Newly remastered by Rashad Becker for this vinyl edition, “Echo” finds Félicia Atkinson synching her feelings into a watercolour suite of solo keys, voice and field recordings, unfurling 40 minutes of new breathtaking music.
A collection of essays and honest conversations with practitioners around collaborative practices, at the intersection of art, education, and activism.
A photo book by Jacopo Benassi that brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist.
Four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) discussing their experience of becoming mothers as professionals in the arts, its reality and effects.
Anne Dressen talks about her curatorial practice (and more broadly about the world in which it takes place); Nick Mauss, with whom the curator exchanges regularly, intervenes in her text, by insertions and echoes.
"1 Million Roses for Angela Davis" traces Davis' immense influence and legacy as activist and scholar on contemporary artists today, while simultaneously teasing out the contradictions her presence and agenda posed to the GDR's interpretation and application of Marxism.
A journey of invention and experimentation through more than 200 pieces by international artists, observing the diversity not only of forms and decorations, but also of manufacturing processes of ceramic.
Les presses du réel – Criticism, theory & documents – Misceallenous
HEAD (Geneva University of Art and Design)
sold out
This book examines the modes of execution in contemporary art from the viewpoint of production, by means of a series of eighteen interviews. It presents a plural and polyphonic thinking, bringing together the words of different participants concerned with the realisation of artworks and several generations of artists.
A selection of artists and authors records within a multifaceted mosaic some of the most relevant, urgent and dystopian visions of today's changing world.
A collection of reflections and literary and artistic contributions inspired by the themes at the heart of American writer Dodie Bellamy's work, and driven by the central question “What are we learning from artists today?”
Giovanna Silva explores the architectural heritage of the Philippines, illustrating the relationship between architecture and history, through the architectural exuberance of a power long marked by corruption and nepotism.
A series of drawings by Pierre Budet produced daily in Rennes from March 17 to May 11, 2020 during the confinement period imposed on the French population due to the pandemic (covid-19).
The first publication to provide an overview of Kusama's early performative activities, with unpublished photos and forgotten works from private collections.
Carceral Aesthetics: Nicole R. Fleetwood in conversation with Rachel Kushner;
Where We're At: Bulletins from around the globe;
Artist Project: David Velasco introduces Stanley Whitney;
Blasted Allegories: Fabrice Stroun on the art of Steven Parrino...
An overview of how creative practices are modifying the ways we think about both knowledge production and research in the cultural sector and in academia.
From Audre Lorde and Adrienne Rich to Basma Alsharif and Pauline Oliveros, Deux Soeurs brings together a chorus of voices that explore representations of parenthood, friendship, and disobedience.
In this book, together with Pierre Chabard, Philippe Vander Maren and Richard Venlet explore and explicit the design process of House D through a set of unpublished work documents such as sketches, scale models, series of annotated plans, collages and pictures.
“In This Lingering Twilight Sparkle” finds Mark Leckey stitching together a fantasy travelogue made up of found sounds, spoken word and dismantled tunes like some hallucinogenic mixtape; part audio diary, part YouTube session taking in fairytale folk musics, iMessage notifications and gothic horror...
This collective book devoted to the work of Sammy Baloji explores how the artist, born in the DRC in 1978, attempts to “restore defeated connections”. How to think about the memory sifted through colonial violence? What effects does the mining of yesterday and today in Katanga and elsewhere have on the project of a common future? How does form make history beyond erasure?
