Sound arts

This vinyl edition collects several field-recordings of Matteo Nasini's aeolian instruments, executed by the artist in different places and conditions. Together with the vinyl, the edition presents eight large-format artist's prints related to the same practice.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Recording of Wolf Vostell's happening / Fluxus Concert “Sara-Jevo”, realised September 9th, 1994 at Fundació Pilar i Joan Miró in Mallorca, Spain.

The magazine first issue: featuring Gee Vaucher, Stephen Wright, Coil, Glassbox, Claude Lévêque, Mabel Tapia, Franckdavid, Société Réaliste, Raphaële Jeune, Élodie Lesourd, Agnès Joffray, Robert Hampson, Sandy Amerio…

2nd issue of the experimental music annual review, around the question of experimentation in music.

5th issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms (critical texts, historical analysis, interviews, artist's interventions...).

A text by Christof Migone on a history of sound art and its relation to performance.

Artists' record by the American performers duo (limited edition of 100 copies).

Frédéric Post's picture discs homemade with glued (artist's book).

First issue of the experimental music annual review.

A 5-disc overview of exploratory works written between 2002 and ​2012.

Thorsten Soltau musical cut-up piece Grün wie Milch stands alongside Preslav Literary School's drone tragedy Alamut in this wonderfully designed split album.

A new body of works.

Analysis (“A Brief History of Sound Art” by Rahma Khazam; “Sound Art, a Fortified Art” by Bastien Gallet; “Notes on Steve Reich's Pendulum Music” by Christophe Gallois; “A Formless Form” by Mathieu Copeland; “Sound in Artist's Films” by Alexandre Castant, etc.) / “focus” on Philippe Decrauzat's Leslie, by Matthieu Poirier, monographs (Laurent Montaron, Su-Mei Tse, Georgina Starr, Joachim Schmid) / interviews (Sébastien Faucon, Kerwin Rolland) / artist's interventions (Nicolas Fenouillat, Dominique Petitgand, Jérôme Poret, Samon Takahashi)...

Charlemagne Palestine's most contemporary music work.

The sound of a 4.3 meters high wind chime recorded in the dome of Secession in Vienna.

An extensive essay, Varieties of Audio Mimesis is many things: an investigation of the metaphoric relationship between music and landscape, a study of the poetics of onomatopoeia, and a theory of sound in the arts.

Third volume of the ultimate collection of archives of all the avant-garde in Belgium from Magritte to Broodthaers, from James Ensor to Christian Dotremont.

The book reunites some of the performer, musician, visual artist and filmmaker's most important films and projections to date, with five important essays and an interview by Michael Snow.

Monograph on the berliner artist / musician (Noto / Alva Noto / Raster Noton).

First monograph.

Second volume of the ultimate collection of archives of all the avant-garde in Belgium from Magritte to Broodthaers, from James Ensor to Christian Dotremont.

Super 8 films of the Ecart group, founded by John Armleder, Patrick Lucchini, and Claude Rychner.

Reference monograph: an overview of a sound art pionner's career through documentation of seminal projects, including a CD of works ranging from early performance experiments to current digital projects.

First volume of the ultimate collection of archives of all the avant-garde in Belgium from Magritte to Broodthaers, from James Ensor to Christian Dotremont.

John Armleder's 404 Team yellow pages.

Site Specific Sound documents a series of sound installations from 1998 to 2002 by sound-artist and writer Brandon LaBelle, exploring the relationship between sound and space.

The first critical edition treating a fundamental text by one of the principle actors of Fluxus.

The first major study of the Japanese avant-garde collective emblematic of the post-war artistic revival, bringing together composers, visual artists, musicians, poets, critics and technicians who in the 1950s explored various forms of interdisciplinary collaboration, questioning the classical frameworks of artistic presentation, the relationships between sound and image, time and space.