United States

An impersonal autobiography (artist's book).

Dick Higgins, one of the main figures of Fluxus, points out the particularity of poet-artists who, since German and English Romanticism, have refused to make distinctions between what is sonorous, visual and written.

Illustrated monograph dedicated to the American hyperrealist artist's drawings. With texts by Kim Gordon, Liam Gillick, Karl Holmqvist...

Artist's book.

An overview of the Californian art scene from 1990 to the present.

Monograph featuring works from 2001 to 2004.

First publication of Le Va's scrapbooks.

In Hurting Horses, the artist uses a distinct literary style from one chapter to another, from autobiography to historical essay, from satirical parody to the fantastic, from letter to fiction, from detailed report to visionary daydream. These masterly pieces of literature are haunted by the great American foundation myths and establish a series of crucial links from myth to history, from history to art, from art to nature.

Monograph with texts by Eva González-Sancho, Michel Gauthier, Line Herbert-Arnaud and Richard Klein, exploring different aspects of Downsbrough's work (movies, maps, space...).

108 textual fragments of a journey through the Eastern United States.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today.

Various artists and authors use two writers' correspondence as a primary source to develop an artistic and literary falsification.

An exploration of the body in contemporary culture (artist's book / collection of texts).

Catalogue of an exhibition at the JFK airport, closed by the authorities just after the opening night party (with Vanessa Beecroft, Douglas Coupland, Kendell Geers, Dan Graham, Fabrice Gygi, Mark Handforth, Ryoji Ikeda, Jonathan Monk, Tom Sachs...).

Reference monograph.

A video triptych.

Catalogue.

Script of the movie by Liam Gillick, adaptation of Underground Man - Fragments of Future Histories, by Gabriel Tarde (1896).

An anthology of the artist's important essays, published between 1978 and today in the pages of Artforum, Flash Art and Lawson's own magazine Real Life.

An urban journey.

Reference monograph.

The art scene for collectors, and art and economics.

An investigation into the relationship between art and entertainment.

Artist's book: an invitation to travel by way of a mappemonde punctuated by lines and photographs of city spaces.

The writings of a major artist of the 70's NY scene.

A b/w movie realized in digital video, on the road and between machines.

36 studies from 1998 to 2002.

Artist's book.

A collection of texts and interviews of artists, musicians and art critics (Kim Gordon, Mike Kelley, Christian Marclay, John Miller, Bob Nickas...) based on the relationship between art, "rock" music and culture in the largest sense of the word.

A piece from an installation at the Centre Pompidou in Paris for the exhibition "Elysian Fields", with David Grubbs (guitar, electronics), John McEntire (drums), Noël Akchoté (guitar), Charlie O (organ) and Quentin Rollet (saxophone).

Christo and Jeanne-Claude rectifie the most comon errors about their work and about their life.

Christo and Jeanne-Claude correct the most common errors about their work and about their life. This publication features an original litograph signed by the artists.

Created in the Musique Action Festival of 1999, this recording is a collaboration between two trailblazers of new music.The duo convey their strong sonorous density through short and intense compositions, in which improvised music meets progressive rock.

A tribute to Doug Sahm.

A compilation of unreleased tracks by Eugene Chadbourne: four-track recordings at home, with his daughters, in the studio, in concert. A panel of all his art. Covers of Coltrane or Coleman on the banjo, of Nick Drake, of Phil Ochs, of Herbie Nichols, a jam session with Mexican improvisers... An incredible record that was ranked among his 7 best records by The Wire.

First artist's book by Robert Morris.

Five or six contains texts selected from more than 100 reviews, articles, and catalogue essays published by Liam Gillick since 1989.

Urlaub constitutes Genzken's multilayered inquiry into the meaning of work and leisure.

Catalogue dedicated to the works of American video artist and performer Michael Smith. It features a text by Yves Aupetitallot, an interview by John Miller and a full chronology of Smith's works.

Bob Nickas' writings.

Bob Nickas' writings (English edition).

First publication in French on Fluxus artist, including the transcription of an intervention by Higgins at the International Conference on Action Art in October 1998. With texts by Charles Dreyfus and Jacques Donguy.

A drone duo between David Grubbs on harmonium and Noël Akchoté on electric guitar.

A long americana-like piece reminiscent of John Fahey, inspired by a short story by Stephen Crane (with Steven Prina, Sacha Andrès, Yves Robert, Thierry Madiot, Didier Petit and Quentin Rollet), followed by a drone duo between David Grubbs on harmonium and Noël Akchoté on electric guitar.

Picture Disc version. A long americana-like piece reminiscent of John Fahey, inspired by a short story by Stephen Crane (with Steven Prina, Sacha Andrès, Yves Robert, Thierry Madiot, Didier Petit and Quentin Rollet), followed by a drone duo between David Grubbs on harmonium and Noël Akchoté on electric guitar.

Retrospective catalogue featuring a chronology of the artist's works, an introduction by Yves Aupetitallot and Lionel Bovier, texts by Mike Kelley, John Miller, and Nancy Spector, and an interview with the artist by Robert Nickas

Photography signed by Richard Prince, 25 copies limited edition. Natalie Portman portrait.

Poem by Sherrie Levine; texts by Susanne Anna, Christian Bernard, Michel Assenmaker, Erich Franz and Susan Kandel.