Art & new technologies / digital art / interactive art / net art / media art

The General's Stork explores historical accounts of biblical prophecies, colonial narratives, and the politics of technological warfare in the Middle East from a bird's eye view.

Perspectives on the alteration of the conditions of critique and critical practices within the digital world.

A very special overview of the work of a new media art pioneer: snapshots from all over the world, paintings, collages, graphic and ornamental works, and various artifacts from the artist's collections, which include everything from old magazines to fabric patterns.

An encounter between Gary Hill and Martin Cothren, an Amerindian from the Yakama reserve, whom the artist met while working for his 1996 installation Viewer.

An encounter between Gary Hill and Martin Cothren, an Amerindian from the Yakama reserve, whom the artist met while working on his 1996 installation Viewer.

An analysis of the technocritical acts and strategies by artists, hackers and activists in the (post-)digital age.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia.

The current state and future of painting in the digital age.

This first monograph of the international net art pioneer allows us to (re)discover this always contemporary artistic practice, inviting us to plunge into the specificities of the internet medium (flows, URLs, protocols, etc.), and sketching a media archaeology.

Between 2017 and 2020, researchers in the fields of art, design, computer science, psychology, sociology, digital humanities and mathematics explored the historical publication of the artist Paul Klee, which appeared in 1925 at the Bauhaus. The research work led to the project being part of a logic of patrimonialisation and transmission of knowledge based on digital technologies.

Oracular Transmissions weaves together three of the most recent collaborative projects Etel Adnan and Lynn Marie Kirby have completed through processes of exchange and translation: Back, Back Again to Paris (2013), The Alhambra (2016), and Transmissions (2017).

This monographic catalogue maps and decodes fifteen years of an artistic practice oriented towards DIY strategies and new technologies, investigating manifold spaces of reflections with a powerful political and theoretical radicality.

Co-editor: Rachel O'Dwyer; interviews with Kyriaki Goni, Tiziana Terranova, Roel Roscam Abbing and Dennis De Bel, Tim Shaw, Surya Mattu; Dreaming otherwise: the past and future of community wireless networks; We Organise You Music, So You Don't Have To; reports: FAEN 2019, Mud Muses, Nam June Paik exhibition...

First French translation of Shulamith Firestone's first novel.

Stemming from a series of works by Sidsel Meineche Hansen, this monographic catalogue offers a range of perspectives on urgent issues around gender, sexuality and labour in the digital age.

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?

Co-editors: Nicolas Maigret and Maria Roszkowska, intervioews with Špela Petrič, Tega Brain, Joyce Hinterding, Kat Austen, Thomas Thwaites, Melle Smets; The Sound of Disappearance and The Sonic Sublime; reports of ISEA 2019 Lux Aeterna, 58th Venice Biennale and Liechtenstein Brunch, 18th Media Art Biennale WRO “Human Aspect”.

Presented as a work-in-progress, this text on American artist Rindon Johnson's video practice offers a reflection on the widening creative possibilities in the multimodal digital landscape, while discussing the political and personal aspirations of a new generation of artists and critics.

A transdisciplinary discussion on the influence of computer-based technologies on the conditions of biological research.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the first volume of an annual periodical series wishing to explore urgent issues in today's curatorial practices.