Essay

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

Six essays dealing with still rarely discussed aspects of the work of Joseph Beuys, Max Bill, Fischli | Weiss and Ai Weiwei, but also Jules Verne, in their relationship with the various artistic concepts of Marcel Duchamp.

The encounters between the most prominent French philosophers of the 1960s and 1970s and the artists of their times, most particularly the protagonists of the Narrative Figuration movement.

The history of capitalism of the 1960s revisited in the light of the artworks that challenged it.

An in-depth and circumstantial study of the work of Franz Radziwill (1895-1983), a major and controversial representative of “magical realism” in painting.

A landmark study on the psychological effects of oppression on Black Americans during the 1940s.

A historiographical study of German art theorist, writer and activist Carl Einstein (1885-1940), that also explores several layers of the history of the early twentieth century, and proposes a critical reflection on some epistemological tropisms of today.

In this essay, professor Peter G. Rowe gives an overall description of how new technologies transformed the field of architectural design, addressing issues such as the precision and incompleteness of information, schema theory and heuristics.

Comparative Studies of Neo-Avant-Gardes in a Bipolar World.

This book, the first major publication in English devoted to the Korean critic and art historian Lee Yil (1932-1997), is a collection of texts on aesthetics, theory and history of art by the main observer of “Dansaekhwa”, or Korean monochrome. It also brings together essays and monographic prefaces that gave wide coverage to artists who had been active from the end of the Korean war up until the mid-1990s.

Eight essays on the German avant-gardes (Hugo Ball, Max Beckmann, Marcel Breuer, Franz Marc, Merzbau, Expressionnism, Dada…).

The first French translation of the landmark work by media theorist Friedrich Kittler.

An introduction to media theory.

This collection of texts offers a philosophical and textual analysis of the work of butō dance creator, Hijikata Tatsumi. The author, the philosopher and translator Uno Kuniichi, gives a deterritorializing reading of the Japanese dancer and choreographer, linking him to figures like Genet or Artaud, while restoring his own specificity.

A reflection on the relationship between language and photography.

How media and new technologies affect our sense of the present.

In her brilliant essay, Helen Molesworth pinpoints the significance of the return of the handmade in Duchamp's artistic oeuvre of his later years and, at the same time, and for the very first time, makes this fundamental paradigmatic change the focal point of academic debate.

The essays gathered in this volume explore interactivity in art, in a historical and interdisciplinary perspective.

An ethnological study of witchcraft in West Africa, based on field research conducted in five countries between 1994 and 2000.

The socialism of Capital: a collection of texts by economist Christian Marazzi on the new capitalist regime formed out of the 2008 crisis.

Addressing the current upswing of attention in the sciences, arts, and humanities to the proposal that we are in a human-driven epoch called the Anthropocene, T. J. Demos critically surveys that thesis and points to its limitations, trough a series of cases study taken from contemporary visual culture.

A collection of essays focusing on the notions of invention and image in art.

Conceptual art in the United States (1965-1975): theoretical tools and European influence.

The posthumous publication of the German philosopher: a major work on the collapse of Western philosophy and on the necessity to rethink the past to build the future.

The aesthetics of Gilles Deleuze.

A pluralistic approach to nature (after Alfred North Whitehead).

An essay that aims to reconstruct another metaphysics, substituting the primacy of life, matter, and consciousness, to that of reason, on the basis of a philosophy of nature (referring to Ravaisson, Tarde, Nietzsche and Bergson) and a renewed cosmology.

Common sense: a philosophical investigation (after Alfred North Whitehead).

The catalogue raisonné of the The Franche-Comté Frac, including exhibition views, archives, reproductions, documents, index and essays.

Analyzing the theoretical and aesthetic thought of the founder of Lettrism in the intellectual context of the post-war and up to 1968.

A collection of theoretical texts by the German composer: a valuable testimony of his research on the musical link between sound and body.

An examination of various forms of aesthetic practice seen through the lens of the neoliberal cultural revolution.

A critical essay on the state of the academic world, and a call for the development of an autonomous knowledge production.

Artistic practices in New York's alternative art spaces (1969-1985).

A biographical essay on the Baroque Brazilian architect and sculptor from the 18th century, Aleijadinho.

A collection of essays on art and literature—most of them unpublished in French—by the American poet, performance artist, and critic.

Postmodernism and gift culture: everyday objects in contemporary art since the 1960s.

This study addresses the scope of the use of found objects and garbage by the Nouveaux Réalistes in the 1960s.

A collection of essays exploring the current contemporary art scene through the analysis of the works of ten artistic figures of the present days.

An history of assemblage art in California from 1950 to 1970.

New expanded edition of a major text by the American choreographer-dancer.

Edgar Degas and the rediscovery of monotyping in the 19th century.

A story of the Grévin wax museum in Paris from 1881 to 1921.

An essay conceived as an intellectual portrait of the German writer, psychologist and art theorist Karl Philipp Moritz, whose purpose is to investigate the relationships between aesthetics, psychology and anthropology in the second half of the 18th century, and the importance of their simultaneous development for the debates about art after 1800.

Rereading L'Origine du monde and the relationship between Gustave Courbet and James Whistler.

The first French translation of Yve-Alain Bois' reference study on modernism

Common sense: a philosophical investigation (after Alfred North Whitehead).

This historical essay assesses the impact of Dadaist ballet Relâches on the French artistic community by restoring the historical context that has transformed the collaboration of Picabia, Satie and Börlin into a unique event in the history of dance and performance.