Artist's book.

Giovanna Silva explores the architectural heritage of the Philippines, illustrating the relationship between architecture and history, through the architectural exuberance of a power long marked by corruption and nepotism.

This volume outlines the multiple trajectories that led to one of Mario Merz's most significant bodies of work: the igloos. Essays by Germano Celant, Lisa Le Feuvre, Pietro Rigolo, and Mariano Boggia complement a lavish array of illustrations and hitherto unpublished documents, including a 1974 interview with Merz conducted by Harald Szeemann, and a photographic reconstruction of the Igloos exhibition at the Pirelli HangarBicocca.

First comprehensive monograph.

First monograph.

This book revolves around the cycle Topography of Terror, initiated by artists Elisa Caldana and Diego Tonus in 2017, and presents the making-of process behind Topography of Terror (19.12.2016) and Never Again, the first two episodes of the cycle.

This retrospective monograph, with a dozen previously unpublished texts and a long interview with the artist, reveals the challenges of Portuguese artist Diogo Pimentão's resolutely expanded practice of drawing, informed as much by dance as sculpture or performance.

New monograph.

A journey through Western artistic culture with thirty-nine ancient and contemporary works from the Fabrizio Moretti collection, from the Gothic period to the experiments of the last ten years, passing through Mannerism and the Baroque.

Catalogue of the last solo exhibition of Ettore Spalletti (1940-2019).

An anthology of both newly commissioned and reprinted essays, as well as interviews and fiction that reflect on performance today.

The graphic translation of the text at the heart of the Fatamorgana project (2016–2019), alongside a variety of related materials, including project notes and contributions. The books also provides online access to photographic, video, and sound materials, along with technical specifications for all of the project's component elements.

Large-sized monograph based on Adrián Villar Rojas' “Brick Farm” series.

This anthology gives voice to seven curators who discuss the conception of shows they organized that marked curatorial history thanks to their structural innovation in terms of exhibition siting.

This publication extends an exhibition program that examines the environmental challenges facing the art world and its institutions, drawing on the concept of “destructive plasticity” theorized by philosopher Catherine Malabou.

The catalogue of the 33rd Ljubljana Biennial of Graphic Arts, curated by art collective Slavs and Tatars, examines the relationship between graphic arts and satire.

Retrospective monograph documenting the exceptional yet little-known journey of Cathy Josefowitz (1956-2014), painter, designer, dancer and musician.

New catalogue.

Catalogue of the Estonian Pavilion at the 58th Venice Biennale.

Second volume of a publication dedicated to the artist's novel, this metafiction follows a detective investigating the conditions of production of a novel within an artistic framework.

Retrospective catalogue spanning Morris's early years, covering the 1960s and 1970s through a selection of works, historical essays, interviews with collaborators, and texts by the artist.

This catalogue documents a project for which Steegmann Mangrané intends to reframe the history of abstraction, inviting us to re-evaluate the traditional division between nature and culture. It features a selection of works inspired by the artist's readings, from Roger Caillois to Merleau-Ponty.

Monographic catalogue: for more than a decade, Israeli installation and performance artist Naama Tsabar subverts the gender roles associated with art and music, with a particular emphasis on rock'n'roll.