Drawing from Lisa Lerkenfeldt's field work and electroacoustic practices, piano, cello and tape loop arrangements light up lost chambers and underground histories in a patchwork of reflective musique concrète, instrumental composition and surreal cinema.

Trances, Jules Reidy's follow-up to the celebrated World in World (2022), gathers twelve tracks shifting between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.

The debut release of experimental music artist Abigail Toll on Shelter Press: a compositional study using data aesthetics as a means to critically engage with the social and political mechanisms that surround us.

Ákos Rózmann's Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer's studio and at EMS in Stockholm. Like most of Rózmann's compositions, Mass is a long-form work with a duration of around seven hours. 

François Bonnet's new album, more vaporous, immersive and evocative than ever, explores a wide range of sound sources and techniques to blur musical codes and leave room for memory imprints.

An exploration of the shifting acoustic ecology of the Western Isles.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

Thomas Bonvalet deploys all the instrumentarium of his project L'ocelle mare (guitars, banjo, tambourines, piano, flutes, but also body percussion, metronomes, switches, painter's tape, mobile phone, microphones, mixing board, amps, etc.) to create a true poetics of the object, focusing on the materiality of instruments as objects as well as on the musicality of objects as instruments.

Thomas Bonvalet deploys all the instrumentarium of his project L'ocelle mare (guitars, banjo, tambourines, piano, flutes, but also body percussion, metronomes, switches, painter's tape, mobile phone, microphones, mixing board, amps, etc.) to create a true poetics of the object, focusing on the materiality of instruments as objects as well as on the musicality of objects as instruments.

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, Andrew Pekler & Giuseppe Ielasi's 'Palimpsests' distills 6 years of work into 9 splintered, airy reimaginings of minimalism—each surprising, creatively rigorous, and startlingly beautiful—that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.

The new solo work for concrete sounds, electronics and instruments from Australian composer-performer James Rushford: a shimmering and skittering piece inspired by the play of light and shadow on water.

The album from Marina Rosenfeld's complex audiovisual installation around the microphone, amplification, notation and listening.

Kassel Jaeger's first solo LP with Shelter Press—a remarkably intimate and forward-thinking aural balm, bristling with complex beauty.

Springing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor Okkyung Lee returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

Black Zone Magick Chant is the newest moniker from French psych-drone artist Maxime Primault, who debuts on Shelter Press. Consisting of three longform compositions borne from what Primault describes as “a couple of very intense periods, in altered states of consciousness”, Voyage Sacrifice incorporates slowly unfurling drone, murky ambient passages and the reverb-heavy sounds of bells and pitch-shifted vocals.

John Also Bennett's first solo album.

The ninth solo album of the American composer and percussionist reflects his move to Manhattan, where he produced Stadium. Starting with urban field recordings, he then builds on these environments to create subliminal spaces for his percussion, keyboards and acoustic instruments. Central to his work, his drumset and acoustic percussion performances are pushed to new levels with mesmerizing string and brass arrangements.

For his first record in 6 years, Thomas Ankersmit pays homage to the late legendary Dutch composer, electronic and tape music pioneer, and multimedia artist Dick Raaijmakers. Inspired by Raaijmakers's composition and recording techniques, Ankersmit exclusively used analogue devices, creating three-dimensional and holophonic sound fields.

Struggle Artist by Justin Meyers, the Minneapolis-based composer, artist, and head of the Sympathy Ltd. label, expresses the incompatibility of neoliberalism and non-commercial artistic practice through melancholic sonorities and the meticulous narrativity of the synth-based compositions.

Double album compiling all 3 volumes of the Movement Building serie, dedicated to Gabriel Saloman's music for contemporary dance.

The conclusion of Saloman's musical trilogy for contemporary dance, this time inspired by a work by choreographer Vanessa Goodman. The bowed guitar, militant percussion and searing guitar eruptions, are joined by distorted guitar, minimalist piano attacks, melancholy guitar melodies, a patina of harsh noise, and a more contemporary approach to drums and bass. (download code included with one additional track).

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

Budapest-based composer Gábor Lázár debuts on Shelter Press with his second full length album, Crisis of Representation: these 8 tracks created from one single type of sound constitute a true example of experimentation in the field of extreme computer music.

Budapest-based composer Gábor Lázár debuts on Shelter Press with his second full length album, Crisis of Representation: these 8 tracks created from one single type of sound constitute a true example of experimentation in the field of extreme computer music.

Ben Vida's new LP represents the conclusion of one body of work, Damaged Particulates, and the beginnings of a new long form project titled Reducing the Tempo to Zero, in which the american artist return to the durational drone based forms that he first experimented with in his early days.

A musical essay exploring complex variety of digital rhythms patterns.

A musical essay exploring complex variety of digital rhythms patterns.

A record of experimental electronic music that explores possible relationships between voice and modular synthesis.

The first album in eight years for the Angelenos duo starring former Axolotl drummer William Sabiston and guitarist Jon Almaraz.

The second volume in Gabriel Saloman's “Movement Building” series, continuing the release of original compositions commissioned for contemporary dance works.

A concrete / post-digital oratorio in 5 parts.

Alice Dourlen' new EP stands has a condensed document of a 18 months non-stop tour, melting experimental and oriental sounds with a strong theatrical aesthetics.

“Marigold and Cable” marks an indelible new phase in the trajectory of Alex Cobb's solo recordings and prior missives as Taiga Remains.

Ben Vida's new LP, based on a concrete poetry score / text piece.

A split album as part of the GRM Portraits series bringing together two pieces by Jessica Ekomane (explores the multiple possibilities of polyphonic writing) and Laurel Halo (for piano and electronics).

Trances, Jules Reidy's follow-up to the celebrated World in World (2022), gathers twelve tracks shifting between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.

The second collaboration between Stephen O'Malley and Anthony Pateras, this time entirely acoustic, based around an acoustic guitar and prepared piano: a music that seems suspended, captivating by its almost organic coherence and modal simplicity, behind which resonances and subtle plays of pitch develop.

A split album as part of the GRM Portraits series bringing together two pieces by French sound artist Eve Aboulkheir, and by Lasse Marhaug, a figure from the Norwegian experimental scene.

A split album as part of the GRM Portraits series bringing together two pieces by the French bassoonist and the Norwegian composer.

The complete version of electro-acoustic composer Ákos Rózmann's epic masterpiece 12 Stations presented for the first time in its entirety as a deluxe 7CD set.

Where Ben Vida's music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.