various

Artist's book gathering a selection of outstanding photographic strips that capture the subtle beauty of ephemera. The use of black and white strengthens the contemplative essence of the photographs, in between naturalism and abstraction.

First publication dedicated to Isou's extensive work with hypergraphics.

The transcript of the under-oath deposition of Richard Prince, sued for copyright violation.

Artist's book.

The journey of the MuMo, a mobile contemporary art museum in the form of a container traveling by boat and truck to meet the children on the roads of France and Africa.

From an industrial revolution to another, popular music at the forefront of social change in contemporary societies.

Catalogue / artist's book.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Water, porcelain bowls, hydrophones, condenser microphones, metal wire and wood spoons (vinyl re-issue of the CD released by and/OAR in 2009).

Five essays.

The sport center Z5 in Aix-en-Provence originated from the desire of football glory Zinédine Zidane. This publication documents its conception by architect Christophe Gulizzi. It features a humoristic text on the creation of the stadium by mankind by writer Jean-Michel Espitallier.

First monograph: a survey of the Belgian artist's work over more than 35 years.

Artist's book (a detailed and distanced description by Peter Wächtler of his experience as an extra on Bryan Singer's film "Valkyrie").

Frédéric Post's picture discs homemade with glued (artist's book).

Jean-Marie Straub and Danièle Huillet's writings, from 1954 onward.

Facsimile edition of an unpublished artist's book by Marcel Broodthaers from 1968 referring to Stéphane Mallarmé's poem “Un coup de dés jamais n'abolira le hasard.”

Poems by Henri Michaux / images by Rosemarie Trockel, created exclusively for this book.

An inventory of gestures of artists who deliberately destroyed their own works.

Based on workshop views, The Eraser showcases a gallery of altered, mutilated and deformed portraits of iconic cartoon characters in black and white paintings and drawings.

A 5-disc overview of exploratory works written between 2002 and ​2012.

A dialogue between two singular appropriations of the concept of cannibalism at two key historical moments: a new translation of Oswald de Andrade's cult poem, advocating the symbolic ingestion of the colonizer and his culture, faced with an analysis by Suely Rolnik of a perverted contemporary cannibalism experience in the context of financial capitalism.

Thorsten Soltau musical cut-up piece Grün wie Milch stands alongside Preslav Literary School's drone tragedy Alamut in this wonderfully designed split album.

The reprint of the publication pioneer in the artistic experimentations of the 1960s, published by the artist in 1962 (leporello).

A special (transgender) project by photographer Fabio Paleari and artist Giallo Concialdi, printed in 100 copies only.

This artist's book gathers the most varied iconographic documentation (cut-outs of press images, film stills, snippets of books and film scripts) randomly built around the notion of solidarity in socialists movements.

Artist's book (a reflection on the abstraction and use of images, from a series of pictures of surfers collected by the artists for years).

Art as a combat sport.

A typographic composition inspired by Shining accursed writer's manuscript in which only appears one sentence, constantly repeated: “All work and no play makes Jack a dull boy.”

A survey of Canadian multidisciplinary artist's work (photographs, films, video installations, sound works), from 1960 to the present day.

Reference monograph (available in English edition).

A loose-leaf artist's book working as an extension and exegesis of Bürner's film Leaves.

The Earth, its surface, the transformation of matter, through time and cultures (with Pierre Gonnord, Šarūnas Bartas, Michael Nyman, Naoya Hatakeyama, Theo Angelopoulos, Eleni Karaindrou, Rick Owens, Mona Hatoum, Steve McCurry, Lawrence Durrell, Kenro Izu, Juliaan Lampens, Max Richter...)

First monograph dedicated to Franco-marocan video-artist's films (installations or movies), dealing with the notions of movement, relation and distance, on the borderline between visual arts, documentary, and cinema.

Dada, Fluxus, futurism, spatialism, lettrism, concrete poetry, cut-up… a 560-page anthology of typographical explosions and poetic experiments by Al Dante.

Conversation with filmmaker, visual artist and farm worker Pierre Creton.

150 black-and-white photographs from the New York studio of Richard Nonas taken by the artist.

An exploration of the relationship between language and visual arts (works by/essays on Pierre Ardouvin, Art Keller, Julien Audebert, Gérard Collin-Thiébaut, Éric Duyckaerts, Dora García, Mark Geffriaud, Martin Le Chevallier, Claude Lévêque, François Morellet, Christian Robert-Tissot, Charles Sandison, Yann Sérandour, Lawrence Weiner).

Analysis (“A Brief History of Sound Art” by Rahma Khazam; “Sound Art, a Fortified Art” by Bastien Gallet; “Notes on Steve Reich's Pendulum Music” by Christophe Gallois; “A Formless Form” by Mathieu Copeland; “Sound in Artist's Films” by Alexandre Castant, etc.) / “focus” on Philippe Decrauzat's Leslie, by Matthieu Poirier, monographs (Laurent Montaron, Su-Mei Tse, Georgina Starr, Joachim Schmid) / interviews (Sébastien Faucon, Kerwin Rolland) / artist's interventions (Nicolas Fenouillat, Dominique Petitgand, Jérôme Poret, Samon Takahashi)...

A set of 83 previously unpublished historical works from the 60's (artist's books with collages, drawings, watercolors and paintings), with an essay by Pierre Péju: early works that, under a minimalist and fragile appearance, announce most of the major themes developed in Kiefer's later grandiose oeuvre.

First monograph devoted to the visual work of the New York alternative art scene mythical figure, a pioneer of minimalist electronic rock as the co-founder of the cult band Suicide.

First monograph devoted to the visual work of the New York alternative art scene mythical figure.

L'armée noire is a collaborative review founded by poet Charles Pennequin and illustrator Quentin Faucompré. This first issue gathers texts and illustrations inspired by art brut and experimental poetry.

First monograph devoted to a prolific work, mixing radical appropriation, action as well as creation, in tune with the physical, the body, the living. With several essays, an interview and abundant illustrations.

Applied Research and Development in Typography.

A collection of photographic archives documenting ornithology experiments (artist's book).