In this deeply personal volume, Simone Fattal's close friend and confidante Hans Ulrich Obrist delves into the artist's past to explore the remarkable breadth of her body of work.
In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.
An account of artist Io Burgard's experience in the town of Ugine (archives, concert, residency, exhibition), part fanzine, part punk, part white cube.
Les presses du réel – Contemporary art – Monographs
forthcoming
Marion Laval-Jeantet's research into therapeutic care continues her work with Benoît Mangin under the name of Object-Oriented Art on microbiota, at the crossroads of scientific art, biology, anthropology, psychology and ethology.
A survey of Florence Grundeler's work, structured according to the different media (canvas, paper, steel, installation) that form the pillars of her artistic development, with two essays.
A split album as part of the GRM Portraits series bringing together two pieces by Jessica Ekomane (explores the multiple possibilities of polyphonic writing) and Laurel Halo (for piano and electronics).
The catalogue for Iva Lulashi's exhibition at the Albanian Pavilion of the Venice Biennale 2024, inspired by the sexual revolution advocated by Russian radical thinker and feminist Alexandra Kollonta.
The first volume in a series devoted to the archives of German artist, author and curator Marion von Osten (1963-2020), around the MoneyNations project, transversing between art, theory, and activism.
Machteld Rullens' second publication with Zolo Press documents three years of works, friends & family moments, and travels in Senegal, NYC, LA, and Vincent van Gogh's house…
"UFO Forest +" is the third and most alchemically satisfying archival anthology of unreleased material from the Argentinian composer, building on a growing recognition of her poetic, psychosonic investigations ongoing since her studies in the early 60's with Nadia Boulanger and Edgardo Canton, and at the renowned Parisian institute INA-GRM.
An art project articulated around the issue of migration and diasporas from the Global South that sees the Mediterranean transformed into a place of waiting, suspension, and passing away, a solid space of embodying absence.
This second project released on Sub Rosa by the Japanese artist Kaoru Tashiro, manages to create a subtle dialogue between four composers, and four musical pieces, mixing a delicate blend of Japanese and European sensibilities. Those different approaches convergence thanks to the highly recognisable sensibility of Kaoru Tashiro's way to play.
Emblematic works by the Belgian-Polish sculptor and textile artist produced in the 1970s, revealing Tapta's attention to the tactility of her materials, the suppleness of structures, individual and collective practice, and the interaction between artwork, space, and viewer.
In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal (new expanded edition).
Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.
Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.
Between an artist's book and a art publication, Greyzones is an attempt to grasp the scope and width of the work of artist duo Inge Nabuurs and Erwin van Doorn.
The "suspensive" artist Chloé Moglia invites authors and researchers to write with her, what the gesture of standing above the void generates as perceptions and thoughts. In this first issue of Feuilles (Leaves), through verticality, dizziness and risk, it is a question of strength and consideration.
A collectible publication on Magali Reus' thinking of objecthood (an immersive and highly refined artist's book—three assembled volumes, different types of paper, transparency play on layers—based on three new series by the Dutch artist).
This publication by avant-garde artist and cultural icon Yoko Ono combines never-before-published texts and invitation pieces written in 2016–2018 with drawings from the “Franklin Summer” series she started in 1994 (new edition).
She Mad gathers materials and documentation on Martine Syms' seminal episodic project of the same name. Each episode of this series takes a different format, using various narrative formats, from sitcoms to TikTok videos, and includes filmed footage as well as research materials.
Gelenkstellen – Loose Joints opens a space for mental and physical movement by translating the motif of loose joints, which is central to Hella Gerlach's sculptural practice, into the format of a book.
New electromagnetic recordings by Christina Kubisch: a suite of pieces focusing on the electromagnetic sound qualities of trams, buses and related infrastructure.
Fan book parody, People Painting is an artist's book made up of a collection of found images of famous personalities (from the 1920s to 2020) painting or posing in their studios.
Dreaming Alcestis is an artist's book by artist and filmmaker Beatrice Gibson, conceived as an accompaniment to her holographic film installation of the same name.
