An archeological inventory of the bizarre beauty of art brut, popular gardens and improbable architecture, palaces and tree castles, chapels and converted caves, concrete and matchstick models, rustic furniture and animal sculptures, caravans and flying bicycles, calvaries... and the last homes of creators of all kinds (mental patients, abbots, bistro owners or self-proclaimed artists), most of which now only exist on postcards from the period, around 1900.

A study and translation of a fundamental text on the “art of the insane” in Russia, re-establishing a whole section of Western history of the interest of psychiatrists in the relationship between creation and madness.

A study on the relationship between literature and madness from the 18th century until now.

Science and Pataphysics, volume II: the birth of linguistics, as an academic field, in France, and the ideological and political issues that contribute to this implementation.

Does Mona Lisa deserve her mustache? An erudite review of 180 pre- and post-Duchamp caricatures and misappropriations.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

Herminie Hanin (a figure of art brut, “fou littéraire” with a tendency to paranoia, inventor of the plane trap) inaugurates the series “Les Hétéroclites” (“Heterogeneous”), created by Marc Décimo to explore the relations between literature, art, insanity and creation.

An introductory examination of asylum art before the theorization of art brut, followed by a new critical edition of French alienist Marcel Réja's study on the “madmen's art”.