Graphic design / typography

Julien Blaine's new collection of poetic, visual and typographic experiments.

A reflection on what becomes of and what is produced by images displayed in public spaces.

Reflections by Alexandra Midal, Thierry Chancogne, and graphic design duo Syndicat on books and printed surfaces, based on the hundred or so publications produced by MAC VAL over two decades of commitment to contemporary graphic design.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

The first issue in a collection of typographic specimens, each inviting a designer to create a fictional story around one of their typefaces, this volume is by Grégoire Romanet, who has repurposed 18th-century Texas Cattle Brand symbols to create a typeface.

Focusing on contributions that explore composites as forms of art and design, as research methodologies and practices, and/or as theoretical concepts, issue 60 of the journal Azimuts proposes look at composites as a way of presenting or representing realities.

This book takes as its starting with the question "What is a good poster?"' and then gradually drifts away from it as it unfolds, confronted with the complexity of this question that pertains to the truth, accuracy, functionality or even the good taste of a graphic work.

Centered on the emblematic figure of Pontus Hultén (1924–2006), this issue of Revue Faire explores the director's publishing work during his time at the head of the Moderna Museet in Stockholm, from 1960 to 1973.

27 features 27 recent works from two series titled Clementine and Merlin (2023–24) by London-based artist Magali Reus. This book, in its beautifully crafted materiality, format and typography, mimics a diary or romantic novel.

Edited, designed and printed by Matrijaršija, this riso-printed book is the first in the Tehnika series and is based on research into the left-wing union of typographers and printers active in Yugoslavia in the 1920s and 30s.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

Focusing on contributions that explore composites as forms of art and design, as research methodologies and practices, and/or as theoretical concepts, issue 60 of the journal Azimuts proposes look at composites as a way of presenting or representing realities.

The reissue of issue 34 of the critical graphic design journal: a questioning of the criterion of "beauty" applied to typography and the challenges of the "Most Beautiful Swiss Books" award.

The reissue of issue 43 of the critical graphic design journal: a reflection on the dynamics of formal relationships between writing and typography.

What happens, then, when contemporary graphic designers appear to take up the torch of an iconography that so-called iconographer-artists had already reclaimed—since the beginning of the last century—from graphic designers themselves, along with their culture and skills? (by Thierry Chancogne).

A visual journey through the forgotten corners of the eyewear industry, 3000 Days Of Archives Related To The Optics And Glasses Frame Industry is a testament to the richness of forgotten material culture, at the crossroads of visual culture, industrial design, photography and archival research.

The final issue of the annual graphic design journal Composite.

Through a combination of critical texts and a visual essay, this issue of Faire explores 3D computer graphics, sometimes called CGI, 3D-CGI, or three-dimensional computer graphics.

Federico Pepe fills the void in our lives, multiplying the ecstasy of emptiness ad infinitum (a project by Federico Pepe & Le Dictateur Studio curated by Elena Volpato).

This first substantial monograph pays tribute to the silkscreen printer and publisher, more than ten years after his passing.

The catalog of the fifth edition of the International Graphic Design Biennial, organized by le Signe, centre national du graphisme in Chaumont, in 2025, on the theme of music.

A wide-ranging discursive study of the cultural geography of the Central European avant-garde between the wars.

The fourth issue of Le Signe Design (the Cahiers of the National Graphic Design Center), under the sign of Japan.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

A visual journey through an extensive collection of fashion ephemera housed at the International Library of Fashion Research in Oslo, the world's most comprehensive repository of specialized fashion research and contemporary fashion publications. Aude Fellay discusses the challenges facing fashion research today.

Keep Smiling! The Printed Universe of Pontus Hultén offers a portrait of visionary museum director Pontus Hultén (1924-2006) through over 200 printed works—posters, catalogues, film programmes, and invitations. Reflecting his playful, free-spirited take on anarchism, the archive highlights the bold collaborations he fostered with artists and designers throughout his career.

Keep Smiling! The Printed Universe of Pontus Hultén offers a portrait of visionary museum director Pontus Hultén (1924-2006) through over 200 printed works—posters, catalogues, film programmes, and invitations. Reflecting his playful, free-spirited take on anarchism, the archive highlights the bold collaborations he fostered with artists and designers throughout his career.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

A list of 112 artists names modified with Open Office corrector (artist's book).

A list of 112 artists names modified with Open Office corrector (artist's book).

Four epistolary exchanges between Thierry Chancogne and Richard Niessen about the Palace of Typographic Masonry, a project initiated in 2014 by the Dutch graphic designer as an imaginary architecture devoted entirely to the variety, abundance, digressions and poetry of graphic expression.

The 14th issue of the annual magazine of the ECAL (Lausanne University of Art and Design), with interviews Brian Roettinger, Eliott Grunewald, Aurore Piedigrossi, Jean-Vincent Simonet, Mathilde Agius, Marvin Armand and Cécilia Poupon and a conversation between Erwan Bouroullec and Michel Roset.

The 49th issue of the critical graphic design journal, about Lawrence Weiner and his relationship with typography.

Studio Manuel Raeder's 2025 sticker calendar.

A visual corpus that brings together one hundred and thirty-two artists' books collected and reproduced as part of an artistic residency conducted at the Centre des livres d'artistes (Saint-Yrieix-la-Perche).

The outcome of in-depth research into the work of Bruno Richard and Pascal Doury, this anthology of the legendary magazine Elles sont de sortie (ESDS) retraces five decades of a corpus of nearly three hundred publications.

This double issue of the critical graphic design journal examines the origins of the automation and mechanization of translation and writing.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

The artist book Sand is Water You Can walk On by Katharina Schilling brings together the series of paintings of the same name with texts by the authors Eva Hegge, Miriam Stoney and Sophia Eisenhut. In her series of works, Schilling refers to Gothic illuminations, an early form of painting that tells of a time before the concept of the subject.

The 46th issue of the critical graphic design journal is devoted to the Zurich-based graphic design studio Norm.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

The fifth issue of the annual graphic design journal, dedicated to image and print techniques.

Logorrhea is an artist book focusing on the written word in Jean-Michel Wicker's work. It is a large and lighter-than-air paperback, the author's third void.

An artist's book built around KOOL ("cabbage" in Dutch), a new font designed by Magali Reus, winner of the seventh edition of the Arnaldo Pomodoro Prize for Sculpture.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

Julien Blaine's new collection of poetic, visual and typographic experiments.

This artist's book by Bea Schlingelhoff gathers together 366 capping phrases used for kōan practice.

The 13th issue of the annual magazine of the ECAL (Lausanne University of Art and Design), with interviews with Paul Hirsch, Sébastian Strappazzon, Matthieu Gafsou, Lorenza Longhi, Gabriele Garavaglia, Loucia Carlier.

New visualities and visualizations of literature in the digital age: the possible contributions of design thinking to literary theory.

Nieves Notebook produced by Moleskine is a lightweight, flexible paper companion for everyday notes and sketches.