art & new technologies / digital art / interactive art / net art / media art

Julio Le Parc and the practices generated by digital creation.

This bilingual publication retraces a journey and a set of studies, graphic creations and texts that lead to a process of drawing research in a digital environment.

Coéditrice : Rachel O'Dwyer ; entretiens avec Pip Thornton, Joana Moll, Mendi et Keith Obadike; ASurveying Surveillance Capitalism, Decode: Data Cooperatives, Our voices granted to machines ; Transmediale 2019, Master/Slave exhibition, Leonardo 50 years anniversary...

Large format catalogue documenting a multichannel installation by Florian Hecker at Kunsthalle Wien, transformated into a resonating space, with texts by curators, researchers, theorists, and art historians.

Anniversary special issue: a return on 25 years of reviews.

Monograph dedicated to a pioneer and leading figure in new media art.

The chronicles of the digital poetry movement, by one of its pioneers and main actors in France.

An expanded reflection around the optical principles, the light and the visual perception that constitute the main axes of Flavien Théry's artistic research.

Artist's book with which Lauren Huret looks at the question of erasing images on the Internet.

Interviews with Cornelia Sollfrank, Lílian Campesato, Hyphen-Labs, Faith Holland, Mary Flanagan, Spideralex, Linda O'Keeff; Sonic Territories, monumental loudspeakers to the people; books, DVDs and CDs reviews...

Michael Snow's The Last LP is an extraordinary collection of tracks “of rare music derived from threatened, obsolete, or now-extinct cultures from around the world” that although the claiming of being field recordings of ancient musical experiences, are in fact pieces played, conceived and recorded by the artist himself.

Special issue dedicated to Brazilian poet Augusto de Campos.

The complete writings of an influential figure.

This illustrated essay creates a dialogue between the works of Fluxus artist Jean Dupuy and dadaist Marcel Duchamp around their shared interest with eroticism.

Issue coedited with Rachel O'Dwyer, media and communications Research Fellow at Trinity College Dublin; interviews with Olivier Sarrouy, Furtherfield (Ruth Catlow & Marc Garrett), Holly Herndon and Mat Dryhurst, Martín Nadal, Ami Clarke, Sarah Friend; A token called ART; How is the Blockchain Transforming the Art World?; reports on the Meta.Morf 2018 – the 5th Trondheim Biennale, and Transmediale 2018.

Affiliated with Vaporwave—a sub-genre of electric music and art which criticizes and mocks 1990s internet imagery—artist Chloe Feinberg takes a new turn with this series of black & white erotic illustrations.

This comprehensive monograph on Teresa Burga acknowledges the recent reassessment of the multidisciplinary artist's work as a pioneering voice in Peruvian contemporary art.

A manual of technological autonomy.

This study traces the history of a cultural and artistic landscape that has taken shape since the year 2000, with the Internet. Omar Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition.

A visual tour de force (artist's book).

Exploring the potentialities of virtual reality: with Björk VR experiments; sound and VR; Michel Chion; interviews with Molleindustria, Viktor Timofeev, David Guez, Boštjan Čadež, Naotaka Fujii + Grinder-Man + Evala, WonJik Yang; reports on Temblor – 13 Bienal de Arte Mediales, and Gamerz 13 – Techno-esoteric visions…

A French history of digital animation.

Publication documenting a project by German artist Marlene Maier, the joint recipient of the 2017 Kunsthalle Wien Prize. In her 3-channel video installation Food only exists on pictures, Marlene Maier finds a visual “language” for the blurring and absence resulting from the opaque merging of technological and techno-political processes.

Pascal Dombis's monograph spans 25 years of digital creations exploring the excess, repetition and unpredictability of technological processes. The publication includes a large iconography (200 images), an interview with the artist, two specially-commissioned essays and a collection of articles from 2002-2015 reviewing Dombis's constant evolution.

The second part of Konrad Becker's triptych devoted to information control methods: with his seventy-two keys, Becker aims to unlock the gates of strategic reality: its construction over centuries, its imposition through stealth and force, its dull and laborious maintenance, and its dissolution and destruction by those who can't take it anymore.