Mail Art

Works 2007-2011, with a new essay by noted British critic Rebecca Geldard as well as a preface by curator and art historian Daniel Kurjaković.

New expanded and subtitled edition: nearly four-hour program consisting of twelve films, five documentaries, unpublished documents as well as original video works by the artist.

Catalogue.

Mapping Boetti's work.

A panorama of Ben's conflicting ideas and various activities since 1959.

This edition of 4 audio CDs in a wooden case comprises the reading of On Kawara's One Million Years [Past and Future], with Gemma Saunders as the female voice reading all even numbers and Leo Chadburn as the male voice reading all odd numbers, covering 969 611 BC to 967 811 BC & 33 411 AD to 34 450 AD.

A conversation between the artist and the architect.

New monograph: a walk within a series of recent works by French artist.

Artist's book based on Sedá's work for Documenta 12.

Box gathering the two volumes of the catalogue Consciousness. Meditation. Watcher on the Hills, published for the world tour of the exhibition by On Kawara.

This installation juxtaposes photographs of eight “landscapes” with “soundscapess” created by French sound artists, who made a free sound interpretation based on the chosen picture and collected raw sounds.

The first biography of Robert Filliou.

An exhaustive documentation on the work of the French artist since 1970, fully illustrated.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

Two texts by Jean-Charles Agboton-Jumeau et Marion Hohlfeldt on Lefevre Jean Claude, with some “inserts” by the artist on divider pages.

Monograph conceived by the artist, documenting a series of exhibitions and Leblon's video works.

Kawara's Date paintings, telegrams and books from the One Million Years series.

Daniel Buren writes on his friend Robert Ryman to highlight some questions raised by his oeuvre and by his own work.

Unpublished text accompanied by a leaflet with 8.7 cm stripes.

Unpublished text, original signed silkscreen print.

Catalogue.

Over five hours of video and audio documenting the three-day Intermedia event organized by Fluxus artist Eric Andersen in 1996, involving parachute jumps, helicopters, mountain climbing, live sheep and over 100 singers walking on water.

Edition at 1:1 scale of Lefevre Jean Claude's notebook insertions—an investigation into the work of art at work.

This catalogue revolves around the transcript of a long length conversation between the French artist and art critic Irmeline Lebeer, structured as an illustrated abécédaire.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

A comprehensive look at the public artworks that Daniel Buren has made using ephemeral materials.

Reading of One Million Years (Past and Future 51 – 62) by male and female voices (250 copies limited edition wood boxed set of 24 audio CDs).

Catalogue published, as a second volume, after the world tour of an exhibition by On Kawara Consciousness. Meditation. Watcher on the Hills, gathering the complete documentation produced for the exhibitions and presenting the installations views.

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

Filliou's catalogue raisonné.

A monumental monograph: works (1964-1995), texts (around thirty since 1970), the most important solo and group shows since 1969.

Portrait of On Kawara by René Denizot.

1970 artist's book: Buren explains and positions his work with commented plans.