Catalogues

Catalogue dedicated to the artistic exploration of the cosmic space (in the framework of the 8th edition of the Triennial of Contemporary Art U3 in Ljubljana).

The catalogue for the Saint-Étienne 2017 International Design Biennial, focusing on the changing world of labor.

This book is the first compilation of the history of the Mamco; it offers a diachronic path through the institution's first 22 years of existence, from its foundation in 1994 up to 2016, and presents some one hundred exhibitions via illustrations, as well as a brief introductory text describing the characteristics and formats of the shows, and some of traces they have left in the collection (also available in English).

Two-volume catalogue of the Fifth Rennes Biennal (France): twenty-nine international artists were invited to construct an exhibition based on the particular issue of shaping emotions in a world which formulates them in terms of markets.

Celebrating the first-ever united Baltic Pavillion at the Venice Architecture Biennale, The Baltic Atlas intends to explore the built environment of the Baltic States as a shared space of ideas.

This volume documents a series of site-specific works by four artists looking at existence from an abstractionist point of view.

This book centers around the apple as an art object and as a case study in biodiversity under threat.

Bringing together their shared and ongoing engagement with artistic practices from Latin America, Jens Hoffmann and Pablo León de la Barra have assembled one of the most significant contemporary survey's of recent art from the region.

This catalogue brings together all support materials from Frac Franche-Comté's collective exhibition “Légende*” which focuses on the building of narratives and paratextuality in contemporary art. An “Erratum” brochure to be published at the exhibition's closure will complete this edition.

The group exhibition “Fugitive Volumes” at Mohammed VI museum of Modern and Contemporary Art in Rabat presents three generations of artists trained at the Tetouan Institut National des Beaux-Arts, and in particular those who have flourished since the 1980s in the orbit of the artist-teacher Faouzi Laatiris, creator of the Volume and Installation workshop at the INBA in 1993. Beyond the documentation on the exhibition, this publication offers a critical and comprehensive archive on the “Ecole de Tetouan” and the history of a contemporary art in Morocco.

This catalogue documents the eponymous double exhibition examining the ambivalent notions of transparency and opacity in the globalized world and their reflection in the work of contemporary artists.

Dedicated to the long-lasting ties between Mexico and France, this survey catalogue's common thread is the foundation of a Fourierist-inspired community in Jicaltepec in the 19th century. The historical event interacts throughout the volume with the works of artists questioning the notions of travel, exile, relationships and utopia.

This lavish publication presents Nestlé's corporate art collection, located in Vevey and nestled in the landmark building created by Jean Tschumi in the late 1950s.

Art Basel's 2015 official annual publication.

L'écho / ce qui sépare documents a personal and collective exhibition commissioned by Bruno Peinado where young artists were invited by Peinado to display their works with his own, thus reflecting the notions of space and network within the art field.

This book is an overview of the exhibition program of Bart van der Heide from 2010-2015, which he realised as the director of Kunstverein München. Each exhibition is presented by a corresponding booklet, containing all texts and images (with Silke Otto-Knapp, Tobias Madison, Keren Cytter, Willem de Rooij, Richard Tuttle, Simon Denny, Rebecca Warren...).

A reflection on paper as a creative space (exhibition catalogue based on Frac Réunion's collection).

The big book of the LAC (Lieu d'Art Contemporain), the first private cultural center of the Reunion Island and an essential artistic place in the Indian Ocean.

A panorama of Albania's contemporary art scene.

The various approaches to self-portraiture from the 16th to the 21st century, as illustrated by a selection of works from three major European museums.

Investigating the complex and ever-changing story of Italian fashion from 1945 to 1968 through a contemporary lens, this catalogue offers a symphonic account of the many creative components that continue to interact and shape the success and enormous appeal of the “Made in Italy” brand.

Appearing after the Reader, this second volume covering the 8th Momentum Nordic Biennial features images from all artists participating in the exhibition, both in the pages of the publication and via a memory stick, incorporated in the spine.

The many representations of the Self and the Other in Africa, the Indian Ocean, Asia and Europe, through a selection of artists' portraits and self-portraits (exhibition catalogue based on Frac Reunion's collection).

Amy Lien & Enzo Camacho invited four other international artists from three different countries to participate at an artist's residency in Milan. Their preliminary idea was to think communication issues and artwork's ability to materialize the various forms of exchange. This catalogue covers the exhibition that followed this residency.

An unprecedented encounter between contemporary art and World War II historic & natural sites in Austria.

A provocative interrogation of race and identity in contemporary Italy envisioned by visual artists, scholars and writers from Africa, Europe and the United States exploring new forms of subjectivity and agency shaped by history, immigration and integration, the legacy of colonialism and persistent stereotypes (a project curated by Lyle Ashton Harris, Robert Storr and Peter Benson Miller).

The reader of the 8th Momentum Nordic Biennial which explores tunnel vision as a cultural and artistic condition.

The digital catalogue of the 13th edition of the international exhibition, curated by American curator Ralph Rugoff, under the title “La vie moderne”: a radical and poetic take on daily life and the modern world.

The book of the 13th edition of the international exhibition, curated by American curator Ralph Rugoff, under the title “La vie moderne”: a catalogue both physical and digital (the paper guide allows access to the complete digital catalogue from a download code).

This richly illustrated publication reviews the additions to the Generali Foundation collection made under Sabine Folie's leadership between 2008 and 2014.

Taking the historical account of philosopher René Descartes' creation of an animatronic effigy of his deceased young daughter as its foundation, Descartes' Daughter explores the traditional divide between conceptual and expressive works, those dealing with either the mind or the body (catalogue).

This catalogue interrogates the notion of play in contemporary art, bringing together artists who use formats and imagery from popular culture usually addressed to children or teenagers.

In 69 / 96, Fredi Fischli, Niels Olsen and Bob Nickas enter an inter-generational dialog about exhibitions that is both personal and art historical, presenting works from 1969 and 1996 (catalogue).

Twenty-nine artists invest a forgotten building site in Roma during 72 consecutive hours without any institutional oversight.

Catalogue.

When artistic gestures achieve the maximum effect through the smallest of means: the catalogue of the Lulennial, a biennial organized by Fabiola Iza and Chris Sharp at Lulu, a 9-square meter independent space in Mexico City, whose economy, “in the sense of doing a lot with a little or sometimes nothing at all,” is one of the founding principles.

Catalogue.

One year in the art world: Art Basel's official annual publication, “Art Basel | Year 45” captures and documents the 2014 shows in Basel, Miami Beach, and Hong Kong, and goes beyond them, featuring interviews, essays on contemporary art and personal highlights from artists, curators, collectors, and museum directors. Immersive, insightful, and art, art, art.

The catalogue for the Saint-Étienne 2015 International Design Biennial.

An exploration of the concept of the museum from an artistic and outside perspective.

Catalogue.

A project about the issue of animation and cinema in the field of visual arts, and the possibility to give life to the draw, the silhouette, the puppet, or the photographic image.

Catalogue.

A brief personal history of the radical tendencies of modern and contemporary art in Croatia.

A replay of the collection of the FRAC Champagne-Ardenne by Swiss graphic design studio Gavillet & Rust.

A retrospective overview of the 12th edition of the Lyon Biennale, curated by Icelandic curator Gunnar B. Kvaran, with a focus on the two parallel programs “Veduta” and “Resonance”, held in the Lyon conurbation and its region.

A complete record.