The frontispiece of Hobbes' Leviathan, Marat at his last breath by David, "Your country needs you", Guernica by Picasso: four essays on political iconography.

A Leibnizian reinterpretation of the traditional opposition between French geometric and English landscape gardens.

Thomas Crow aims to explain what makes Warhol a precursor and a virtual paragon of the contemporary artist.

The law after the dematerialization of the artwork: a legal perspective on contemporary art.

An anthology of Fontana's manifestos, texts and interviews.

An anthology of Fontana's manifestos, texts and interviews.

First monograph on Stéphanie Cherpin's work, with two essays, an interview, and a complete catalogue of her sculptures.

A retrospective overview of the 11th edition of the Lyon Biennale, curated by Argentinean curator Victoria Noorthoorn, with a focus on the two parallel programs “Veduta” and “Resonance”, held in the Lyon conurbation and its region.

At the crossroads of genres and species, Thalia Field expands the art of storytelling.

An anthology which brings to light the fertile relations between two disciplines: Cultural Studies and art history.

2nd issue of the experimental music annual review, around the question of experimentation in music.

The theatrical, poetical and musical work of Xavier Forneret, French Romantic writer, precursor of the Surrealist movement.

Stories, novels, correspondence and short texts by Xavier Forneret, French Romantic writer, precursor of the Surrealist movement.

An anthology (1975-2000).

Igor Zabel's writings.

The legendary life of Maurizio Cattelan: a fictional biography of which the artist himself is the biographer.

The legendary life of Maurizio Cattelan: a fictional biography of which the artist himself is the biographer.

An analysis of the contemporary crisis of the concept of community, rethought in a philosophical but also poetical perspective, from the work of Maurice Blanchot, Jean-Luc Nancy, Giorgio Agamben, Georges Bataille, René Char, and Henri Michaux.

A study of the production and reception of art in the USSR in the years 1920-1930 through the analysis of the work of the Society of Easel Painters (OST)'s members.

Public garden in art between the mid-XIXth and early XXth centuries.

An overview of American minimalist composer, filmmaker and video artist Phill Niblock's work since the 60's, through about twenty essays and interviews by musicologists, art critics and historians, various documents, scores, and more than 8 hours of videos on DVDs.

Digital book.

A dialogue between two major contemporary choregraphers.

Essay and interviews.

An investigation into the uses of “sound document” in music, since the beginning of phonography.

The production/reception dialectic.

Art and moving images.

The history of art in the context of universal exhibitions since the late nineteenth century to Charles de Meaux's visual and sound installation for Yeosu 2012.

An insight into the work of French dancer and choreographer Maguy Marin, with a film on DVD and an audio CD.

Reference monograph dedicated to an artist who works with sound as a material.

A biographical approach to Gerhard Richter's work.

A biographical approach to Gerhard Richter's work.

Richter's texts, essays, letters, manifestos, and interviews.

Richter's texts, essays, letters, manifestos, and interviews.

Reference monograph.

Luxurious box set of three books dedicated to the monumental eponymous body of works.

Women's artistic literature: a collective and transnational history of discourses of women on art in the 18th and 19th centuries (essays).

Women's artistic literature: a collective and transnational history of discourses of women on art in the 18th and 19th centuries (an anthology of essays, articles, travelogues, letters ...).

Émile Bernard's correspondence.

The relationship between language and thought in pedagogy and humanities at the turn of the 19th and 20th centuries.

A critical biography.

A biographical rereading of the English playwright's work.

A philosophical, social and political study of a series of public sculptures by Claes Oldenburg et Coosje van Bruggen.

Works 2007-2011, with a new essay by noted British critic Rebecca Geldard as well as a preface by curator and art historian Daniel Kurjaković.

Artists and parties: aesthetics and politics in the first half of the 20th century.

The Nouveau Réalisme between Paris and West Germany in the 1960's.

The story of objectivity, by two of the greatest historians of science today.

Different readings and interpretations of French choreographer Myriam Gourfink's work.