Hans Ulrich Obrist leads readers into the world of path-breaking Syrian artist Simone Fattal in this intensely personal volume.

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.

The future of architecture lies in the curatorial approach. This is the thesis put forward by architect Wilfried Kuehn and theorist Dubravka Sekulić in their book Curatorial Design: A Place Between, which brings together contributions from more than 30 authors working in the fields of architecture, art, and curatorial knowledge and practice.

"Labo d'objet", a research laboratory run by UR Design & Création at the Saint-Étienne Higher School of Art and Design, proposes a visual reflection by creating images that associate concrete with vehicles such as cars, motor homes, tractors and caravans, at the crossroads of industrial culture and creative experimentation.

The revelatory world of Emma Reyes.

New monograph.

A major reissue of Roland Kayn's cybernetic music: a 5-CD boxed set based on the original recordings from the Lydia and Roland Kayn Archive, sensibly remastered by Jim O'Rourke.

A critical exploration of the values and qualities inherent in independent educational organizations and the hurdles in the way of remaining "alternative" with the passing of time.

A series of propositions and encounters in service to an aesthetic, critical, and poetic experience of living life led by death.

A compilation of recipes from the Arab world that were presented by artists for Mophradat's online cooking show Lentil Space.

A collective story that recounts the history of the representation of natural landscapes and the imaginations that accompany them.

This artist's book collects the series "All the ambition in the world" (2024) by Ryan Gander, a series of posters for fictitious group exhibitions that never took place, but were imagined by the artist's mind.

Meenakshi Chakraverti's first novel.

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

Reference monograph of the Surrealist painter, one of the most important women artist in Spain in the 20th century.

Beni Bischof's zine created on occasion of the Bally fall / winter 2024 collection.

PhD and postdoc supervisors from Europe and beyond interrogate the existing formal educational pathways for artistic and practice-based research.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

A limited-edition box containing a booklet poem, a photo plate and a pocket mirror.

A visual corpus that brings together one hundred and thirty-two artists' books collected and reproduced as part of an artistic residency conducted at the Centre des livres d'artistes (Saint-Yrieix-la-Perche).

An essential guitarist for over forty years, and an enlightened partner to John Zorn, Tom Waits and John Lurie, Marc Ribot composes here, through memories, short stories and essays, a self-portrait of rare originality.

The cultural and political legacies of the the 1933 and 1934 Arab Exhibitions in Jerusalem.

The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

Creatively visionary and groundbreaking on numerous terms, as well as being intoxicatingly beautiful and remarkably listenable, Ben Vida's "Vocal Trio" represents a striking step forward for one of the most ambitious and outstanding sonic artists working in the United States today.

A limited edition repress of the remastered album "Descending Moonshine Dervishes" by Terry Riley, originally recorded live in Berlin in 1975 and released by Kuckuck in 1982.

A compendium of texts and notes around the project developed by artist Alessandro Di Pietro in dialogue with the work of Paul Thek (1933-1988).

A lyrical portrait of Lebanon through the poetry of 60 native women authors.

If discourse is the foundation of democracy, how can the design of our cities empower and enable discourse? In 1981, Richard Sennett delivered six lectures about this relationship, and issued a call to action that remains relevant today.

Twenty renowned international curators write about one of their exhibitions or projects that transformed their ideas about curating.

The project Islands of Kinship interconnects six mid-scale visual art institutions across diverse regions in Europe in an innovative collaboration model addressing issues of inclusion, kinship and togetherness, democratic exchange and the ethics, emotions and practical solutions for a sustainable and fair institutional operation.

A significant contribution to the understanding of the work of artist and filmmaker Cauleen Smith, by art historian Romi Crawford, who analyzes how Smith recastsfilm history, in a pivotal period of her career.

Devoted to Mount Athos in Eastern Greece, FLEE's sixth project explores the musical tradition of this important Orthodox site.

Devoted to Mount Athos in Eastern Greece, FLEE's sixth project invites artists and researchers to explore and unravel the musical tradition of this important Orthodox site.

2024 repress of KMRU's first release for Editions Mego.

The first ever solo release from electronic music pioneer and innovator Laetitia Sonami, featuring a new composition especially written for her interface/instrument, the Spring Sprye, by her former teacher the legendary Éliane Radigue.

The original score composed by Paolo Spaccamonti for the eponymous theatrical production directed by Valerio Binasco and produced by Teatro Stabile di Torino. The music, both haunting and subtle, mirrors the play's minimalist and intense staging, immersing listeners in an evocative soundscape that blends ambient textures with guitar-driven melodies.

An homage to melliferous, unifying art of dance, as captured over the course of 10 years and across four continents.

An intimate exploration of the American wedding, an enduring public ritual (new revised edition).

The cataclysmic meeting between Masami Akita (Merzbow), legend of the Japanese noise scene, and pianist Nicolas Horvath, great connoisseur of the classical repertoire and unparalleled experimenter.

Sonic manifesto by a post-anything quartet featuring multi-instrumentalists from the Mediterranean inland Sea / new folklore for a devastated planet, including members of Oiseaux-Tempête, H, Karkhana, Polyphème.

This volume collects six fables Lin May Saeed (1973–2023) wrote in the early 2000s—the only ones the artist ever shared—which explore fundamental issues of interspecies coexistence, combining scientific, ethical, and philosophical motivations.

London-based artist Faye Wei Wei’s debut monograph.

The catalogue of the Japanese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A collection of photographs of couples, as evocative as they are mysterious.

A collection of walking and writing exercises to put our perspective about self and what is other to self, as well as the relations between things, even beyond the human, into question.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.