United States

A B BC is an artist book by Sven Sachsalber which collects 150 collages made in the last five years out of the notorious Artforum's back advertising covers of Bruno Bischofberger Gallery.

A collection of rare free-jazz pieces performed by John Zorn and selected by the American guitarist and music critic Eugene Chadbourne. Originally released in 1998 to accompany the book release Sonora: John Zorn, the album is presented here for the first time in an exclusive release in limited edition on vinyl. This special issue includes the original book that features exclusive interviews, essays and photos about the artist's entire oeuvre up to 1988.

The second of a four-chapter publication series by Rondinone, Golden Days & Silver Nights documents a cycle of works recently made by the artist in Rome: the installation of white olive trees's mouldings among the ruins of the Trajan Forum, and the exhibition “Vocabulary of Solitude” at the MACRO Museum, where sculptures of forty-five clowns were accompanied by a multitude of rainbow drawings.

The first of a four-chapter publication series by Ugo Rondinone, this catalogue documents the installation Vocabulary of Solitude—an arrangement of his works inspired by the color spectrum. The centerpiece comprises forty-five life-size sculptures of passive and contemplative clowns, who together describe the anguish of human solitude.

This double LP includes four unreleased selections from Fox's eponymous sound performance based on the great pavement labyrinth at Chartres Cathedral—which the artist saw as a metaphor for his own life in between health and sickness.

Handbook documenting a series of site-specific installations in Paris by a pioneer in textile art.

A special issue dedicated to John Giorno, in the framework of Ugo Rondinone's exhibition “I Love John Giorno” in New York.

This catalogue traces the trajectory of Warhol's influence on the work of Wool and Guyton. The innovative print processes deployed by the artists operate as conceptual fibers unifying the diversity of paintings oscillating between abstraction and representation. With an essay by Glenn O'Brien.

Providing a selection of tracks produced during Arel's American years, this compilation puts to the fore a work which occupies a special place in the history of electronic music because of its groundbreaking role and everlasting freshness.

A selection of unreleased or hard-to-locate works from 2003 to 2008, a very prolific and creative period for the Californian artist.

Catalogue dedicated to the late American artist: an influential photographer, writer, filmmaker, theorist and critic whose works have been a unique reference in debates and conversations about photography, art and politics for over 40 years. The publication includes a historical and analytical text by curator Marie Muracciole, as well as a 20-page photographic booklet.

Music performance by Joe Jones's Solar orchestra recorded at a Erik Andersch's Garden party in 1983. This edition includes the reissue of a rare photographic book documenting the event, as well as a poster and a postcard.

Books and Ideas after Seth Siegelaub spans an arc of tension between the works of Seth Siegelaub and contemporary cultural production. This highly documented publication features an interview with Seth Siegelaub, two essays by Regine Ehleiter and Michalis Pichler, and an extensively illustrated catalogue with bibliographic details.

Catalogue of the Ars viva Prize who has been awarded annually since 1953 to young artists living in Germany whose work stands out for its innovative potential and high artistic quality. The recipients of the 2017 prize are Jan Paul Evers, Leon Kahane, and Jumana Manna.

The first monograph to focus exclusively on Paul Sietsema's paintings and drawings.

The work of African-American artist Rashid Johnson is considered central in the contemporary debate revolving around the issues of identity, integration and memory. This exhibition catalogue showcases a series of his most iconic oeuvres to offer an intimate yet broad introduction to Johnson's artistic practice.

Recordings of musical performances by Blondes, James Campbell, and I.U.D, inspired by paintings shown at Wade Guyton's exhibition at Kunsthalle Zürich in 2013. Acting as a catalogue, this edition includes 4 vinyl LP and a modelling of the exhibition installation.

New CD edition of a classic from Sub Rosa's catalogue.

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

A dialogue between the works of contemporary artist Amie Siegel and the historical spaces of the Villa Stuck in Munich (monographic catalogue).

A hybrid publication beween a catalogue and an artist's book, articulated on two different registers: a flip-book consisting of the frames of the two videos shown in the exhibition at MAXXI, published on all of the right pages in the book; and a section of critical texts and images documenting the exhibition, on the left.

A special summer edition dedicated to American artist Sterling Ruby—also guest editor.

