Figurative painting

Comprehensive monograph.

Reference monograph.

Reference monograph.

The first in a series of books dedicated to Jean Jullien's paintings, this book uses paper formats to contrast the artist's preparatory notebooks with exhibition views of his paintings of Mediterranean environments.

An exploration of the role of writing in the artistic practice of Huguette Caland (1931-2019).

An exploration of the role of writing in the artistic practice of Huguette Caland (also available in English edition).

First monograph on the Swiss artist.

Brice Guilbert grew up on the French Indian Ocean island of La Réunion, at the foot of the Piton de la Fournaise volcano. The Fournez series is the result of years of repeated work on the very same motif: the eruption of this volcano.

The first major monograph on Swiss-Uruguayan artist Jill Mulleady, whose paintings feature humans and animals enacting their instinctive psychological reactions to ever-present threats of danger.

This enchanting convening of texts and images, diaries and epistles celebrates a unique voice and ongoing dialogue around the erotics of art.

A broad survey of the Brazilian artist's work since 2016, dwelling on the recurring motifs and iconographic sources that feed the complex imagery of his painting.

A major monograph dedicated to the last series of works by the American hyperrealist painter, exploring images derived from cameras, typewriters and machine parts he calls "components".

A selection of paintings, drawings, and preparatory works by the Saudi artist that invite into a dreamlike realm where reality and imagination blur.

A fascinating encounter between two artists from different generations.

A fascinating encounter between two artists from different generations.

A huge opus collecting for the first time the latest issues of Aleksandra Waliszewska's Problem (vertical format artworks).

Blending critical discourse with striking visual documentation, this volume is both a tribute to a singular exhibition and a testament to Juan Araujo's enduring exploration of memory, perception, and the shifting nature of visual heritage.

This luxurious monograph reveals the strangeness of the Swiss artist's practice, which blends traditional painting techniques with digital technology, and captures the very special texture of the works reproduced on the glossy surface of paper.

The new edition of Campo di Marte by Nathalie Du Pasquier is enriched with sixteen additional compositions, expanding and complementing the original selection of the first edition.

Ffirst monograph on Argentinian artist Santiago de Paoli.

60 painted portraits of friends at work from the art world and culture.

The enigmatic oil paintings of Sicilian-born artist Tancredi Liliana Salone, “premonitory memories” of a disturbing future, a dystopia steeped in ancient images.

Comprehensive monograph: a complete overview of Salvo's work, with never-seen-before documentation and archive.

The revelatory world of Emma Reyes.

The revelatory world of Emma Reyes.

Two series of brutal, raw drawings by Miriam Cahn.

A monograph developing an iconographic apparatus that casts a light on the relationships between Italy and Louis Fratino's oeuvre, with newly commissioned essays and contributions by scholars of art and queer theory (new edition).

A retrospective of Alfredo Volpi, a key figure of Brazilian modernism, covering the central themes of his work from the 1940s to the 1970s, his most prolific period.

Catalog of an exhibition that presents the discourse and developments in the arts of Saudi Arabia that took place between 1959 and the 1980s, highlighting a group of Saudi artists who contributed to shaping the identity of the local art movement.

An overview of the pictorial work of a leading figure on the Saudi art scene.

An overview of the pictorial work of a leading figure on the Saudi art scene.

Comprehensive monograph.

Over 200 drawings and paintings to explore the visionary, obsessive, and hypnotic qualities of Jacopo Pagin's work.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

Retrospective monograph.

Judith Eisler's first monograph, bringing together paintings made between 1997 and 2024, featuring an essay by Kirsty Bell, an introduction by Christopher Bollen, and an interview with Wade Guyton.

The story of a series of over seventy paintings that thematically play on the pitch that in recent decades the Church has increasingly had to cede to football.

A series of paintings synthesising big wave surfing, turning the human element into a visual punctuation on the immense aquatic backdrop.

Ludovic Nkoth's exhibition at Fondation Le Corbusier – Maison La Roche, a masterpiece of twentieth-century modern architecture.

The catalogue of the Lithuanian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

This publication examines the intersection of art and politics, through the deeply engaged work and thought of two contemporary artists.

Alioune Diagne's project for the first Senegalese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The Significance and Relevance of Early Modern Indian Painters to the Contemporary Indian Art, written in 1971, reevaluates the legacies of painting inherited by the artist Nilima Sheikh.

Catalogue.

New approaches to Iannone's unique work.

Caroline Bachmann's dawn paintings.

The catalogue for Iva Lulashi's exhibition at the Albanian Pavilion of the Venice Biennale 2024, inspired by the sexual revolution advocated by Russian radical thinker and feminist Alexandra Kollonta.

First monograph of the Mexican queer artist.

The series of portraits of African heads of state unveiled by Kehinde Wiley at the musée du quai Branly – Jacques Chirac in Paris, an exploratory project around the representation of power on which the painter has been working confidentially since 2012.