A vast study of the visual culture
of industrial music
during its development in Europe, the United States and Japan, from the 1970s to the 1990s, a global culture that goes beyond sound experimentation
to cross different media (graphics, film, performance, video), in a close dialogue with the heritage of modernity and under the growing influence of technologies.
Nicolas Ballet has a PhD in contemporary art history and is a specialist in alternative cultures, experimental art, new media and avant-garde movements.