologies, while examining the counter-control that individuals can implement to dismantle these forces, sabotage them, and protect themselves.

A comprehensive survey of visual studies and visual culture, from its origins in art history to the current perspectives opened by new technologies, virtual reality and artificial intelligence.

A collection of contributions and works of about 15 international artists around the concept of "biomedia" developed and contextualized by Peter Weibel (ZKM), providing insights into mutual correlation between ecosystems and technology, and possible ways in which organic and inorganic life forms can coexist.

From the prehistoric biface to the telephone interface, whose lightning diffusion concretizes a new anthropological threshold for humanity: a theoretical articulation of current global issues from prehistory, thought as the privileged site where to rest the questions of the technique, the language and the image, between archaeology of the media, anthropology, geology, biology and science-fiction.

A project of digital images-sculptures by graphic designer and scenographer Grégoire Romanet: the achievement of a work of research, collection and transformation of a visual matter resulting from the commercial web, led during two years.

The Nietzschean notion of superman and the very real effects of the virtual, the networks, the digital image and the video game in human interrelationships: a striking essay resulting from the posthumously defended thesis of Benjamin Lavigne (1981-2020), which draws up a singular, committed and rigorous critic of the technological foundations of contemporary society.

Technology, intimacy and alternative intersubjectivities.

An inquiry into Zach Blas's singular practice through a series of newly commissioned essays, an interview and writings by the artist himself, expanding on the technological, queer, filmic, and cultural inquiries that comprise the rich world of Blas's practice, exemplary among his generation of digital artists.

Ai Hasegawa, Robertina Šebjanič, The Centre for Genomic Gastronomy, Kasia Molga, The Radiant Future of Solarpunk, Listening as Activism, Werkleitz Festival 2021, Climate Care...

An exploration of the complex relationship between contemporary pictorial practices and their digital environment, examining in particular the idea of license and the strategies of appropriation pushed to the limit by unlimited access to digital resources.

The Nietzschean notion of superman and the very real effects of the virtual, the networks, the digital image and the video game in human interrelationships: a striking essay resulting from the posthumously defended thesis of Benjamin Lavigne (1981-2020), which draws up a singular, committed and rigorous critic of the technological foundations of contemporary society.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

This collective publication is a singular invitation to discover or deepen the universe of Tabita Rezaire, at the intersection of new technologies, decolonial healing, spirituality and the political history of science. Through numerous contributions from poets, theorists, artists and her friends and relatives, she invokes the wisdom of the womb: the mother womb, the earth womb, the cosmic womb, for us to receive its grace.

The new magistral piece from Phill Niblock, played by the Arditti String Quartet, David Watson and the Phoenix Ensemble Basel.

Télescope intérieur narrates the creation of Inner telescope, an artwork by Eduardo Kac, realized aboard the International Space Station.

The new magistral piece from Phill Niblock, played by the Arditti String Quartet & David Watson.

The new magistral piece from Phill Niblock, played by the Phoenix Ensemble Basel.

Architect Philippe Chiambaretta brings together thinkers, researchers and contemporary artists in the 5th edition of the exploration book-magazine Stream, which investigates the different forms of intelligence that must be considered, implemented and passed down to move beyond the Urbanocene.

Artificial intelligence and temporality.

In an age characterised by the increasing dematerialisation of cultural production and transmission, Database, Network, Interface explores architecture's historical role in representing and organising information and knowledge.

Machines & Fictions is a monograph on the work of Spanish artist Félix Luque Sánchez over the last twelve years, in collaboration with fellow artists Damien Gernay and Íñigo Bilbao. The book includes texts by leading scholars, curators, and art critics who discuss Félix Luque Sánchez's artistic projects.

An analysis of the spatial representations using new digital location and mapping technologies, in the light of the political issues that accompany their multiple interpretations.

From the observation of a society of capuchin monkeys and thought experiments borrowed from theater, Zaven Paré, artist and researcher in interaction design, specialist in theater and robotics, attempts to dismantle the pitfalls of anthropomorphization, in an attention that seeks to preserve the irreducible character of an interspecific copresence.

A portrait of Jean Dupuy through a film by Gilles Coudert and a collection of unpublished texts.

Industrial production processes applied to literary translation and cultural creation.

The report of the third edition of The Experimental Education Protocol, an alternative educational model imagined by the artist Angelo Plessas, organized in the form of a sailboat cruise in the Aegean Sea.

A series of visual documents and theoretical inquires around the work rs548049170_1_69869_TT, a translation of artist Emilio Vavarella's genetic code into a fabric, using the 19th century Jacquard loom.

A polyphonic investigation that reveals the potential of fictional and philosophical suggestion of the animation of things, questioning the persistence of forms of animism within the project of modernity, in the horizon of a questioning of the anthropocentric foundations of the Western culture.

Olaf Holzapfel's textile works made from cactus fibre together with a family of traditional weavers from Argentina.

A split album as part of the GRM Portraits series with two electroacoustic pieces by Florian Hecker (computer-generated multiphonic sounds and resynthesized recordings of localized textures) and Okkyung Lee (an acousmatic piece written for computer-generated sounds, pre-recorded materials and cello that was developed for the Acousmonium sound diffusion system during a residence at Ina GRM, Paris, in January 2019).

The catalogue of the Belgian-American artist's architectural and video installation, at the crossroads of different disciplines, conceived by Cécile B. Evans herself.

The catalogue of the Belgian-American artist's architectural and video installation, at the crossroads of different disciplines, conceived by Cécile B. Evans herself.

The relationship between art and cybernetics and their intersections in the past and present.

Digital and data technologies are actively transforming the archives of contemporary warfare. Bringing together a range of scholarly perspectives and artistic practices, (W)archives investigates digital archiving as an integral technology of warfare and how artists respond to these changes.

Λ (Lambda) is an artist book by Micol Assaël which collects a series of 72 drawings made by the artist starting in 2011 as a reflection on light.

Olaf Holzapfel's and Guido Yannitto's textile works.