Theater

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

Sans Grace is the book by two actresses, one from Geneva, the other based in Paris. It takes up the first improvisational exercises that they carried out before conceiving the stage diptych Sans Grace / Avec Grace, on tour in Switzerland and Belgium.

A writing project around the English poet and playwright Aphra Behn (1640-1689), an avant-garde feminist and protest figure who was one of the first writers to make a living from her pen and establish herself on the London theater scene.

A painter and an inventor, Eugène Frey (1863-1930) pioneered techniques of animated sets for the theatre at the same time period as the cinema was invented. While he is contextualized beside the creations of Loie Fuller, Georges Méliès or Lotte Reiniger, he is reinterpreted by the artist João Maria Gusmão. First publication devoted to the work of Eugène Frey, the luxurious catalogue of the exhibition at the New National Museum of Monaco presents texts by Stéphane Tralongo (University of Lausanne) and Laurent Mannoni (Cinémathèque française), as well as a work of fiction by João Maria Gusmão.

The first published collection of the work of playwright and artist Asher Hartman and his Gawdafful National Theater company.

First monograph dedicated to the young American painter, whose expressive and colorful universe draws on the everyday life in the margins, from bohemians to non-conformists. The publication also presents the Gray's theatrical works and associates the artist's two practices.

Two interviews in which Carmelo Bene exposes his working method and his ideas on television, and opens a reflection on the links between artistic avant-gardism and mass diffusion.

A series of plays (independent of each other) that all refer to a scene from Greek mythology.

A collective study on the theatrical reenactment of the storming of the Winter Palace by Soviet dramatist Nikolai Evreinov, on the occasion of the October Revolution's third anniversary. This staging of the beginning of the revolution, performed by 10.000 people, is documented thanks to an ensemble of texts, photographs, and drawings.

First publication to gathers all theatrical works by artist Guy de Cointet, written between 1973 and 1983. 25 plays, published with an explanatory apparatus and numerous documents from the de Cointet Estate at the Centre Pompidou's Kandinsky Library.

First publication to gathers all theatrical works by artist Guy de Cointet, written between 1973 and 1983. 25 plays, published with an explanatory apparatus and numerous documents from the de Cointet Estate at the Centre Pompidou's Kandinsky Library.

Edited by artist Joachim Hamou, this publication offers a current analysis of the similar issued shared by the fields of contemporary art and of the performing arts, through essays, interviews, and an unpublished play by British artist Cally Spooner.

This publication, conceived as an extension of the eponymous exhibition and its design, gathers scientific contributions from leading researchers and art and dance historians alongside in situ installation views, paying tribute to Léon Bakst, the greatest set designer of the modern era (new edition).

In Diary of a Leap Year, Lebanese artist produces 366 daily collages from political newspapers in Lebanon and the Arab World, as a protest to the violence taking place in this region.

Inferno's eight issue features an in-depth review of the news in contemporary art (interviews with Maurizio Cattelan, Matt Mullican, Xavier Veilhan, Kader Attia, Provoke exhibition, Agnès Martin's retrospective…), performance art (interviews with Jan Martens, Xavier Le Roy, Boris Charmatz, Martin Faucher and the Montreal FTA Festival, Utrecht Spring Festival) and literature (interviews with Pierre Michon and Olivier Cadiot).

This publication serves as an extension of Joachim Koester's artworks and research on Jerzy Grotowski's (1933-1999) mythical persona and experimental approach towards theater. More specifically here, Koester retraces Grotowski's trips to Mexico with the help of historians, anthropologists, and former students.

The history of the emergence and appropriation of the score in extra-musical domains (theater, dance, performance).

Louise Bourgeois, Adel Abdessemed, Jan Fabre, Judy Chicago, Andres Serrano, Sara Favriau, Camille Henrot, Tino Sehgal, reviews of Angélica Liddell and Nadia Lauro plays, Brussels Kunstenfestival, festival d'Avignon, festival TransAmeriques…

Théo Mercier, Malika Djardi, Markus Öhrn, the online art market, Apichatpong Weerasethakul, French post-punk, being an artist in Central Asia, nudity on stage, the footballer as a modern artist, “Iran” special feature with Barbad Golshiri and Amir Reza Koohestani…

Thomas Blanchard, Roberto Minervini's America, Sébastien Barrier, David Cronenberg's first novel, the Athenian cultural scene versus the economical crisis, Nòvia, drone rock and folk music, looking back on Hong Kong's umbrella movement, Pierre Godard & Liz Santoro's For Claude Shannon, portfolio, poetry, reviews, cultural agenda...

