Contemporary art

Three-volume catalogue raisonné of the work of Alain de la Bourdonnaye.

A retrospective of Georges Rousse's "circles."

Paradis is a continuation of the eponymous exhibition conceived by artist Marie Angeletti in Marseilles in 2021. The exhibition brought together 56 artists of different origins and generations. More than just a transcription of this event, this catalogue brings together some one hundred contributions, combining critical texts, poetry, artists' writings and new translations, alongside an equally large number of visual contributions and ad hoc works, most of them previously unpublished.

Issue 36 of the Palais de Tokyo magazine proposes to explore the multiplicity, hybridity and fluidity of identities and the ways of loving, the plurality and complexity of our affects and our sexualities.

Site Sketches n°1-500 is the first volume of the catalog raisonné devoted to the Site Sketches series, works on paper made from recycled scrap wood by Japanese artist Tadashi Kawamata.

Four artist's posters.

Cally Spooner, Donald Rodney, Ivan Cheng, Niloufar Emamifa, McKenzie Wark, Clémentine Deliss, Kerstin Stakemeier, Chus Martínez...

An overview of Studio Marconi's publishing activities since the 1960s, tracing the studio's history.

The most comprehensive publication to date on Korakrit Arunanondchai's practice.

A project by artist Fatma Bucak that considers the relationships between political violence, environmental destruction, and climate change.

The first major book by the Lisbon-based French artist Mattia Denisse.

First monograph of the Spanish artist Eva Fàbregas.

The first-ever comprehensive overview of Maude Léonard-Contant's universe.

A photographic essay on the abandoned project of a suspension bridge between the Calabrian and Sicilian coasts and on the coastline of the Strait of Messina, documenting the transformation of suburban coastal areas and the daily life of the inhabitants.

The second and final installment of FUTURE, a series of publications by Taiyo Onorato & Nico Krebs, explores the deep watery world.

A dialogue between Camille Henrot's images and Estelle Hoy's texts, a visual and verbal exploration of melancholy, failure, injustice, and hope.

The first book to unveil the main pictorial works (drawings, paintings and collages) of the British film director, the source of his entire cinematic oeuvre (new edition).

A rethinking of the conceptual approach of Ludovic Chemarin©, artist turned fictional and polycephalous, who continues to redraw the figurative boundaries of the artist and the work, the exhibition and the institution.

The Drawer #23, on the theme of portraits, gathers drawings and contributions by some twenty artists and creative people.

The third issue of the annual review of the École des arts décoratifs de Paris, placed under the complex and ambivalent sign of "TRANS", covering the various ways of transgressing (identity, textuality, coding, training, etc.).

Interviews with artists and researchers on the issues of catch and data.

Contemporary art and degrowth.

A mysterious hybrid manuscript ("rediscovered", edited and presented by Alessandro De Francesco) whose prose, oscillating between poetry, philosophy and conceptual art, ingenuously explores the great unresolved questions of humanity and nature.

A visual attempt to index photographic images.

A reflection on the notions of catch and data.

In five chapters, the photographer reflects on the multiple "correspondences", influences and interactions at the heart of his artistic work.

The first book of drawings by writer Magali Brénon, a body of work developed over several years, between automatic drawing, collage, assemblage, illumination or graffiti, accompanying her daily life and her writing.

Four works based on four performances.

A rested development is a collaborative sound and moving image work that used chance as a process to develop a sequence of autonomous elements that intersect and diverge in their unfoldings.

Comprehensive documentation on the vast and daring interdisciplinary project conceived and staged by the Swiss artist John Armleder, a programme of exhibitions comprising invitations to other artists as well as presentations of different collections, for the Kanal-Centre Pompidou spaces.

This artist's book reflects Eva & Franco Mattes' continued interest in the condition of displacement to be sensed in Fukushima. Borrowing the format of wrapping-paper catalogs, it contains twenty large pre-perforated sheets, each of which features a photographic texture—a seamlessly repeating motif captured by the camera amid the radioactive ruins of the contaminated towns and countryside.

The music composed by Federico Chiari for various film and video works by the artist Diego Marcon.

A polyphonic examination of the Italian artist's project for the Centro per l'arte contemporanea Luigi Pecci in Prato, the largest display of the artist Diego Marcon artworks in an Italian institution, reviewing some of the central themes of Diego Marcon’s research.

The Darkest Corners documents and explores sculptures by Lena Marie Emrich and an eponymous exhibition.

First monograph dedicated to the pictorial work of Israeli artist Tami Amit.

Diario de Plantas presents 724 drawings made by Gabriel Orozco in Tokyo and Acapulco on 33 notebooks between November 9, 2021, and April 20, 2022 (two volumes in one slipcase).

Hybridizations presents the most recent work of the French artist ORLAN which reflects, from the aesthetics of ancient Mesoamerican cultures, on the canons of beauty, cultural exchanges, and the symbolic and material powers of native peoples in a globalized world.

An overview of Michel Gouéry's surrealist and exuberant artistic output, through a collection of previously unpublished works and documents, as well as detailed notes by some twenty specialists.

This book documents six years of reflections and productions, that is to say the 47 exhibitions—dedicated to young emerging artists as well as to major actors of the French and international art scene—organized at the Galerie Art & Essai of the University Rennes 2 between 2014 and 2020 under the direction of John Cornu.

A sound postcard by eRikm: an instant composition recorded on CD, somewhere between sound performance and radio creation, accompanied by a booklet of photographs.

The first comprehensive monograph and critical survey of American artist Pippa Garner, Act Like You Know Me surveys fifty years of her radical and transdisciplinary art practice, from the late 1960s to the early 2010s, through ca. 400 photographs, illustration, ephemera, and original writings.

The life and work of the precursor of happening and streaking in Japan, Itoi Kanji (aka Dadakan, 1920-2021): the first comprehensive chrono-biographical study in Western language on the great Japanese Dadaist nudist ascetic, with a rare iconography.

A parallel dive into the images of filmmaker Andrei Tarkovsky and photographer Sophie Ristelhueber.

A vast research on the notion of acoustic and sound ecology and its transition to a new sound ecosophy, integrating the multidimensionality of listening to propose to hear differently.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.