United States

Christo and Jeanne-Claude correct the most common errors about their work and about their life. This publication features an original litograph signed by the artists.

Created in the Musique Action Festival of 1999, this recording is a collaboration between two trailblazers of new music.The duo convey their strong sonorous density through short and intense compositions, in which improvised music meets progressive rock.

A tribute to Doug Sahm.

A compilation of unreleased tracks by Eugene Chadbourne: four-track recordings at home, with his daughters, in the studio, in concert. A panel of all his art. Covers of Coltrane or Coleman on the banjo, of Nick Drake, of Phil Ochs, of Herbie Nichols, a jam session with Mexican improvisers... An incredible record that was ranked among his 7 best records by The Wire.

First artist's book by Robert Morris.

Five or six contains texts selected from more than 100 reviews, articles, and catalogue essays published by Liam Gillick since 1989.

Catalogue dedicated to the works of American video artist and performer Michael Smith. It features a text by Yves Aupetitallot, an interview by John Miller and a full chronology of Smith's works.

Bob Nickas' writings.

Bob Nickas' writings (English edition).

First publication in French on Fluxus artist, including the transcription of an intervention by Higgins at the International Conference on Action Art in October 1998. With texts by Charles Dreyfus and Jacques Donguy.

A drone duo between David Grubbs on harmonium and Noël Akchoté on electric guitar.

A long americana-like piece reminiscent of John Fahey, inspired by a short story by Stephen Crane (with Steven Prina, Sacha Andrès, Yves Robert, Thierry Madiot, Didier Petit and Quentin Rollet), followed by a drone duo between David Grubbs on harmonium and Noël Akchoté on electric guitar.

Picture Disc version. A long americana-like piece reminiscent of John Fahey, inspired by a short story by Stephen Crane (with Steven Prina, Sacha Andrès, Yves Robert, Thierry Madiot, Didier Petit and Quentin Rollet), followed by a drone duo between David Grubbs on harmonium and Noël Akchoté on electric guitar.

Retrospective catalogue featuring a chronology of the artist's works, an introduction by Yves Aupetitallot and Lionel Bovier, texts by Mike Kelley, John Miller, and Nancy Spector, and an interview with the artist by Robert Nickas

Photography signed by Richard Prince, 25 copies limited edition. Natalie Portman portrait.

Poem by Sherrie Levine; texts by Susanne Anna, Christian Bernard, Michel Assenmaker, Erich Franz and Susan Kandel.

An artist's book focusing on the question of copy (reproductions of Huysmans and Degas' works).

Booklet published on the occasion of the first French exhibition of the American video artist. The publication includes a text by Collier Schorr, biographical and bibliographical notes.

A focus on the architectural works of the American artist.

A focus on the architectural works of the American artist.

A whimsical artist's book by Pardo and White with word "Dodgers" running through book.

Unpublished text, signed original work, unique for each copy.

Derek Bailey and Eugene Chadbourne in an improvised duet, recorded live on January 2, 1995.

Artist's writings.

The book presents an exhibition at The Consortium, Dijon, and reproduces 16 postcards.

Reference monograph, with an introduction by Herbert Read and autobiographical texts by the artist.

Reference monograph, with an introduction by Herbert Read and autobiographical texts by the artist.

Reference monograph, with an introduction by Herbert Read and autobiographical texts by the artist.

An exploration into the complexity of sounds drawn exclusively from glass (reissue of the record released in 1970, remastered by Lawrence English).

One of the deepest drone albums ever recorded: nine trombones, didjeridu and Tibetan bells fill the massive two million gallon cistern with dense sonic reverberations that are both haunting and healing.

The first vinyl edition of Let the Darkness Fall, a forgotten corner from the vast discography of Suzanne Langille & Loren Connors, joined here by David Daniell and Andrew Burnes (of the Atlanta-based group San Agustin).

A retrospective of the American artist's work, balanced on the fulcrum between sculpture and architecture, spanning more than twenty years, presented as a visual essay on experimental space-making.

A retrospective devoted to Jonas Mekas's 70-year activity within and beyond the history of avant-garde cinema.

This book commemorates the long collaboration between couturier Azzedine Alaïa and photographer Arthur Elgort, who, working together, shaped the 1980s and actively contributed to the renewal of the representation of women.

An evocative chronicle of the Lower East Side's halcyon days, from Giovan's archives.

A gestural abstract painter reflects on his near-death experience with Covid

A retrospective.

An art book by musician and artist Loren Connors, exploring his pictural practice.

A large book-object of scores by artist and composer Philip Corner, including a numbered art print and a supplemental audio download which features recordings of many scores from the book, played on a variety of instruments by 10 musicians (limited edition of 100 hand-numbered copies).

A retrospective of the first ten years of the NY-based radical art, publishing and multimedia collective 8-Ball Community.

Second pressing of Recital's vinyl edition from 2015, perhaps the most approachable and beautiful in all of Loren Connors' catalog.

Pauline Oliveros' first solo recording, available on LP for the first time since it was originally released in 1982.

The 14th album of the American musician and sound artist, a key figure in minimal electronic music and the man at the head of the 12k label, is an invitation to an immobile journey.

A survey of Louise Nevelson's research on collage.

The re-issue of Rene Ricard's second volume of poetry, originally published in 1989, is a vibrant testament to 1980s New York.

A history of feminist gesture and performance since the 1960s and 1970s in California through an interview conducted by Carole Douillard with art critic Amelia Jones and two pioneering American artists, Barbara T. Smith and Susan Lacy.