United States

First monograph.

New monograph.

Interviews with Lynda Benglis, Roe Ethridge, Becca Blackwell, Antonio Campos & Robert Greene, Angie Keefer & Liz Magic Laser, Laura Kurgan, Michael Palmer & Rosmarie Waldrop, China Miéville, “artists on artists” section with Aki Sasamoto by David Everitt Howe, Jibade Khalil-Huffman by Thom Donovan, Ellen Cantor by Nicola Tyson, featuring fictions by Maria Fusco and Thalia Field, poetry, portfolios, reviews, and more.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

High Winds is an artist's book written by Sylvan Oswald, with graphics by Jessica Fleischmann. This “western phantasmagoria” is a bedtime book for adults based on Oswald's experiences with insomnia, gender transition, and moving to Los Angeles.

An important work by American artist Mel Bochner yet strangely it remains little-known.

This collaborative artist's book is a work of fiction set in a Kafkaesque world where creativity is a criminal offence and artists are imprisonned. Alexandra Grant's text, the testimony of the prison's warden, is powerfully illustrated by Eve Wood's drawings.

This publication collects black and white photographs taken at apartment viewings in Berlin, London and Zürich in 2015. The images render a landscape of apartments, mostly empty, punctuated by potential buyers or renters projecting their own possible futures onto the spaces.

A selection of trucks—coaches, tow trucks, merchandise trucks—drawn with ballpoint pen and pencil by underground legend Wesley Willis. Compiled from different notebooks, this series highlights an essential and almost obsessive motif in the visual work of the Chicagoan artist.

An erotic coloring artist's book juxtaposing scenes of intimacy and loneliness in the city at night.

The eighth volume of the Critical Spatial Practice series focuses on Jill Magid's “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize—winning architect Luis Barragán (1902-1988), and questions forms of power, public access, and copyright that construct artistic legacy.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

Ben Vida's new LP represents the conclusion of one body of work, Damaged Particulates, and the beginnings of a new long form project titled Reducing the Tempo to Zero, in which the american artist return to the durational drone based forms that he first experimented with in his early days.

An introduction to the art of Stephen Felton, with an essay by Jill Gasparina, “On the uselessness of sophisticated discourse,” as a guiding thread to better understand a work relying on simplicity and narratives.

Selected from Bernstein's entire body of work, a compilation of graffiti-inspired charcoal drawings involving male external genital organs.

Monograph offering a collective literary and poetic rendering of Alan Reid's works.

A novel on the life and times of Janis Joplin.

A musical essay exploring complex variety of digital rhythms patterns.

A musical essay exploring complex variety of digital rhythms patterns.

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This second issue focuses on Jim Shaw's Californian youth between the late 1950s and the beginning of the 1970s.

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre.

The artistic and pedagogical experimentations and the alternative networks developed in California from the late sixties.

Interviews with Sarah Oppenheimer, Njideka Akunyili Crosby, Jen Bervin and Dianna Frid, Mel Chin, Marina Rosenfeld, Okwui Okpokwasili, Nell Zink, Laia Jufresa, “Artists on Artists” section with Audra Wolowiec by Emmalea Russo, James Esber by David Geers, Laura Owens by Claudia La Rocco, fiction and poetry, portfolio by Olga Chernysheva, books' reviews, end page by Jonathan Horowitz...

Fall 2016 exhibition previews, featuring 45 noteworthy shows worldwide. Plus, Kerry James Marshall on Marvel's Black Panther, Alan Licht on Martin Creed's “The Back Door,” the art of Willem de Rooij, Amy Taubin on the art of Bruce Conner, a special dispatch on art in Dakar, Jill Magid discusses her new work, and Hannah Black reviews the 9th Berlin Biennale…

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre (available in English edition).

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

Taking the form of a dialogue between the philosopher Judith Butler and the anthropologist Athena Athanasiou, this thought-provoking book seeks to elaborate our understanding of dispossession outside of the conventional logic of possession, a hallmark of capitalism, liberalism, and humanism.

45 chapters of 45 sentences at 45 years.

This publication documents a project initiated by Jay Heikes whose purpose is to reflect on collaboration as artistic practice.

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

This volume documents a series of site-specific works by four artists looking at existence from an abstractionist point of view.

A photographic attempt to capture the elusive nature of the Californian landscape.

Bomb's Summer Issue: interviews with Lawrence Paul Yuxweluptun, Wadada Leo Smith, Dmitry Krymov, Patricia Treib, Lee Clay Johnson, Jesse Ball & Catherine Lacey, Jason Simon, Vince Staples, “artists on artists” section with Frederick Terna by Stephen Westfall, Brandan “Bmike” Odums by Zachary Lazar, Rebecca Smith by John Newman, David Brody by Elliott Green, portfolio by Steel Stillman, fiction and poetry, exhibitions and books' reviews…

Retrospective monograph on all Beckman's video works since the 1970s.

A compilation of insightful, first-hand accounts of art making, art criticism, and exhibition organizing from the early-1970s to the present.

Documenting Ian Cheng's latest “live simulations”—virtual living ecosystems in autonomous evolution—this monograph engages in a dialogue between art, new technologies and neurosciences.

One of Matt Mullican's central and most consequential inventions, the so-called “Rubbings,” are a kind of “frottages,” a technique the artist uses to produce specific pictures. The book presents a catalogue of the Rubbings on canvas from 1984 to 2015. It comprises around 500 works, documented by images and catalogue entries (the book also contains an essay by Dieter Schwarz).

First major publication to contextualize feminist artist Bernstein's vast oeuvre within the history of art, feminism, and the American socio-political climate of the late-20th century.

Brazil's artists face multifront crisis, Jordan Wolfson's distressing robot ballet, official repression and crowd-sourced censorship against Istanbul's galleries and artists, interviews with Kaari Upson and Ian Cheng, Malick Sidibé's Bamako nights, Beyoncé's Swiss inheritance, architecture's charity cases, where not to eat in Paris, reviews from Boston, London, Los Angeles, and New York, and a portfolio by Pilar Mata Dupont…

Art and Identity Special Summer (triple) issue.

This catalogue documents Charlemagne Palestine's eponymous solo exhibition, including his early video works, sculptures, paintings, installations, and sound scores.

The first monograph dedicated to the chronicler of New York's underground, Still, Looking – Works 1969-2016 explores the interrelation between Sullivan's photographic work and his paintings & drawings. Includes essays by art historian William J. Simmons and critic Linda Yablonsky.

A collection of texts defining utopia as a place existing only within the domain of language, Utopia gives a synthesis of historical utopias and a snapshot of the 1970-1980's poetic scene.

New monograph: Josephine Meckseper's work exposes the paradoxes of consumer culture through the combination of mass-produced objects with images and artefacts of historical and political events.

Special section “The New Look: Art and Fashion Photography” featuring Philip-Lorca diCorcia, Heji Shin, Petra Collins, Laurie Simmons, among others, Summer 2016 Previews of 45 shows worldwide, Jonathan Rosenbaum on Jacques Rivette, Rhea Anastasia at Hauser Wirth & Schimmel, A Cinema of Resistance: Jean-Marie Straub and Danièle Hulet, Brian Dillon on Yan Xing, plus exhibition reviews from New York, Chicago, Cologne, Warsaw, Auckland, Sao Paolo, and more.