The artist's own archive of phantasmagoria: a unique collection of objects and ephemera relating to magic, the paranormal, occultism, pseudoscience, technology as well as their cultural and media portrayals (new edition).

Comprehensive catalogue focusing on the ongoing series of monolithic stone figures the artist has been modelling since 2013.

A collection of 70 penis drawings inspired by the borough of Manhattan. Made in one day in 1978, this early work forms a singular, ecclectic and playful guided tour of the city—including drawings and series such as Phallic buildings form 7th Ave., Drawing Penises in front of Tiffanys, Penis with doors – Carnegie music hall, The best place to draw penises, Self portrait at home…

Ten years of ceramic work by an important figure among post-war artists.

The book documents a mixed-media installation by Sam Falls where the artist explores ways of faithfully representing time and understanding it through art. For Falls, time is elusive and the future is “filled with meaning” only when it becomes “now”. The present, divided between past and future, has the optimism of production and the melancholy of aging.

A collection of unpublished or rare texts by architect and theoretician Frederick Kiesler written between 1927 and 1957.

French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.

An audio recording of the American artist performing a German folk song while masturbating.

Collection of portraits published between 1938 and 1955 in the New Yorker by one of the pioneer of New Journalism: a literary painting of a New York that no longer exists.

35 year anniversary issue featuring interviews with Ryan Trecartin, Shezad Dawood, Sadie Benning, Wendy Ewald, Trevor Paglen & Jacob Appelbaum, Ivan Vladislavić, Álvaro Enrigue, Christopher Sorrentino, Vijay Iyer, Yorgos Lanthimos, artists on artists' section with Naufus Ramírez Figueroa by Regina José Galindo and Anna K.E. by Corrine Fitzpatrick, literary fictions by Alexander Kluge and Gerhard Richter, Kate Zambreno, Domenick Ammirati, poetry by Joan Retallack, John Ashbery, Eugene Ostashevsky, Daniel Poppick, exhibitions and books' reviews...

Cut-up, lectures, incantations, soundworks recorded by the American writer himself in hotel rooms in Paris, London & New York, in the early 1960s (one of Sub Rosa's absolute classics, officially re-released).

An historical account of Ben Kinmont's bookstore, from the structure's origin, the events and publications it has generated. Kinmont also demonstrates how this activity has contributed to his independence as an artist vis-à-vis the commercial art circuit.

An electroacoustic meditation on memories and on the persistence of the aura in a particular place, inspired by Thomas Mann's The Magic Mountain.

Fifty verses by New-York musician Moondog.

A solar music by Joe Jones, performed and recorded early morning April 1, 1984, on the Baltic Sea beach of Sierksdorf in Schleswig-Holstein, Germany.

This catalogue documents the first Italian retrospective on the photographic activity of Twombly held at the American Academy in Rome.

Through archival research, this first monographic publication focuses on Ukeles's work ballets—a series of seven grand-scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables and steel—which took place between 1983 and 2012 in New York, Pittsburgh, Givors, Rotterdam, and Tokamachi.

Over the past twenty years, Italian-born artist Rudolf Stingel has been expanding and redefining the scope of painting through innovative and radical processes. This catalogue features works from the pivotal Styrofoam and Celotex series and includes an essay by curator Francesco Bonami.

An acoustic portrait of the Salton Sea in the Southern California desert developed as part of a joint project by Bonnetta and photographer Ron Jude.

An electrical poem by Charles Plymell first published in 1966 in Lawrence Ferlinghetti's City Lights Journal, with a CD on which Bill Nace plays a music inspired by his own reading of Apocalypse Rose.

Catalogue.

The first monograph dedicated to Landon Metz retraces the American artist's distinct practice examining four exhibitions from the past two years.

Niki, Lucy, Lola, Viola collects screenshots of a desktop-performance made by Petra Cortright where virtual erotic dancers perform on various backgrounds. As a result, the pages of the book look like continuous digital collages; synthetic and painterly landscapes populated by the strippers posing for the viewer.

A selection of visual source materials which browse Fecteau's influences, inspiration and research methods.

Issue 22 of Palais magazine is entirely devoted to the Ugo Rondinone's exhibition “I Love John Giorno” at the Palais de Tokyo (October 21, 2015 - January 10, 2016), the first retrospective of the life and work of the American poet John Giorno, a key figure of America's counterculture since the 1960s.