This luxurious monograph reveals the strangeness of the Swiss artist's practice, which blends traditional painting techniques with digital technology, and captures the very special texture of the works reproduced on the glossy surface of paper.
Louisa Gagliardi: Many Moons is published on the occasion of the eponymous exhibition at MASI Lugano. The work of Louisa Gagliardi blends traditional painting techniques with digital technology, exploring themes such as identity, social transformations, and the relationship between individuals and their environment through works imbued with a sense of ambiguity and mystery. This richly illustrated catalogue deepens the uncanniness of her practice thanks to contributions by Francesca Benini, the exhibition curator, along with Sara Catella, Noëmi Lerch, and Micah Schippa-Wildfong.
This publication comes with different covers, randomly distributed.
Louisa Gagliardi (born 1989 in Sion, Switzerland) draws freely from the codes of painting as well as contemporary graphic design and advertising in order to rethink questions of figure and ground, flatness and depth, dimensionality and translucence, the enigmatic and the banal, the digital imagery and the painterly marks. Her paintings exist as reflections: internally, of artist and viewer, and of the rapid acceleration of technology in our visualized and socialized worlds. Their liminal status, as both digitally rendered images and physically confronting objects, speaks as much to contemporary concerns of self-mediated personas as they do to the compositions and narratives of the classics of art history. At its heart, Gagliardi's oeuvre plays with expectations, fulfilling and subverting them simultaneously. When one views the work, ideas of authenticity and authorship are begged for and rebuffed; the smooth digital surfaces of the paintings blossom into echoes and refractions of their hand-worked surfaces as they are approached and circled. Brushstrokes exist physically and printed, as clear gel medium creates texture and melodrama, forcing the signature marks of the artist executed with mouse on screen to confront total issues of reality within painting.