The theatrical writings of post-anthropocentric “disfigurement” and the reinvention of expressive means of contemporary philosophy.

This publication is based on the albums the artist conceived during his tenure at the Bauhaus, and presents, for the first time, photographs and documents, personal as much as artistic, on this key moment of the modern period. It is also the first opportunity to discover this primary material, in a format reproducing the original albums.

Four literary chronicles examining lives within the globalized world and its monetary system.

This volume brings together essays on the German writer W. G. Sebald (1944-2001), iconographic documents and manuscripts of the author, and a script written by Sebald for a film ever made about the life of the philosopher Ludwig Wittgenstein.

A collective publication on Jean Genet and the arts.

All posters produced by M/M (Paris) for CDDB-Théâtre de Lorient since 1996, with comments by Eric Vigner, Bénédicte Vigner, and Mathias Augustyniak (edition completed with a photographic booklet and the theater's 20th anniversary programming).

Cheerleading & The Rite of Spring, filmmaker Virgil Vernier, special segment on Mauritania, Tuareg bluesman Mdou Moctar, the self-managed cultural center L'Usine in Geneva, the occupancy of Vivat theater in Armentières, interviews with Franck Vigroux and Eszter Salamon, a tribute to Alban Denuit, war, God, and the act of writing...

A professional portrait of the writer.

Featuring: Radhouane El Meddeb, Greil Marcus, Samuel Gratacap, Miguel Gomes, art market and money laundering, portoflios bu Julien Lombardi and Samuel Richardot, Lydia Thompson and her sulphurous “ British Blondes”, Pagu...

Featuring: interview and portfolio by Michel Houellebecq, Bouchra Ouizguen in Marrakech, which cultural life in New Orleans, 10 years after Katrina? (reportage), a portrait of Tiago Rodrigues, director of the National Theatre of Lisbon, Titus Andronicus's punk opera...

Collection of poems by Cameroonian poet Kouam Tawa.

Voguing in France, Rudy Ricciotti, théâtre connecté, Volmir Cordeiro, Thomas Lévy-Lasne & Aurélien Bellanger, power electronics...

Comprehensive monograph: the first survey of first generation Bauhaus artist Xanti Schawinsky's extraordinarily prolific output over the course of five decades.

Rodrigo García, Jean-Luc Blanc, Israel army radio station, Tristan Garcia, Avi Mograbi, Bharat Sikka, Pierre-Olivier Arnaud, virtual representations of Google Street View explored by artists...

A magazine dedicated to art and theater (artistic director : Paulina Ołowska).

New formula of the French multidisciplinary cultural magazine.

Designed by M/M (Paris), this book-object documents, through photographs and a text by Frédéric Boyer, the drama entitled La Faculté (The Faculty), from a text created by Christophe Honoré, directed by Eric Vigner.

The first publication of a play by one of the pioneers of conceptual art in Los Angeles (new edition).

Artist Bill Vorn creates robotics as part of his research on artificial life and machine anthropomorphism. This catalogue, intended to be a robograhpy of the artist, attempts to understand, if perhaps not the phenomenon, then at least Bill Vorn's innovative approach to it (with contributions by Ian Fenelon and Jean-Paul Fourmentraux).

Oskar Schlemmer's letters and diaries.

Autobiography of Hungarian stage director and playwright George Tabori: a collection of memories oscillating between pathos and drama, delivering a lucid picture of the rise of Nazism.

The theatrical, poetical and musical work of Xavier Forneret, French Romantic writer, precursor of the Surrealist movement.

Stories, novels, correspondence and short texts by Xavier Forneret, French Romantic writer, precursor of the Surrealist movement.

A biographical rereading of the English playwright's work.

An introduction to the “work of resistance” of East German dramatist, poet, writer and essayist Heiner Müller.

A theater play in two acts (the fifth book by Swedish artist and poet Karl Larsson).