Anthologies

Rancière and aesthetics (anthology).

How the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation.

An anthology.

The anthology of the founder of the concrete poetry movement in Brazil.

Limited edition of the anthology, with an original signed silkscreen.

Thirteen texts (including an unpublished essay by Georges Didi-Huberman) to think art and history together, from the tools developed by the theorist of the future of images.

A series of portraits of philosophers remained outside majority movements of contemporary thought (Gabriel Tarde, William James, Alfred North Whitehead, John Dewey, Charles Péguy, Etienne Souriau, Raymond Ruyer, and Gilbert Simondon), brought together around the theme of the “possession”.

An anthology of key texts dedicated to the relationship between art and science-fiction.

In the cross-over between sound and architecture.

A symposium-based tribute to Günter Brus by international contributors, philosophers, art critics and historians, curators, artists and musicians (with a CD containing a musical composition by Olga Neuwirth and Burkhard Stangle).

This volume assembles articles that investigate the question of the possible and the impossible in politics. Discussing thinkers such as Agamben, Badiou, Foucault, and Debord, Beyond Potentialities? explores different perspectives and highlight the relevance of this issue for contemporary political thought.

An anthology of reference texts published in the German magazine "Texte Zur Kunst" between 1990 and 1998.

Forty years of Anglo-American feminist theory in art history (an anthology of reference texts by Laura Cottingham, Gen Doy, Lisa E. Farrington, Lisa Gail Collins, Judith Halberstam, Amelia Jones, Lucy R. Lippard, Linda Nochlin, Rozsika Parker, Griselda Pollock, Abigail Solomon-Godeau).

Writings and interviews.

A collection of texts about noise music: gesture, act, concept and performance.

The artist as a theoretician: six essays (one text in English) on the question of reciprocity between theory and art practice.

A collection of texts with a feminist approach, in which Joumana Haddad tells about the life of female poets who committed suicide.

A critical anthology (texts and interviews on/with Christian Boltanski, Michelangelo Pistoletto, Paul McCarthy, Douglas Gordon, Glenn Ligon, Pipilotti Rist, John Baldessari, Florence Lazar, Bruce Nauman, Bruno Peinado, Michel Kireger, Delphine Reist, Karina Bisch, Guy de Cointet, Larry Bell...).

A collection of texts examining issues and practices of documentation in contemporary visual arts.

An anthology of texts by philosophers, theoricians and art historians (H. Belting, H. Bredekamp, G. Didi-Huberman, E. Coccia, J.-L. Nancy, W.J.T. Mitchell...) around the specific logic of the image and the transformation of the contemporary visual field.

An anthology exploring the possibilities of documenting time-based works.

A set of texts written by Salomone according to his artistic protocol: an unclassifiable literary work which extends a visual production, as a specific dimension of artistic representation.

The collection of texts on contemporary art by Jean-Christophe Ammann.

Swiss lines.

A panorama of Ben's conflicting ideas and various activities since 1959.

A collection of essays and interview by an artist who captures the attention of 70,000 people each day through e-flux, as well as unitednationsplaza, Martha Rosler Library, and other traveling projects.

E-flux journal: What Is Contemporary Art? puts the apparent simplicity and self-evident term into doubt, asking critics, curators, artists, and writers to contemplate the nature of this catchall or default category.

This book reassembles the most significant texts and images of works of the 80's art scene, focusing on the problematics of images and representations.

The relationships between art and design.

The relationships between art and design (also available in English edition).

A reader about exhibition display.

Deciphering Duchamp.

A first-hand account of the Western world on the threshold of a major global mutation.

Voice Over examines staging, theatricality, and performative strategies in contemporary art practices.

A fresh approach to the function of an art journal as something that situates the multitude of what is currently available, and makes that available back to the multitude.

The work of an underestimated writer, a founder of the Ultraism, initiator of Dada in the 1920s Spain.

The bestseller publication dedicated to pioneering curators and presents a unique collection of interviews by Hans Ulrich Obrist.

A collection of texts on contemporary experimental practices in art.

An attempt to renew questions about art and business, in the context of the global rise of the culture and knowledge industries.

The "Anthology of art" established during more than a year a ground of exchange on Internet for artists and art critics worldwide, being interested in the relations between art, its theoretical discourse, the conditions of its production and its distribution. This work collects the contributions.

Thinking Worlds brings together numerous essays addressing questions of the sense and purpose of the “event” in contemporary artistic culture, of the current status of philosophy and aesthetic theory, and of the political significance of artistic interventions.

The first in the Solution series where authors are asked to develop an abundance of compact and original ideas for other countries and regions.

Under Pressure (edited by Daniel Birnbaum and Isabelle Graw) gathers together the contributions to a series of conferences held at the Institut für Kunstkritik from 2006-07.

The French art scene with 88 art critics and 88 artists, on 800 pages in color.

Between critical writing and visual art practice.

16 essays and conversations about the nature and consequences of risk in and out of the art world.

A collection of texts.

First critical anthology of the poetry of Raoul Hausmann, one of the founders of Dada Berlin. It features many unpublished documents, an introductory essay by Isabelle Maunet-Salliet, and a recording of phonetic poems read by Raoul Hausmann.

Anecdote and contemporary art.

“Radio Territories” seeks to open the book on radio's historical, medial, and aesthetical status.