Latin America

Catalogue documenting two projects by the Colombian artist—a photo essay and an artist's book—focusing on immigration and family ties.

Artist and researcher Riccardo Giacconi investigates the relationship between a range of narrative forms (puppetry, street storytellers, flyers and pamphlets) and a series of pre-political acts of revolt staged between Italy and South America. This publication documents his research project and features a series of texts, notes, archives, illustrations, and interviews.

Sur #03 takes as its starting point the connections between architectural critic Esther McCoy and the city of Mexico. This edition features issues 56 and 57 of BLESS collective lookbooks.

Reprint of a 2006 catalogue documenting the series of exhibitions and interventions curated by Hans Ulrich Obrist and Pedro Reyes at Casa Luis Barragán's in Mexico City (with Francis Alÿs, Daniel Buren, Gilbert & George, Dominique Gonzales-Foerster, Joseph Grigely, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija, Niele Toroni…).

Monographic catalogue showcasing the under-recognized work of Brazilian-Japanese artist Lydia Okumura, who, for almost fifty years, has explored the realm of geometric abstraction

The first full English translation of the Argentine artist León Ferrari's uncompromising literary masterpiece from 1967. A critique of the Vietnam War and American imperial politics, the book weaves together hundreds of excerpts from newspapers, periodicals, works of history, the Bible, and other sources.

An intervened facsimile of a anthropological catalogue listing the items belonging to three collections of Mexican fabrics and weaving patterns constituted during the mid-seventies.

This first comprehensive monograph details over ten years of work by Brazilian, New York-based artist, Valeska Soares.

A publishing survey of the diagrams produced by Ricardo Basbaum in recent years. Both autonomous pieces or elements from installations, these diagrams act as interventional tools and visual poems that connect the literary and plastic spaces.

The illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi (reference monograph).

Reference monograph: the illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi, with an original xylograph, numbered and signed, entitled The Key.

A list of titles for exhibitions available free of charge from the artist (artist's book).

Bringing together their shared and ongoing engagement with artistic practices from Latin America, Jens Hoffmann and Pablo León de la Barra have assembled one of the most significant contemporary survey's of recent art from the region.

New monograph.

Cristian Vogel's best techno tracks from the '90s, entirely remastered and cut from original tapes in 2015.

Cristian Vogel's best techno tracks from the '90s, entirely remastered and cut from original tapes in 2015.

Dedicated to the long-lasting ties between Mexico and France, this survey catalogue's common thread is the foundation of a Fourierist-inspired community in Jicaltepec in the 19th century. The historical event interacts throughout the volume with the works of artists questioning the notions of travel, exile, relationships and utopia.

A photographic documentation of an installation work by Abraham Cruzvillegas as part of his “autoconstrucción” project referring to the concepts of incommunicability and intelligibility through the figures of Mexican composer Julián Carrillo and Günter Grass's fictional character Oskar Matzerath.

The genesis and documentation of a video and mapping project on the detrimental effects of foreign authorities' actions in past and present Mexico.

The great Brazilian critic Mário Pedrosa (1900-1981)'s farewell to art criticism, written to his countrymen in the manner of Montesquieu's Persian Letters.

This publication is a continuation of Gabriel Sierra's site-specific installation project at the Renaissance Society in 2015. The book expands on and further examines the topics and ideas of the exhibition, that of the relation between the body and its spatio-temporal framework.

This publication describes the making of a multiple-screen video installation made by Mario Pfeifer while living on Navarino Island, Chile. This anthropological film looks at the life of the descendants of the area's indigenous Yaghan people, and portrays a nation and community that is violently undergoing cultural and religious, social, political and economic transformation.

The first extensive survey catalogue of Zaccagnini & Lagomarsino, a selection of works from 2001 to 2015 especially displayed by artist Luca Frei and which reflects the two artists' transnational ideals.

Alexandre da Cunha plays the Drawing Room Confessions.

The publication addresses performative artistic strategies as a lived practice of resistance in Latin American countries such as Argentina, Brazil, and Chile.

This publication is the closing project of a series of recent initiatives around the works of American experimental composer Conlon Nancarrow, including a pirate radio station, an art journal, a museographical essay by Mario García Torres, and an exhibition.

Sur vol. II invites a series of encounters between artists, writers, and curators working in the Middle East and in Mexico to explore the rich, relatively uncharted history linking both places, especially around the notions of utopia and exile.

When artistic gestures achieve the maximum effect through the smallest of means: the catalogue of the Lulennial, a biennial organized by Fabiola Iza and Chris Sharp at Lulu, a 9-square meter independent space in Mexico City, whose economy, “in the sense of doing a lot with a little or sometimes nothing at all,” is one of the founding principles.

First monograph.

An original music by Murcof which is the framework of Patrick Bernatchez's film “Lost in Time”, a sound project that is part of the explorations around Bach's “Goldberg Variations” initiated in Berlin in 2010.

Comprehensive monograph.

Including images and texts around Christian Boltanski's simultaneous site specific projects in Buenos Aires in 2012, this book is conceived as an archive, a memory and a theoretical and critical discussion of the experience.

An anthology interrogating the concept of antropofagia in Brazilian thought and its philosophical, ecological, and cosmopolitical influence.

Artist's book.

Reference monograph.

Reference monograph, with an original engraving, numbered and signed.

The Coloring Book by Dr. Lakra is the first BOM DIA Kinder book, a new series of children books made by artists.

Entitled “Studies for Player Piano,” the first issue of the contemporary art journal premised on aesthetics of encounter, specifically between the writing, art, and ideas expressed in Latin American culture in relation to discourses, philosophies, and art generated elsewhere, is dedicated to the life and work of experimental composer Conlon Nancarrow (1912-1997). With Mario Garcia Torres, Mariana Castillo Deball, Carlos Sandoval, Céline Condorelli...

First monograph on Cuban artist Wilfredo Prieto.

Reference monograph.

Artist's book based on Adrien Missika's politically engaged eponymous project that took shape during a trip along the border between Mexico and the US.

A study of social utopias (of European origin, mainly French) in Latin America in the 19th century: a contribution to the defense of utopia as a driving force of human progress, against all forms of utilitarianism and pragmatism.

A collection of poems dedicated to the Revolutionary Left Movement's struggle against fascism in Chile.

New monograph.

Luis Camnitzer plays the Drawing Room Confessions.

A reflection on the problematic of temporality, from an analysis of On Kawara's practice, also revealing certain important aspects of Cesarco's working methods.

Chilean journalist and independent curator Valentina Montero outlines some of the milestone events and moments that led to Chile's advanced neoliberalism, and its effects upon education and culture, detecting signs of hope in the lively student movement that emerged in 2011.

First major monograph: different perspectives on Andrade Tudela's artistic practice, juxtaposing positions and readings from Europe and Latin America, with about 400 illustrations including many reproductions of previously unseen works.

Artist's book.

A selection of notes written by Gabriel Sierra from 2007 to 2011.