The Korean artist's first monograph.

A multidisciplinary examination of the Gwion Gwion cave paintings' “living pigments” which are generating new articulations between “art” and “life.”

Mirror Landscape weaves together a rich documentation on the design, construction and installation of Two Way Mirror / Hedge Arabesque, the pavilion created by Dan Graham for the sixth edition of “All'Aperto” (Outdoors)—the art event organized by the Fondazione Zegna and curated by Andrea Zegna and Barbara Casavecchia—with a wider overview on the relationship between artwork, viewer and landscape, which runs through the entire production of the artist.

The European colonial heritage revisited: Meessen invited ten international artists to think the colonial modernity and connect it with the history of avant-garde, political and independence movements (catalogue of the Belgian Pavilion at the 56th Venice Biennale).

The first detailed study of the artist's book within the Fluxus movement.

First monograph.

Showcasing 60 artists and more than 100 works from major Italian private collections, the exhibition “Too Early, Too Late: Middle East and Modernity” examines the relationship between the East and Western modernity.

This catalogue investigates the multi-faceted work of one of Italy's greatest artists of the interwar and postwar periods. The book is illustrated by a large selection of archival documents, some of which never seen before.

Reference monograph.

First monograph.

Artist's book.

A comprehensive look at the public artworks that Daniel Buren has made using ephemeral materials.

300 drawing by Portuguese artist Gonçalo Pena.

A “fictionalized adaptation” taken from the audio of Seth Price's Digital Video Effect: “Spills.”

A monographic book presenting the cumulative result of a three-partite project by Daniel Gustav Cramer and Haris Epaminonda.

A selection of writings by artist, poet and political activist Jimmie Durham, one of the most influential figures of recent decades: essays and conferences on art and society, critical reflections on “Eurasia”, the history of US-American Indian relations, and observations on the city and nature. A recurrent theme is his interrogation of the ideological complicity between monumental architecture and scripture – “architexture”– as the foundation of Eurocentric belief and tool of others' disenfranchisement.

Reference monograph.

Luis Camnitzer plays the Drawing Room Confessions.

Artist's book.

A double portrait of Libya.

Artist's book.

Ten distinguished contemporary curators answer to a series of key questions related to curating, art and exhibition making today.

Benoît Maire plays the Drawing Room Confessions.