What You See Is What You Hear (Volume)

Volume – What You See Is What You Hear

 
VolumeWhat You See Is What You Hear is the first magazine devoted to sound issues in art, and to the complex relationships between visual and sound forms, both in contemporary art and history.
Volume is neither a musical magazine, nor a magazine about sound art; rather, it sees sound from the angle of the visual arts. The history of relations between sound and art is not recent, but the past few years have seen many more works, exhibitions, publications and other events whose aesthetic and theoretical content attests to a growing interest in this medium, and the various ways it is used. Through a broad range of critical and artistic contributions, it is Volume's intent to represent a platform observing and analyzing this dynamic, while at the same time being sure to re-position it within a historical perspective.
 
Volume – What You See Is What You Hear
2021
bilingual edition (English / French)
What You See Is What You Hear (Volume)
105.00 50.00 €
Bundle (special offer for the purchase of six issues of the contemporary art journal about sound).
Volume – What You See Is What You Hear - Interviews Special Issue
2013
bilingual edition (English / French)
What You See Is What You Hear (Volume)
15.00 10.00 €
Interviews Special Issue.
Volume – What You See Is What You Hear
2013
bilingual edition (English / French)
What You See Is What You Hear (Volume)
18.00 10.00 €
Volume #6 explores the production spaces and other soundscapes, through the works of Marie Cool Fabio Balducci, Martin Kersels, Raymond Gervais, Janet Cardiff & George Bures Miller or Dan Peterman, Marcel Broodthaers' performance at Speakers' Corner, and Audio Arts magazine. With special interventions by Arnaud Maguet and Cocktail Designers.
Volume – What You See Is What You Hear
2012
bilingual edition (English / French)
What You See Is What You Hear (Volume)
(last copies available!)
18.00 10.00 €
5th issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms (critical texts, historical analysis, interviews, artist's interventions...).
Volume – What You See Is What You Hear
2012
bilingual edition (English / French)
What You See Is What You Hear (Volume)
18.00 10.00 €
Mark Leckey, Ruth Ewan, Tom Marioni and the sonic explorations in San Francisco Bay, Robert Morris, Pierre Henry, Louie Louie, Dora García, Hannah Rickards...
Volume – What You See Is What You Hear
2011
bilingual edition (English / French)
What You See Is What You Hear (Volume)
18.00 10.00 €
Third issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms (critical texts, historical analysis, interviews, artist's interventions...).
Volume – What You See Is What You Hear
2011
bilingual edition (English / French)
What You See Is What You Hear (Volume)
18.00 10.00 €
Second issue, around the problematics of voice and oralness.
Volume – What You See Is What You Hear
2010
bilingual edition (English / French)
What You See Is What You Hear (Volume)
sold out
Analysis (“A Brief History of Sound Art” by Rahma Khazam; “Sound Art, a Fortified Art” by Bastien Gallet; “Notes on Steve Reich's Pendulum Music” by Christophe Gallois; “A Formless Form” by Mathieu Copeland; “Sound in Artist's Films” by Alexandre Castant, etc.) / “focus” on Philippe Decrauzat's Leslie, by Matthieu Poirier, monographs (Laurent Montaron, Su-Mei Tse, Georgina Starr, Joachim Schmid) / interviews (Sébastien Faucon, Kerwin Rolland) / artist's interventions (Nicolas Fenouillat, Dominique Petitgand, Jérôme Poret, Samon Takahashi)...
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