Maghreb

Reference monograph.

This publication presents a retrospective study on the first contemporary art gallery of Morocco, l'Atelier (The Workshop). It highlights the work of the gallery and help to understand the artistic and cultural dynamics of an era: that of the advent of contemporary Moroccan art on the international scene.

Bellamine's poetic painted photographs.

Reference monograph.

New monograph / artist's book with which Latifa Echakhch proposes an immersion into her visual world, around a series of exhibition views and personal notes and comments.

First monograph.

Djamel Tatah's notebook (photos, texts and drawings).

Djamel Tatah's notebook, with an original artwork signed by the artist.

New monograph based on a recent series of videos and photographs taken in Algeria, through which Zineb Sedira continues to explore issues of cultural identity, displacement and memory (with a retrospective of her work since 1995, three essays, and an interview with H. U. Obrist).

Artist's book: Christoph Keller's weather experiments with a replica of Wilhelm Reich's rainmaking machine in Morocco, in the form of a complex flip-book.

This novel portrays the current evils of the Algerian society with provocative and transgressive humor.

Two both aesthetic and political engaged considerations on the relationship between the West and the Middle East (or more generally between the West and its others), from the figures of exile and the two cultures: three unpublished interviews of Edward W. Said / a deconstruction of a common European view on the Arab world by Seloua Luste Boulbina.

Artist's book / first comprehensive publication dedicated to Franco-Moroccan artist.

Reference monograph.

Reference monograph (available in English edition).

Camel Zekri (electroacoustic guitar), Thierry Madiot (bass trombone and trumpets), Daunik Lazro (baritone saxophone) and Dominique Répécaud (electric guitar) reach a rare degree of balance between softness and roughness, between lightning and harmony.

The young Algerian contemporary art scene.

The meeting, on the Niger River, between contemporary improvised music and African musical traditions.

A dialogue between two dress sculptors who, each in their own way, have strongly influenced the world of creation, between art and haute couture.

A dialogue between two dress sculptors who, each in their own way, have strongly influenced the world of creation, between art and haute couture.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

Architecture of the Territory examines the role that national narratives have in defining the Arab world through the use of architecture and urban planning, through 30 essays, by contributors of each region.

This book commemorates the long collaboration between couturier Azzedine Alaïa and photographer Arthur Elgort, who, working together, shaped the 1980s and actively contributed to the renewal of the representation of women.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

A history of feminist gesture and performance since the 1960s and 1970s in California through an interview conducted by Carole Douillard with art critic Amelia Jones and two pioneering American artists, Barbara T. Smith and Susan Lacy.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

Since 2003, Bourouissa has been developing a multidisciplinary practice rooted in social reality, working primarily with representations of a contemporary urban environment. This catalogue accompanies the Franco-Algerian artist's exhibition at the Barnes Foundation, which gathers his most significant works to date—including Horse Day, his first project in the USA.

Instruments is the catalogue accompanying Ismaïl Bahri's exhibition of the same title at the Jeu de Paume. It is also his first monograph. Bahri's oeuvre, which dates back to the 2000s, is like a precise and sensitive record of events and experiments; its often mechanical kinetics are particularly evocative of the film process. His experiments are based on the tiny nuances and minute developments that occur when simple things are brought into contact with each other. They demand an acuteness of gaze that leads one to question the limits of perception and the visible.

At the heart of this book is a solo exhibition of the work of M'barek Bouhchichi in Rabat, and the artist's first attempt at directly confronting the wound of growing up black in Morocco. With contributions by an anthropologist, a filmmaker, and a writer from Africa, this volume puts recent transformations of Moroccan society into perspective. Beyond studying inequality and spatial segregation, what is at stake is the possibility of transfiguring the stigma of racism through art and research.

Both an artist's book and Kader Attia's reference monograph, “RepaiR” consists of interviews and texts around Attia's oeuvre, documented through about 1000 b/w reproductions, and the notion of repair, by 13 academics and researchers working in various disciplines. The book also reveals the artist's research and creation process, with a selection of archive texts and images.

Artist's book based on the eponymous work by Franco-Algerian artist Mohamed Bourouissa, a series of photographs and a video made with the help of a prisoner from the jail in which he is held, an exchange via SMS and MMS using a mobile phone smuggled into the prison establishment.

Following the social unrest and immolation acts in Southern Algeria in 2011, writer and journalist Mustapha Benfodil wrote this fictional monologue of a village's mortuary employee to reflect on the wounds of the Algerian society.

Reference monograph (available in English edition).

Kaleidoscope's summer issue is a special edition entirely devoted to art produced in (or related to) the African continent today, from Egypt to South Africa via Ethiopia and Nigeria.

First monograph dedicated to Franco-marocan video-artist's films (installations or movies), dealing with the notions of movement, relation and distance, on the borderline between visual arts, documentary, and cinema.

A retrospective of Kader Attia's works from 2005 to 2009, with an interview and various texts.

New monograph on Adel Abdessemed's videos, installations, scultpures and drawings, as a critique of the various guises of oppression and violence in our modern societies, both in Western and Muslim culture. With an interview and an essay.

First monograph on the French artist, fully illustrated, with texts, interview and documentation.

A dialogue between the creations of the two designers.

A dialogue between the creations of the two designers.