Collaborations / collectives

The first two volumes of the series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

A two-part musique concrète piece by Canedicoda (Ottaven) and Renato Grieco (kNN).

The second volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

Live performance of the artists Jacopo Benassi (voice, guitar, dildo and japanese axe), Michele Lombardelli and Luca Scarabelli (guitar and analog devices) at the RetroStudio, Fiorenzuola d'Arda, 11 July 2022. Including a 16-page booklet of photos by Jacopo Benassi.

An installation by the artistic duo Tehnica Schweiz (Gergely László and Péter Rákosi) comprising a film and a porcelain sculpture collection: a re-examination of our relation to architectural and material cultural heritage.

A workbook by Flatform, a "collective artist" in the field of video and media art, at the border between experimental cinema and contemporary art, conceived and curated by Giuliana Prucca.

The General Idea drawings.

A double-creation with four hands, surprising, intelligent and sensitive, between minimal experimentations, avant-garde pop and dissonance.

With their sixth studio album, Oiseaux-Tempête unveils a new facet of its mythology through a dense work that carries darkness towards the light of day, that rumbles, calms down and warms up again. Like the silhouette of a lighthouse that reveals itself as its torch rises and shines, the powerful beauty of What On Earth (Que Diable) radiates into an expanding musical cosmos.

A "small portable zoology": a book combining 50 animal poems by Christian Bernard and 50 collages by Hippolyte Hentgen.

An original meeting, powerful and explosive, between Charlemagne Palestine, Eric Thielemans and Oren Ambarchi.

Discographisme maison / Homemade record sleeves is a project collecting and assembling a series of record sleeves. They were all reworked and customized by unknown artists who used the original cover as a support or a source of inspiration... This collection echoes an intimate, marginal and overlooked experience, which can be replaced in the history of iconography and pop music.

Special issue dedicated to the simple and spectacular actions of the group of women artists "Les idiotes" (Hélène Defilippi and Sarah Cassenti): "the most raw and naked materiality of the body, which objectifies itself in act and concretizes itself as form."

Faced with the ecological peril, what can design and archarchitecture itecture do but encourage and accompany modes and ways of living that maintain a renewed relationship with nature? Based on realizations and projects, Matali Crasset and David Bihanic share the writing of this book, seeking together, between testimony and analysis, to characterize a design of matrices.

A colossal compendious overview of the revered and subversive queer Canadian collective, designed in collaboration with AA Bronson: the most comprehensive source on General Idea.

A colossal compendious overview of the revered and subversive queer Canadian collective, designed in collaboration with AA Bronson: the most comprehensive source on General Idea.

Over 15 years of subversive installation art from a Copenhagen-based collective.

The engaged spatial protocols of the collaborative studio for research and design Forty five degrees.

A dialogue between the visual artist Margherita Morgantin and two musicians and sound makers.

Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire Eric Thielemans propose, after Philip Glass, a new score for Koyaanisqatsi, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80-ties cinematographic masterpiece.

A series of drawings by Valérie du Chéné inspired by press articles, to which Arlette Farge's texts respond.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

A dialogue between the saxophone and the viola.

The first release to document the variety and playfulness of the concerts that Arnold Dreyblatt and Paul Panhuysen's Duo Geloso performed throughout Europe in 1987-88.

An anthology of silence pieces from the records history.

The long term project of the Italian artistic duo around the trajectories of sound through the Mediterranean sea.

Previously unpublished performance of the internationally renowned dance band Selten Gehörte Musik (on this occasion: Christian Attersee, Gerhard Rühm, Oswald Wiener) at the closing event of the "Literanover" Festival at the Kunstmuseum Hannover, on November 16th, 1980. Close to two hours of very rarely heard dance music, indeed.

Fulton and Höpfner's long-term correspondence on art, landscape, and the aesthetic and political dimensions of walking.

An exploration of the performativity of the law within Egypt's spectral legal reality.

Brunhild Ferrari returns to Black Truffle with her first duo with the legendary figure in underground music Christoph Heemann.

The second chapter of the post-isolationist, deep ambient & folk classic Murder Ballads by M.J. Harris (Scorn) and Martyn Bates (Eyeless in Gaza) re-emerges in this first vinyl outing.

A collection of writings by Alina Popa and Florin Flueras written over a seven-year period (new expanded edition).

Dixit Algorizmi. The Garden of Knowledge sets out to question the origin myths and narratives surrounding modern technologies, using the lens of contemporary artistic practices to explore their forgotten roots and overlooked resonances with distant places, times and cultures (catalogue of the Uzbekistan's pavilion at the 59th International Art Exhibition, Venice Biennale, 2022).

A tribute to Cecil Taylor's Akisakila, re-imagined & arranged by Pat Thomas piano & XT: Paul Abbott (drums, synthetic sounds) and Seymour Wright (actual & potential saxophone).

Retrospective monograph.