John Armleder, Fluxus and the Ecart group.

Eight essays on the German avant-gardes (Hugo Ball, Max Beckmann, Marcel Breuer, Franz Marc, Merzbau, Expressionnism, Dada…).

An investigation on the performative future of cinema, followed by two studies on Lettrist's cinema and on the end of the projectionist.

A collection of essays focusing on the notions of invention and image in art.

Modern art heritage in the works of six major contemporary artists (David Diao, Simon Starling, Josiah McElheny, Martin Boyce, Lucy Williams et Farah Atassi).

An historical and theoretical study of the surface in the Western avant-gardes of the twentieth century.

A collection of essays exploring the current contemporary art scene through the analysis of the works of ten artistic figures of the present days.

An history of assemblage art in California from 1950 to 1970.

The first French translation of Yve-Alain Bois' reference study on modernism

This book is the first compilation of the history of the Mamco; it offers a diachronic path through the institution's first 22 years of existence, from its foundation in 1994 up to 2016, and presents some one hundred exhibitions via illustrations, as well as a brief introductory text describing the characteristics and formats of the shows, and some of traces they have left in the collection (also available in English).

The Futures of Screen: an aesthetic and technical analysis.

Essays about the work of Victor Burgin.

A second volume of essays by Thierry de Duve dedicated to the form of speech known as the address. Along with theoretical texts, the authors addresses prestigious interlocutors (Jacques-Alain Miller, Benjamin Buchloh, Marie-José Mondzain, Jean Clair, Jean-François Lyotard, Herman Parret, Mieke Bal, Daniel Arasse).

A collection of texts by Robert Lebel on surrealism.

The cinematic essay thought as a hybrid form between fiction and documentary, cinema and contemporary art: a cartography of the contemporary cinematic essay in 47 critical texts written by filmmakers, artists, historians and art theoreticians.

Essays about the work of Victor Burgin.

Thierry de Duve's writings on Marcel Duchamp.

Seven essays about Marcel Duchamp's work.

The posthumous collection of texts on art by the French philosopher.

Representation of pain in the art of the twentieth and twenty-first centuries.

The collection of "critical dreams" made and transcribed by the art critic and curator Jean-Max Colard between 2005 and 2013, nocturnal side of his regular writing on art activity.

A history of the relations between art and cinema.

Chronicles, articles and essays on contemporary art, cinema, and pop culture.

An introduction to the “work of resistance” of East German dramatist, poet, writer and essayist Heiner Müller.

The carpet paradigm: critical prolegomena to a theory of flatness (an original and stimulating analysis of an essential concept of modern art history).

Digital technologies and interactivity in the artistic field, in an historic and experimental perspective (new edition).

An essay / manifesto to reconsider the objectivity of the sensations provided by artworks, and to reconsider contemporary art in itself rather than as a genre, alongside modern and classical art.

A collection of texts.

13 monographical essays on contemporary works (Merz, Bart, Duprat, Verjux, Armleder, Fauguet, Honegger, Boeno, Spoerri, Morellet, Downsbrough, Saytour, Dezeuze).

A study on Elisabeth Ballet, Jessica Stockholder, Claude Rutault, Peter Downsbrough, Cécile Bart.

An essay on conceptual art.

What canvases reveal to us is often beyond what we believe we understand. Like true false semblances, they subtley encourage us to turn away from them in order to engage ourselves in their hidden intrigues (where they often meet our own).

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today.

An anthology of key texts dedicated to the relationship between art and science-fiction.

An analysis of some major contemporary works that challenge the traditional values of art.

An activist analysis of new transmission models in art teaching.

First study on the Ecart collective.