Art & fiction / storytelling

A drivel is a short story wrote by Keren Cytter in a style reminiscent of Witold Gombrowicz, though its meaning gets lost in the continuous intertwining of characters, their stories and their memories.

An innovative study of David Claerbout's work, following the shady—and dark—logic, until now never raised by critics, that structures many of his films with mineral duration and slowness, but also number of “invisible” photographs.

A novel.

Including images and texts around Christian Boltanski's simultaneous site specific projects in Buenos Aires in 2012, this book is conceived as an archive, a memory and a theoretical and critical discussion of the experience.

Comprehensive monograph.

The Reluctant Narrator attempts to map the migration of narrative modes across several media, bringing together works that intertwine personal biography with historical events, or that deal with stories that fell through the crevices of history.

“Ce qui ne sert pas s'oublie” (“What cannot be used is forgotten”) accompanies and extends the reach of the exhibition of the same title. Both deal with the mutating statuses of objects in relation to possible historical narratives, especially those related to colonial past and present and the layers of cultural, spiritual, and identity production that stem from them.

A collection of hallucinatory epic poems inspired by crime novel & science fiction.

Peter Hutchinson's writings.

Artist's book.

A retrospective overview of the 12th edition of the Lyon Biennale, curated by Icelandic curator Gunnar B. Kvaran, with a focus on the two parallel programs “Veduta” and “Resonance”, held in the Lyon conurbation and its region.

A collection of ten short stories that reflect on contemporary society, politics, and the human condition.

A guide for J. G. Ballard's The Atrocity Exhibition, between human sciences and science fiction, between the history of art and the medicine including reproductions of 20s pulps and of 60s independent magazines.

The chimerical final work by Maxim Komar-Myshkin, one of the most elusive and tragic figures in Israeli-Russian art.

Through the notion of ecology of art, Des récits ordinaires (On ordinary conversations), a project by Grégory Castéra (curator), Yaël Kreplak (linguist) and Franck Leibovici (poet and artist), attempts to vizualise the various modes of existence of artworks.

A graphic short-story: a trip to Afghanistan, organised by the British government, in which Anish Kapoor and Anthony Gormley are charged with building a gigantic sculpture to subdue the insurgent population...

This book documents an installation by Eric Baudelaire revisiting the political and personal saga of the Japanese Red Army as an anabasys—an allegory of a journey that is both a wandering into the unknown and a return back home.

The first publication of a play by one of the pioneers of conceptual art in Los Angeles (new edition).

The novel by Brian O'Doherty, written from the perspective of the Chevalier d'Eon (1728-1810), who lived as both man and woman, French spy and European celebrity, reveals the radical modernity of one of the eighteenth century's most mysterious figures.

The first edition of the triennial of contemporary art Bergen Assembly.

Richard Hawkins' first book of fiction: eight jubilatory and decadent short stories.

First French translation of the 1983 artist's fiction book by Richard Prince.

The first poetry book wrote by the visual and sound artist Felicia Atkinson.

This first volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s.

This second volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s through to the present.

Artist's book.

Issue dedicated to John Baldessari.

Artists' book.

Keren Cytter's choreographic performance.

A novel by Belgian artist David Evrard.

Alain Declercq, who usually transposes crime fiction into the visual arts field, changes his method of operation and publishes his first thriller.

Alain Declercq, who usually transposes crime fiction into the visual arts field, changes his method of operation and publishes his first thriller (the limited edition of the book is accompanied with an original artwork signed by the artist).

The continuation and end of Guillaume de Lorris's Romance of the Rose, written in 1216 but unfinished, by artist and writer Bruno Di Rosa.

Artists' book.

A series of narrative portraits and accompanying images of his recent sculptures by Egyptian artist, musician and writer.

Catalogue raisonné, with 170 publications described, a biography, and an USB card containing a PDF file and an audio interview of Paul-Armand Gette.

Reference monograph, including most of Mai-Thu Perret's projects so far, introduced by short captions she has written, as well as newly commissioned essays by Elisabeth Lebovici and Diedrich Diederichsen.

New Dystopia is contemporary author Mark von Schlegell's illustrated screenplay-as-science fiction novel. In conjunction with the curator Alexis Vaillant, von Schlegell curated an exhibition of contemporary art at CAPC musée d'art contemporain de Bordeaux, “Dystopia,” based on his novel's dystopian-present.

A story about what survives—of bodies, ideas, objects and the artistic or literary forms that might describe them—in the wake of catastrophe.

Monograph based on two films by Keren Cytter.

Artist's book / first monograph.

A short story edited by Rita McBride.

This monograph documents the new developments (collages, drawings, posters, sculptural works) that have taken place in Kolding's work in recent years, and includes texts by Lars Bang Larsen and Jacob Proctor.

When contemporary fiction meets art.

When contemporary fiction meets art.

When contemporary fiction meets art.