Latin America

A selection of notes written by Gabriel Sierra from 2007 to 2011.

Julio Le Parc scratches the various actors of the art world.

Julio Le Parc scratches the various actors of the art world (book accompanied with an original artwork signed by the artist).

First monograph.

An anthology of Fontana's manifestos, texts and interviews.

An anthology of Fontana's manifestos, texts and interviews.

Artist's book based on a film by Mauricio Guillén.

An image of collective thought concerning the place in which we live.

Reference monograph, with an essay by Okwui Enwezor, images of the most recent exhibitions and public interventions, as well as a selection of the artist's emblematic installations and press works since the mid-1980s.

Catalogue documenting a unique installation born from the colllaboration of two major artists of the twentieth century.

Artist's book.

A lecture by Elisabeth Wetterwald on a video installation by conceptual Mexican artist, with a series of slideshow stills.

A comedic and poetic tell about a man back from the dead to haunt humans. The posthumous novel of Raoul Ruiz, achieved shortly before his own death.

The anthology of the founder of the concrete poetry movement in Brazil.

Limited edition of the anthology, with an original signed silkscreen.

A complete survey of performance arts in Latin America and Asia today.

An investigation into Eduardo Kac's practice in 50 questions asked by digital art historian Dominique Moulon.

Catalogue of the 11th edition of the international exhibition, conceived by Argentinean curator Victoria Noorthoorn, gathering 78 artists from all over the world.

New works.

Box set of 10 DVDs featuring 20 interviews conducted and produced by Suely Rolnik on experimental practices that Lygia Clark (1920-1988) developed from 1962.

A mapping of the young Mexican art scene.

A mapping of the young Mexican art scene.

First monograph.

The militant essay by poet, theoretician, critic and translator Haroldo de Campos on one of the most radical members of the Brazilian avant-gardes of the 1920's: a key contribution to the critical rehabilitation of a work that has strongly influenced Concrete Poetry in Brazil, as well as many poetical adventures of Western modernity.

This publication features fictions dealing with physical deformations and doubles, in order to reflect on the duality of man and the body.

Photographic essay.

Artist and poet Eduardo Kac is internationally recognized for his interactive works on internet and for his practice of bio art. This catalogue dedicated to this singular artist features contributions by an art critic (Eleonor Heartney), a leader of the contemporary American novel (Steve Tomasula) and a French sociologist and philosopher (Pierre -Henri Jeudy). An interview with Eduardo Kac by Hugues Marchal concludes the volume.

Designed in close collaboration with the artist, this monograph provides an overview of Carlos Kusnir's canvases, wall paintings, installations and photographs, with a text by writer Frederic Valabrègue.

Two volumes artist's book.

Identifying an intensified concern for place-based production in art and architecture, Surface Tension – Supplements addresses questions of site-specific art, public and architectural design, and location-based practice. This 3rd issue extends artistic research and work taking place since 2006 in Brazil.

The work of an underestimated writer, a founder of the Ultraism, initiator of Dada in the 1920s Spain.

Both a prelude and a continuation to Raoul Ruiz's film, Treasure Island, made in 1984, this text presents itself as the follow up, or rather, a pursuit of Stevenson's novel. A formidable example of the way Ruiz parodies the text and plunges the story inside the story, before losing the reader in a labyrinth of strange images.

Both a prelude and a continuation to Raoul Ruiz's film, Treasure Island, made in 1984, this text presents itself as the follow up, or rather, a pursuit of Stevenson's novel. A formidable example of the way Ruiz parodies the text and plunges the story inside the story, before losing the reader in a labyrinth of strange images.

First monograph.

First monograph (available in English edition).

Otra de vaqueros documents the eponymous residency and exhibition project that took place in Mexico City in 2007.

A film and different documentaries on Francis Alÿs (interviews, video and multimedia projects).

Artist's book.

A collection of interviews with workers and employees at Edifício Copan, a landmark modernist architecture by Oscar Niemeyer in the center of São Paulo, embodying an era of radical political and economic changes within Brazilian society.

An overview of the Mexican artist's multifaceted work (paper collages, large-scale spider web sculptures, computer generated projections, videos and paintings).

At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.

At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.

15 images from a serie of photographs realized in Mexico during the Marcos' campaign in 2006, with two essays : a reflexion on contemporary photography.

Photographic essay dedicated to Lina Bo Bardi's Glass House. Armando Andrade Tudela outlines the relationship between the light, the building's structure and its close environment. Glass House is a perfect example of the union of Modernism and Brazilian vernacular architecture, and Bo Bardi's first production in Brazil.

Following his research in Poetics of cinema, 1 on new narrative models as tools for apprehending a fast-shifting world, Raoul Ruiz with Poetics of cinema 2 makes an appeal for an entirely new way of filming, writing, and of conceiving the image.

Following his research in Poetics of cinema, 1 on new narrative models as tools for apprehending a fast-shifting world, Raoul Ruiz with Poetics of cinema 2 makes an appeal for an entirely new way of filming, writing, and of conceiving the image.