Germany

First monograph (works 1999-2004).

German artist's "word-images" (early works).

A complete documentation on the artist's project at the Whitechapel Art Gallery, London.

An “anti-humanist” musical piece, overlaying Klaus Weber's voice and frequency ranges defined in relation to the hearing of cricket (limited edition).

A reflection initiated by Veit Stratmann on the sometimes conflictual relationship between the artist and public space.

This catalogue is the most comprehensive treatment of Michaela Melián's œuvre to date and constitutes, with numerous essays and illustrations, a long due documentation of the German artist's work.

A series of scupltures realized by Stephan Balkenhol in 2003.

Artist's publication featuring a briefcase with 18 folded prints: introductory note, posters reproduction, streetview photographs, selection of texts on previous projects in Denmark, Los Angeles and Geneva, posters' translations and an essay by geographer Doreen Massey.

Limited edition, accompanied by a numbered and signed etching, printed by Niels Borch Jensen in Copenhagen.

Baselitz returns on his own history and on his conception of the painting, on self-portraits, inversed paintings, his reference artists, German painting...

With its comprehensive illustrations and essays, including a text by the artist, this book features Odenbach's most important works.

The last document of the dadasopher of Berlin.

Above and beyond Bio-design, amid the upheaval of a post-industrial society and its search for new landmarks and signs, Luigi Colani has invented an entirely original field: the design of a free man (comprehensive monograph).

Above and beyond Bio-design, amid the upheaval of a post-industrial society and its search for new landmarks and signs, Luigi Colani has invented an entirely original field: the design of a free man (comprehensive monograph).

First monograph on the artist.

The Rectange label "recycled" by Wendy Gondeln (Albert Oehlen).

A single track cut into two one-sided discs (which can be played in its entirety by a DJ with two turntables), recorded at Can Studio, Weilerswist, with David Grubbs, Cosima Von Bonin and Charlie O.

This biography of Hermann Hesse by his friend Hugo Ball is one of the best exposés of his spiritual journeys, and also an approach of Ball's own fundamental themes

The anti-romanesque, a-metaphysical and theoretical Einstein's dadaist autobiography.

Catalogue of the eponymous exhibition at Le Consortium, Dijon, and Kunstverein Hamburg in 1999.

Unpublished text with an original and unique collage with airbrush, signed by the artist.

The texts in Group.sex discuss political groups and languages, abstract radicalism and art, feminism and bohemianism, social hierarchies, and telematic friendship.

Monograph.

Monograph.

Conversations with Daniel Baumann and Jutta Koether, accompanied by "reconnaissance photos".

Using unpublished material at the Fondation Hartung Bergman, this exhibition catalogue concentrates on the earlier phases of Hartung's career and demonstrates the critical importance of his drawings.

A presentation of Hans Hartung's painted work.

By intermingling elements of traditional painting and new pictorial material, Richter's work leads to a more open notion of the “image” (monograph).

By intermingling elements of traditional painting and new pictorial material, Richter's work leads to a more open notion of the “image” (monograph).

A conversation between the sociologist and the artist: a sociology of art at the service of a political project.

Monograph / exhibition catalogue.

Catalogue.

Stefan Marx uses different media in his "Autobiography". Sketches, paintings, photographs and some texts, all carried out through the iconic style that made him a legend.

The everyday life of Stefan Marx in Berlin, in a new 300-page volume of drawings.

An album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2, bringing together five sound collages that deal with the consistency of material and its mutability.

On the occasion of Natures Mortes, her carte blanche at the Palais de Tokyo, the artist Anne Imhof is the guest editor-in-chief of issue 31 of the magazine PALAIS.

Remastered edition of Sydney trio Triosk and Jan Jelinek's loop-based jazz project.

Asmus Tietchens' Hematic Sunsets shut down the Aroma Club with a final release. The album "Aroma Club Adieu" features 12 exquisite pieces of death lounge electronic pop performed on electronic organs and entertainment devices of various kinds.

Six great pop standards remembered: five pop songs are dissected by the duo of Helmut Schmidt and Jan Jelinek's sampler, stretched, compressed, and re-collaged. In this way, their identity is lost. What remains is a vague concreteness: flashes of déjà vu and remote echoes that evoke the original.

12'' vinyl reissue of the rare & infamous double-7'' originally published by FMP in 1973. Recordings from a Free Jazz workshop at Akademie der Künste, Berlin, April 1972, featuring 15 children (aged 8-11) and Peter Brötzmann, Fred van Hove, Han Bennink.

Jan Jelinek's album Tierbeoachtungen in a limited pressing on vinyl for the first time.

Walls of Sounds is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally (works by Alvin Lucier, Phill Niblock, John Cage, John Duncan, James Tenney, Terry Riley, Lee Ranaldo, Philip Glass, Steve Reich, Boris Hegenbart, Ulrich Krieger, Zbigniew Karkowski).

The everyday life of Stefan Marx in Berlin, in a 300-page volume of drawings.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

This publication devoted to Otto Dix's print works (woodcuts, etchings, lithographs) showcases a collection from the Zeppelin Museum Friedrichshafen, Germany. A large iconographic thematic section and a series of essays revisit Otto Dix's favourite themes—the nude, the portrait, the city, religion and war—symptomatic of his desire to portray man holistically, from birth to death, as a creature of flesh, palpitations and blood.

Deriving from an eponymous audiovisual performance, this electroacoustic project by Sote (Ata Ebtekar) blends traditional music from Iran with hardcore electronics.

Based entirely on the work of Armin Linke, Accattone #5 explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neo-liberal corporate environments and the fragile European institutions in Brussels.

Catalogue accompanying a selection of works by the German artist showcased at Castello di Rivoli. Weisz combines references to Renaissance art, psychoanalysis, memories and the female body, creating complex and poetic installations, inspired by a text by poet Paul Celan.