BlackJack editions

Retrospective monograph (also available in English edition).

Monograph / artist's book, with numerous contributions, texts and specific projects, questioning the basic aspects of the 1950's to 1970's subculture, around music, experimental or popular cinema, D.I.Y. graphics, underground litterature...

A Rabelaisian happening by the French artist, some other gigantic works and a text by Pascal Beausse.

The French art scene with 88 art critics and 88 artists, on 800 pages in color.

Expanded catalogue of an exhibition bringing together works on paper by nineteen international artists to explore the notion of landscape, with numerous essays.

First monograph on French artist Bruno Peinado, gathering his whole drawings from 1995 to 2005, on 1600 bible paper pages.

A travel from Marseille to North Scotland in a 504 Peugeot surmounted by a magenta luminous box.

Noël Dolla's iconoclastic artistic approach defies categories. This book seeks to explore the heterogeneity of Dolla's works to better demonstrate the singular common thread between them.

Both an artist's book and Kader Attia's reference monograph, “RepaiR” consists of interviews and texts around Attia's oeuvre, documented through about 1000 b/w reproductions, and the notion of repair, by 13 academics and researchers working in various disciplines. The book also reveals the artist's research and creation process, with a selection of archive texts and images.

A collection of texts by Voltairine de Cleyre and Emma Goldman, two visionary anarchist women at the turn of the twentieth century.

First anthology of Rosemary Trockel's collages, which are a key for a difracted and non-academic view on the whole work of this German artist known internationaly (German / English edition).

A dialogue between two singular appropriations of the concept of cannibalism at two key historical moments: a new translation of Oswald de Andrade's cult poem, advocating the symbolic ingestion of the colonizer and his culture, faced with an analysis by Suely Rolnik of a perverted contemporary cannibalism experience in the context of financial capitalism.

A retrospective of Kader Attia's works from 2005 to 2009, with an interview and various texts.