Trances, Jules Reidy's follow-up to the celebrated World in World (2022), gathers twelve tracks shifting between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.

A collective reflection on the landscape as an ever-changing social, economic, and ecological construct, addressing questions of power, identity, and natural resources (contributions by T. J. Demos, Tiago Torres-Campos, Tiffany Kaewen Dang, Hagit Keysar and Ariel Caine, Teresa Mendes Flores, Chris Malcolm, Irmgard Emmelhainz...)

The English translation of Il viaggiatore insonne, poet legend Sandro Penna's final collection, coupled with illustrations by the American artist Louis Fratino.

Edited by artist Sille Storihl, The Stonewall Nation engages the archival remains of a gay colony that a group of gay men wanted to establish in Alpine County in Northern California in the early 1970s.

Classic DAUU 1995 debut album, first time on vinyl.

Univers Zero's first new album since 10 years, a major new contribution to the discography of the band celebrating its fiftieth anniversary.

Univers Zero's first new album since 10 years, a major new contribution to the discography of the band celebrating its fiftieth anniversary.

Written and visual documentation of the German stylist-designer duo's projects from 2010 to 2022.

A publication compiled, edited and designed by Danish graphic artist Anni's, based on research into the uses of the grid.

The story of Jesus, or that of a fin-de-siècle anarchist, by the sapphic poet Renée Vivien (1877-1909), accompanied by a new piece by Nurse With Wound on CD.

The first English language translation of Robert Linhart's The Sugar and the Hunger, originally published in 1980. Includes afterword by Luiz Renato Martins, and other materials.

Lucy Railton trusts in the nuance of her own creative instincts on an intensely modern, quietly radical second for Modern Love.

A project exploring the sounds of glaciers, captured in crevasses, glacial torrents or moraine folds using microphones, hydrophones and seismic sensors.

The most comprehensive publication to date on Korakrit Arunanondchai's practice.

A series of rail graffiti by the KCBR collective, renewing the practice with an original reflection on the medium, concealment (including, of course, with regard to police services), the trace, public reception and ephemerality, as the works are obliterated by the artists themselves immediately after completion.

A large retrospective of the Swiss cult photographer's work over two decades.

The first comprehensive monograph and critical survey of American artist Pippa Garner, Act Like You Know Me surveys fifty years of her radical and transdisciplinary art practice, from the late 1960s to the early 2010s, through ca. 400 photographs, illustration, ephemera, and original writings.

A long-distance correspondence reflecting on the infravoice of a blue whale and other so-called “silent” subjects.

From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles.

The second collaboration between Stephen O'Malley and Anthony Pateras, this time entirely acoustic, based around an acoustic guitar and prepared piano: a music that seems suspended, captivating by its almost organic coherence and modal simplicity, behind which resonances and subtle plays of pitch develop.

A collection of essays and a critical attempt to rethink and improve the relationship between artists and art institutions and to give visibility to the precarious, complex, and very often existential reality of the art workers.

Noviadi Angkasapura frenetically covers paper and bits of cardboard packaging with felt-tip pens, ballpoint pens and pencils, haunting them with the magic of spirits.

The third book by Master of the Underworld Daisuke Ichiba published by United Dead Artists focuses on color, blending red demons with the sulfur of strangling gardens.

An in-depth exploration of the work and destiny of Ana Mendieta (1948-1985), with numerous illustrations and previously unpublished contributions.

An overview of Agnès Varda's work, from her films to her visual works: collages, video art, installations and photographs (especially those made in Portugal in the 1950s).

An exploration into the complexity of sounds drawn exclusively from glass (reissue of the record released in 1970, remastered by Lawrence English).

The recording from Carl Michael Von Hausswolff and Erik Pauser's tumultuous and inspiring tour of the USA in 1991, with a book tracing the adventure and documenting the context of the time.

One of the deepest drone albums ever recorded: nine trombones, didjeridu and Tibetan bells fill the massive two million gallon cistern with dense sonic reverberations that are both haunting and healing.

First English translation of the 1918 pamphlet against the prison camps by the Finnish land owner Hjalmar Linder (1862-1921), which will lead to his class disgrace and death.

The first vinyl edition of Let the Darkness Fall, a forgotten corner from the vast discography of Suzanne Langille & Loren Connors, joined here by David Daniell and Andrew Burnes (of the Atlanta-based group San Agustin).

A split album as part of the GRM Portraits series bringing together two pieces by Félicia Atkinson and Richard Chartier.

A reference book on Cristóbal Balenciaga's designs.

An overview of photo and video works by Farah Al Qasimi between 2017 and 2021, with which the artist investigates how spaces and subjectivities inflect and influence each other.

New monograph.

A split album as part of the GRM Portraits series bringing together two pieces by French sound artist Eve Aboulkheir, and by Lasse Marhaug, a figure from the Norwegian experimental scene.

A split album as part of the GRM Portraits series bringing together two pieces by the French bassoonist and the Norwegian composer.

The complete version of electro-acoustic composer Ákos Rózmann's epic masterpiece 12 Stations presented for the first time in its entirety as a deluxe 7CD set.

Ákos Rózmann's Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer's studio and at EMS in Stockholm. Like most of Rózmann's compositions, Mass is a long-form work with a duration of around seven hours. 

Where Ben Vida's music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song.

29 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 72 page booklet with texts and pictures).

18 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments (with a 24 page booklet with texts and pictures).