This book offers a first report on the activities of the Congolese Plantation Workers Art League (CATPC), an association for the development of an independent thought on postcolonial power relations within the global art world.
Based in Lusanga, in the Democratic Republic of Congo, the CATPC brings together a unique gathering of individuals—along with its members and partner institutions that are engaged in dialogue with it—and attempts to rethink postcolonial power relations within the global art world. Initiated in 2014 by Renzo Martens, an Amsterdam-based artist whose radical and controversial practice feeds into many current debates, and René Ngongo, a Kinshasa-based biologist and environmental activist, this cooperative continues to develop independently and to redefine the relations between art, agriculture, industry, and value creation.
The publication gathers essays, artists' biographies, an interview with Renzo Martens, and a photographic series by Léonard Pongo.
Published as part of an artistic research project initiated by Renzo Martens, affiliated as a researcher at KASK / School of Arts of University College Ghent, from 2012 to 2016.
Edited by Eva Barois De Caevel and Els Roelandt.
Texts by Ariella Azoulay, Eva Barois De Caevel, Eléonore Hellio, Ruba Katrib, Alexander Koch, J. A. Koster, Renzo Martens, René Ngongo, Els Roelandt, Charles Sikitele Gize, Charles Tumba, Françoise Vergès, interview with Renzo Martens.
Photographs by Léonard Pongo.
Graphic design: Jurgen Maelfeyt & Jonas Temmerman (6'56'').