This publication documents a project inspired by Bradbury's Fahrenheit 451, in which performers memorize a book to form a collection of living books to be read in libraries by visitors. The publication brings together eighteen text contributions from artists and theoreticians, and a visual essay.

This catalogue stems from an eponymous project on the Israel Museum in Jerusalem. The artist brought out an impressive photographic recension of artifacts, revealing the forgotten stories and fascinating polyphony of the museum's collections.

A photographic archive of the transgender community in Bologna in the 1980s. With critical texts by scholars and queer theorists.

First monograph dedicated to the radical Swedish painter, draftsman, sculptor, and precursor of sound arts (audio CD included).

This catalogue embodies the entire creative career of Marisa Merz (1926-2019), the only female artist from Arte Povera. Commissioned texts and selection of her most iconic works accentuate a recurrent theme in the artist's work: the exploration of the face and the human figure.

The catalogue of the eponymous exhibition by Laure Prouvost at Pirelli HangarBicocca: a multimedia project—installations, videos and projections, sculptures and found objects—revolving around the story of Prouvost's “grandfather”, a fictional prolific conceptual artist.

Four essays by philosopher and musicologist Peter Szendy on Anri Sala's recent practice. Szendy emphasises the key role played by music and sound in Sala's sensorial installations.

The catalogue of the Second Yinchuan Biennale articulates itself through the themes of the desert, nomadism, and ecology. Taking the form of an illustrated atlas, the publication documents works by more than 90 participating artists.

First monograph dedicated to the young American painter, whose expressive and colorful universe draws on the everyday life in the margins, from bohemians to non-conformists. The publication also presents the Gray's theatrical works and associates the artist's two practices.

First retrospective monograph overviewing the Danish video artist's body of works for over a decade.

Monograph dedicated to artist Brittany Nelson, who appropriates techniques from 19th century photography to create works of feminist science fiction and queer abstraction.

New monogaph.

An overview of the various socio-political themes addressed by the Austrian artist's work.

In 2018, Italian photographer Giovanna Silva photographed the streets of Tehran and collected archival documents from the infamous American embassy in the capital of the Islamic Republic. The image-based work is part of a multilayered narrative that encounters the words of architect, researcher and educator Hamed Khosravi.

First monograph dedicated to the American artist, offering an in-depth investigation of his work. The book assembles more than 65 artworks and three essays, by Kenneth Goldsmith, Jo Melvin and Balthazar Lovay, as well as an interview with Gene Beery by Gregor Quack.

Published on the occasion of the 58th Venice Biennale and edited by Magalí Arriola, Acts of God by Pablo Vargas Lugo reflects upon faith beyond the confines of religion, and finds its traces, in different forms, in our contemporary world.

This book is a three-part report on the long-term collaboration between artist Pope.L and curator Dieter Roelstraete which revolves around issues of connectedness, home, and migration, while addressing art's relationship to knowledge.

The catalogue of Alban Muja's project for the Kosovo Pavilion at the 58th Venice Biennale.

Commissioned by the Ruya Foundation for Contemporary Culture in Iraq and published on the occasion of the 58th Venice Biennale, Fatherland presents the work of Kurdish Iraqi artist Serwan Baran and his investigation of the concept of “fatherland” as opposed to what we traditionally understand as “motherland.”

Published on the occasion of the 58th Venice Biennale and curated by Hyunjin Kim, History Has Failed Us, but No Matter explores the history of modernization in East Asia through the lens of gender and the agency of tradition.

Horizons presents a group of approximately seventeen large-scale works from the last thirty years by British abstract artist Ian Davenport, from the earlier pieces made with industrial materials of the '80s, till the more complex multicolored works of the last years.

An extensive overview of Scott Reeder's production from the 1990s until today.

Magic Centre revolves around the Indonesian publishing company of the same name, which was mostly active in the 1960s. It serves the artist as a lens through which he examines the social and political changes that reshaped his country during the years Magic Centre was in business.

Published on the occasion of the 58th Venice Biennale and edited by curator Hesperia Iliadou de Subplajo-Suppiej, Maleth / Haven / Port is inspired by the Odissey and provides a contemporary reinterpretation of our timeless need of seeking Haven, most strongly experienced in times of crisis.