Through a collection of essays by selected scholars and practitioners, this volume explores the ways in which digital technology has deeply influenced how one produces interacts with, and consumes narratives by reformulating the notion of space.

A bilingual text by Alessandro De Francesco that blurs the boundaries between art and poetry.

First monograph.

First monograph.

New perspectives on the process of translation from the works of more than thirty international artists.

First monograph.

A survey of Louise Nevelson's research on collage.

An extension of Vladimir Nikolić's project for the Serbian Pavilion at the Venice Biennale 2022, this book explores publishing as an incubator for different forms of editorial, artistic and curatorial practices.

Retrospective monograh of the pioneer of Turkish contemporary and conceptual art, Füsun Onur.

Pilvi Takala's project for the Finnish Pavilion at the 2022 Venice Biennale.

The photographic archives of Roberto Polillo who abundantly documented the concerts of the greatest American jazz musicians in Italy in the years 1960-1970.

The role of masks throughout history, materialized in the works of twenty-one artists: a look into the ongoing radical reshaping of our multiple historical, sociopolitical, sexual and transcendental identities, inquiring about the current processes in which we shape-shift from one to the other.

A resource book for curatorial studies and exhibition history, based on the case of the Göteborg International Biennial for Contemporary Art.

The catalogue of ARS22, the tenth edition in the series of major international contemporary art exhibitions originally launched in 1961 in Helsinki.

New monograph, highlighting the topicality of the issues that run through all of Ericka Beckman's work over some forty years.

This monograph spans two decades of the internationally acclaimed American artist Ellen Gallagher's career, including paintings, works on paper as well as three film installations created in collaboration with Dutch artist Edgar Cleijne.

With this book, Swiss artist Judith Kakon extends her artistic practice by relating her works to her working materials in a nonhierarchical and nonlinear manner.

First monograph of the Kenyan artist.

A multi-format (a vinyl record, a publication and an installation) and multidisciplinary project with an approach between science, technology and the arts, in dialogue with contemporary thinkers. The vinyl LP gathers a set of sound pieces made by twelve musicians with whom Lamas collaborated.

First monograph.

Forty-Nine Exhibitions survey Bernhard Rüdiger's work over thirty-five years, organized in reverse chronological order.

A colorful and lively journey through Tyra Tingleff's artistic practice.

Finding a future desert without deserting the future.

First monograph.

A new publishing project documenting the duo's artistic trajectory with a particular emphasis on their discursive production.

A multifaceted view of an artist who is interested in both larger global politics, and intimate, domestic spaces and the inner psyches of individuals under duress.

First monograph.

The first curatorial project dedicated to Post-Performance Video with a special look at the works of four artists working in Los Angeles or having trained in this city: Coleman Collins, Rodney McMillian, Nathaniel Mellors, and Anna Wittenberg.

Histories Read Across, Fluentum's inaugural issue that opens the publication series In Media Res, examines how (his-)stories are told, narratives are conceived, and knowledge is produced.

Art and the economics of the digital age.

Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.

This volume presents Laura Aldridge's recent and older works, and features an interview and three original essays about her practice.

First monograph.

Giovanna Silva paints a sinuous, compulsive, dizzying and poetic portrait of the city of Milan through several hundred series of detailed photographs of modern and contemporary building facades.

A study of Tadini's position in the early post-war cultural debate, with a large documentation of paintings, photographic studies, drawing and collages, based on an unpublished manuscript.

Contemporary artists and art professionals consider the concept of beauty in art and in their own practice.

The publication Bande à part discusses the reasons, means, and rationales of a range of recent independent art institutions, which often have a small economy yet create a considerable impact within their respective art scenes.

Retrospective monograph.

An investigation into the history of Chilean medicine, by the Italian artist and filmmaker.

A photographic dive into the history of the Marconi Studio from 1968 to 1978.

New monograph.

Artist's book.

Monograph dedicated to the corpus with which the Israeli artist explores, like an archeologist, the historical and geopolitical dimensions of territorialization, colonization, migration and transgression of borders, from issues related to the history of its country of origin.

A project for which artist Simon Moretti invited fifty-one artists to supply a text that they had written or found, to be considered as part of a collaborative artwork to represent their thoughts in the current charged moment in history.

The artist as collector: Albert Oehlen's own artworks nail-to-nail with masterpieces from his personal collection.

The story of a photographer's journey to capture the soul of a place through Intentional Camera Movement photography.

Reference monograph.

Documents on Raphael is not only a rediscovery project carried out on the five hundredth anniversary of Raphael's death, but above all an operation of re-visioning.

Liu Xiaodong's series of paintings from the Texas-Mexico border.