This catalogue-reader accompanies Armando Lulaj's project for the Albanian Pavilion at the 56th Venice Biennale. A time capsule of the country's past, presenting strange memorabilia and trophies that tread the line between fact and fiction.
This book traces the evolution of Ulrike Gossarth's practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally.
Five Pieces for Projection introduces recent projection work from 2010 to 2014, with an essay by Hanne Loreck, an afterword by Eva Schmidt and texts by Victor Burgin.
Monograph / artist's book, with a selection of images—a documentation of exhibited works and those in process—that offer a sense of Valentine's approach to working, which gestures toward abstraction and improvisation, as well as three essays that investigate Valentine's process.
The publication, conceived by Clegg & Guttmann, is a response to Maier-Reimer's invitation to present his recent body of work for his contribution to the exhibition “Villa Romana 1905–2013: Das Künstlerhaus in Florenz” at the Bundeskunsthalle, Bonn.
Comprehensive new monograph on the influential British avant garde artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—, with essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.
This publication accompanies the eponymous exhibition at TBA21–Augarten in Vienna (showing together for the very first time Cerith Wyn Evans' luminous works that have been collected by TBA21 over the past ten years), and brings together threads and voices of leading contemporary artists, scientists, and theoreticians exploring the artist's polyphonic oeuvre.
This new artist book by Ruth Buchanan charts three
narratives associated with the life of the Staatsbibliothek
Berlin, which acts as an example of the tension between what is contained
in libraries and how it is contained.
The first comprehensive survey on the work of Slovenian artist/architect Apolonija Šušteršič, between Conceptual art, Contextualism, institutional critique, and relational aesthetics.
The project initiated by artist and filmmaker Beatrice Gibson and typographer Will Holder, based on the eponymous score written by Cornelius Cardew in 1967.
Taking the form of a ciné-roman, this book, based on Ursula Mayer's 16mm film of the same name, with a screenplay written by Maria Fusco, experiments in cinematic and linguistic registers through polyphonic monologue.
Focusing on the conceptual, visual, and economic intersections implicit in design today, this publication dedicated to the work of the Swiss-American graphic designer Zak Kye expands collaborative form from a pragmatic structure of working together to the joint development of content.
Eva Grubinger's large-scale sculptural works referring to the fishing, both subtly and explicitly engaging a vocabulary of the alluring, as well as a critical position towards the reception of art.
This monograph features in depth essays on the collective's work as well as an annotated image section, which highlights bankleer's recent projects and deployments.
Emerging from the eponymous exhibition at Portikus in Frankfurt am Main, this catalogue reflects on the London exhibition space, Flaca, that Tom Humphreys organized between 2003 and 2007.
