Germany

By intermingling elements of traditional painting and new pictorial material, Richter's work leads to a more open notion of the “image” (monograph).

A conversation between the sociologist and the artist: a sociology of art at the service of a political project.

Monograph / exhibition catalogue.

Catalogue.

A split album as part of the GRM Portraits series bringing together two pieces by Jessica Ekomane (explores the multiple possibilities of polyphonic writing) and Laurel Halo (for piano and electronics).

The debut, self-titled album from German trio Schatterau: 15 elegant miniature pieces made with an old 4-track cassette recorder, offering a lo-fi walk through a patchwork of warm, nostalgic, dreamlike and strangely familiar soundscapes.

Written and visual documentation of the German stylist-designer duo's projects from 2010 to 2022.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

Thomas Köner's eighth album, originally released in 2002, pressed on vinyl for the first time, including a 12 minute bonus track.

Thomas Köner's eighth album, originally released in 2002, including a 12 minute bonus track.

An acoustic mapping of colonial history.

The everyday life of Stefan Marx in Berlin, in a new 300-page volume of drawings.

An album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2, bringing together five sound collages that deal with the consistency of material and its mutability.

In this book, Matthie Wellner and Buero Kofink Schels (architects Simon Jüttner and Sebastian Kofin) unfold the design process of T.I.A. House 1+2, a project they developed and built in the city of Almeria on the southern Spanish coast.

New edition of Thomas Köner's fourth album, recorded in 1994-1995.

On the occasion of Natures Mortes, her carte blanche at the Palais de Tokyo, the artist Anne Imhof is the guest editor-in-chief of issue 31 of the magazine PALAIS.

Remastered edition of Sydney trio Triosk and Jan Jelinek's loop-based jazz project.

169 fundamental free jazzrecords recommended in 180 pages by Maurizio & Roberto Opalio (My Cat Is An Alien) and Philippe Robert, from must-have classics to indispensable curiosities.

Asmus Tietchens' Hematic Sunsets shut down the Aroma Club with a final release. The album "Aroma Club Adieu" features 12 exquisite pieces of death lounge electronic pop performed on electronic organs and entertainment devices of various kinds.

A curatorial project about concepts of hospitality and the triggers of hostility in hospitality.

"1 Million Roses for Angela Davis" traces Davis' immense influence and legacy as activist and scholar on contemporary artists today, while simultaneously teasing out the contradictions her presence and agenda posed to the GDR's interpretation and application of Marxism.

Six great pop standards remembered: five pop songs are dissected by the duo of Helmut Schmidt and Jan Jelinek's sampler, stretched, compressed, and re-collaged. In this way, their identity is lost. What remains is a vague concreteness: flashes of déjà vu and remote echoes that evoke the original.

12'' vinyl reissue of the rare & infamous double-7'' originally published by FMP in 1973. Recordings from a Free Jazz workshop at Akademie der Künste, Berlin, April 1972, featuring 15 children (aged 8-11) and Peter Brötzmann, Fred van Hove, Han Bennink.

Jan Jelinek's album Tierbeoachtungen in a limited pressing on vinyl for the first time.

Thomas Köner's new album, marking the relaunch of the lengendary Mille Plateaux label.

Walls of Sounds is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally (works by Alvin Lucier, Phill Niblock, John Cage, John Duncan, James Tenney, Terry Riley, Lee Ranaldo, Philip Glass, Steve Reich, Boris Hegenbart, Ulrich Krieger, Zbigniew Karkowski).

The ultra-blackness manifesto: a Deleuzian reading of the philosophical and socio-political stakes of the current electronic music scene (publication marking the reactivation of the influential label Mille Plateaux, with texts by an ensemble of international musicians, artists and theorists: Frédéric Neyrat, Achim Szepanski, Holger Schulze, Gerriet K. Sharma, Bernd Herzogenrath, Corry Shores, Marcus Schmickler, Thomas Brinkmann, Thomas Köner...).

A science of sensitive experience prolonged by a theory of atmospheres, at the origins of philosophical aesthetics.

A more than strange novel by the German writer and director Hanns Heinz Ewers (1871-1943), accompanied by a new musical piece by Nurse With Wound on a mini CD.

A collection of 360 postcards of cities from all around the world, made with screenshots from 3D software Apple Maps and Google Earth.

The everyday life of Stefan Marx in Berlin, in a 300-page volume of drawings.

Jolly Rogers is a collection of Peter Wächtler's latest short texts, written in preparation of his two solo exhibitions at Bergen Kunsthall and Kunsthalle Zürich (both 2019), and combined with a nearly complete collection of the artist's drawings and prints from recent years.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

Conceived as rendering of a live concept the Berlin based duo of Tony Buck and Magda Mayas have been developing during one year or so, featuring multi-speaker and multi-layered audio, the essence of Stereo sees SPILL performing in the studio, improvising and reacting to previously recorded improvisations and pre-structured, pre-recorded elements.

This publication devoted to Otto Dix's print works (woodcuts, etchings, lithographs) showcases a collection from the Zeppelin Museum Friedrichshafen, Germany. A large iconographic thematic section and a series of essays revisit Otto Dix's favourite themes—the nude, the portrait, the city, religion and war—symptomatic of his desire to portray man holistically, from birth to death, as a creature of flesh, palpitations and blood.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

Deriving from an eponymous audiovisual performance, this electroacoustic project by Sote (Ata Ebtekar) blends traditional music from Iran with hardcore electronics.

Based entirely on the work of Armin Linke, Accattone #5 explores photography in relation to the major architecture of public and private institutions: the infrastructure of the Roman Empire, neoclassical Athens, the United Nations headquarters, neo-liberal corporate environments and the fragile European institutions in Brussels.

Exhibition catalogue documenting the eponymous sculptural project showcasing silicone impressions of Berlin's bullet-ridden facades from the Second World War. These architectural traces embody trauma and time, from the war to nowadays. The publication catalogues these facades and focuses on the making of the project. It features a text by writer Deborah Levy.

Catalogue accompanying a selection of works by the German artist showcased at Castello di Rivoli. Weisz combines references to Renaissance art, psychoanalysis, memories and the female body, creating complex and poetic installations, inspired by a text by poet Paul Celan.

Luxurious bilingual monograph dedicated to Hans Hartung, bringing together numerous works from 1922 to 1989. Directed by Matthieu Poirier, the richly documented publication features a full-color central section with reproductions of Hartung's paintings. Appendix includes a text by Jean Clay and an interview with Pierre Soulages by Pierre Encrevé, in which the painter discusses his friendship with Hartung.

This publication is an adaptation of a public statement by art critic Annika Bender, the editor-in-chief of the Donnerstag-Blog, on why her blog was discontinued. Bender was in fact a fictitious character created by artists Dominic Osterried and Steffen Zillig. The two artists discuss why they deemed a certain form of masked critique important and necessary in our times.

This LP pairs two organ-based works by German composer Ernstalbrecht Stiebler. More closely associated with his position as a radio editor and producer, Stiebler composes a reductionist music built on minimalist structures and repetitions, and influenced by Minimalism in visual art.

Photographic account of the two photographers's automobile trip from Switzerland to Mongolia, through the mystical realms of the East.

Belgian artist Carsten Höller has risen to the fore of the international scene with a practice that revolves around the search for new ways of inhabiting our world. This catalogue features 20 large-scale works––installations, videos, and photographs that play with optics and space.

This recording brings together two pioneers in their respective fields, sound artist Christina Kubisch and video artist Fabrizio Plessi. Two and two is the outcome of a Fluxus-oriented multimedia performance inspired by the natural elements.