New monograph.

A montage of theoretical and speculative texts, conversations, fictions, and documents exploring different tactics of production and intellectual exchange that operate in the interstices between artistic, educational, and political contexts, and imagine novel institutional forms.

First French translation of the two famous essays in which Jack Burnham draws the profile of an “aesthetic systems.”

An interdisciplinary reflection on the new figures of subjectivity in the digital age.

How the impact of code on everyday life has become comparable to that of speech and writing.

A reflection on the domination of the software industry on our use of computers, which calls for a stimulating reinterpretation of materialism.

First monograph.

A pluralistic approach to nature (after Alfred North Whitehead).

An essay that aims to reconstruct another metaphysics, substituting the primacy of life, matter, and consciousness, to that of reason, on the basis of a philosophy of nature (referring to Ravaisson, Tarde, Nietzsche and Bergson) and a renewed cosmology.

Danse – A Catalogue comprises dialogues and essays by dancers, choreographers, writers, and curators reflecting on the mutual influences of French and American choreographic cultures. Together these writings examine the ways in which dance matters in an increasingly globalized contemporary field.

A unique multidisciplinary approach to Visual Studies.

Two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance.

An examination of the new approach to the artistic phenomenon that emphases the role of sensitivity and centered around the figure of the spectator in the eighteenth century.

The return of the anthropological question has completely redesigned the issues of representation. A state of play.

Between documention and recreation: memories and transmissions of performance art and contemporary dance.

The relationship between Modern art and its destruction.

This publication aims to explore how the multiple production of Raoul Hausmann, a central figure of Dada, has helped to shape the art of modernity.

A documentation on the singular projects by four contemporary artists—Michel Aubry, Élisabeth Ballet, Susanne Bürner, and Lani Maestro—developed as part of the Foundation of France “Nouveaux Commanditaires” (new patrons) action to question the industrial history of four regional nature park in France (Lorraine, Monts d'Ardèche, Pilat, and Vercors).

A social history of socialist realism imagery in the former East Germany.

Reference monograph of one of the most influential modernist filmmaker in British cinema, with twenty texts by Malcolm Le Grice and commissioned essays by Yann Beauvais and Philippe Langlois on his cinema and its relationship with art and music.

A critical book: a reassessment of Julien Blaine's poetry and the aesthetic problems related to it.

A study of the novel “Cinéma” by Tanguy Viel, that also questions the relationship between literature and cinema.

A reading of Samuel Beckett's work from its architectures.

The only novel written together by two great American poets associated with the New York School.

Uses and Utopias – The Exhibition in the Pre-Revolutionary Russian Avant-Garde: an essay on the exhibition practice in Russia in the years 1910-1920, and in particular on the relationship between exhibition and public space in the projects of the historical avant-gardes.

Third volume of the anthology (1975-2000), focusing on photography, film, video, and new media.

A questionnaire (interviews with international artists, architects, and curators of the contemporary art world, such as John Baldessari, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Jacques Herzog, Thomas Hirschhorn, Rem Koolhaas, Hans Ulrich Obrist, Thierry Raspail, Beatrix Ruf, etc.).

Czech artists of the 1960s–1970s.

Two documents and three articles: unpublished texts by Charles Fourier and Eugène Pottier; Georges Orsoni, Denis Andro, and Michel Antony address original perspectives on Fourierism and the spirit of utopia in general.

Limited edition (20 copies) of Roberto Cuoghi's artist book, accompanied by an offset printing in colors + selective varnish laminated on Dibond (27 x 40 cm), numbered and signed by the artist.

An adventure exploring drifts in translation (artist's book).

A reflection on translation phenomena in the arts.

The illustrated catalog raisonné of works from the collection of the Espace de l'Art Concret (Gottfried Honegger and Sybil Albers donation) in Mouans-Sartoux.

Philippe Lacoue-Labarthe and Jean-Luc Nancy readers of Maurice Blanchot, Blanchot's political trajectory, Emmanuel Levinas' unpublished letter to Maurice Blanchot...

Video art history.

One hundred texts on art by René Denizot.

An epistemology of historical socialism (politics, natural sciences, humanities and religion in the early XIXth century).

The posthumous collection of texts on art by the French philosopher.

A genealogy of cut-up: the history and development of a radical and pioneering literary technique, in Europe and the US, in the twentieth century (readings from William S. Burroughs).

A retrospective overview of the 12th edition of the Lyon Biennale, curated by Icelandic curator Gunnar B. Kvaran, with a focus on the two parallel programs “Veduta” and “Resonance”, held in the Lyon conurbation and its region.

The place and role of women in performing arts from 1912 to 2012, between performance and dance.

Does Mona Lisa deserve her mustache? An erudite review of 180 pre- and post-Duchamp caricatures and misappropriations.

Science and Pataphysics, volume II: the birth of linguistics, as an academic field, in France, and the ideological and political issues that contribute to this implementation.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

An innovative analysis of our relationship to the image.

New monograph.