Literature

Thulani Davis' collection of poetry about music.

A collection of reflections and literary and artistic contributions inspired by the themes at the heart of American writer Dodie Bellamy's work, and driven by the central question “What are we learning from artists today?”

The fifth and last issue of the erotic journal.

Tristan Tzara (1896-1963) is the poet through whom Dada arrived. In Zurich, he animated the Cabaret Voltaire with Hugo Ball; in Paris, he then inspired some surrealists in the making. If he was a great lover of Villon and Rabelais, his poetry is as iconoclastic as the music of Nurse With Wound, who composed for this edition of Minuits pour géants an unpublished piece lasting about ten minutes: On the Edge of the Outside.

The figure(s) of Cindy Sherman as the plot of a personal narrative by Jean-François Bory.

A more than strange novel by the German writer and director Hanns Heinz Ewers (1871-1943), accompanied by a new musical piece by Nurse With Wound on a mini CD.

A disappointing trip to Manaus capital of the Amazon during the rainy season becomes the opportunity for Jean-François Bory to deploy a text in lush color of vegetal letters.

A total alchemy between the texts declaimed by the New York poet Steve Dalachinsky and the loops subtly arranged by the experimental rock band The Snobs. The CD is accompanied by a book of texts and images by Dalachinsky.

A text by Antonin Artaud illustrated with a 15-minute unreleased sound piece by Nurse With Wound entitled To Another Awareness.

Rene Ricard 1979-1980 is the first collection of American poet and artist Rene Ricard's poetry, first published by the Dia Art Foundation in 1979. This new edition presents, in a new format, both the original book design reproduced as a facsimile and the first French translation of Ricard's poems.

An anthology of texts by writers, artists, choreographers, poets and performers who think about the relationships between body, writing and textuality.

The diary of an insomnia.

The “chairs-poems” conceived by the Quebec sculptor Michel Goulet for the Palais-Royal garden in Paris, with contributions from nearly 70 authors, visual artists, poets, critics, theoreticians, philosophers and thinkers.

Originally resealed in 1975, Poesia Sonora is one of the first international compilation of sound poetry. Edited by Maurizio Nannucci, the anthology gathers pieces by some of the most important pioneers of the Sound Poetry movement: Bob Cobbing, François Dufrêne, Henri Chopin, Ernst Jandl, Franz Mon, Arthur Petronio, Arrigo Lora-Totino, Brion Gysin, Bernard Heidsieck, Sten Hanson, and Paul De Vree.

Collection of recent essays and poems in which the American poet and critic examines issues of genealogy and influence, the poverty and privilege of place, architecture's relationship to language, and feminist economies of writing, reading, and art making.

At the crossroads of theater, performance, and poetry, this collection of texts puts forward women's voice to express their power of resistance against their condition.

Recounting a partial history of our relation with matter, this reader explores how the crossover between cosmological narratives, the spatial revolutions of concrete poetry, and hypertextual and territorial fictions might have an impact on the recognition of human agency in a time that calls for our action on environmental policies.

An introductory examination of asylum art before the theorization of art brut, followed by a new critical edition of French alienist Marcel Réja's study on the “madmen's art”.

At the heart of this collection of short writings are three provocative texts extracted from important artworks by Rosen, offered here as genre-defying literature at the intersection between reality and fiction, speculative narrative and historical-political critique, humor and eroticism.

A special issue dedicated to John Giorno, in the framework of Ugo Rondinone's exhibition “I Love John Giorno” in New York.

In (a, b, c) Ulises Carrión presents one if his early linguistic exercises in English, originally handwritten in green ink in 1972. The author observes and explores the structure of the sonnet. He develops fourteen interrelated sequences, which he uses as a key to codify a narrative. The text of each poem follows the schematic order of its title.

Publication reproducing one of Carrión's early linguistic exercises in English language, in which the conceptual artist dissects names of musical instruments to make sound appear.

Facsimile of the seminal magazine created by Ulises Carrión and Cres, originally published in 1979. In this photographic book—one of very few of Carrion's entire practice—the author is very critical about his own affiliation with the mail art movement. The book presents a series a photographs of his calling card filing box, which the author juxtaposes with witty and poignant captions.

Rrr reproduces typewritten pages written by conceptual artist Ulises Carrión in 1972. In his early linguistic exercises, Carrión played with the notion of learning by sounds and poetry. By creating his own onomatopoeia and sequences of repetition, he expresses his playful attitude towards poetry.

A “man” tells his fabulous past as an ape, from his capture to his adaptation to the world of men, to the members of an Academy of Sciences. This edition of A Report to an Academy, a short story by the great Kafka, is accompanied by a musical piece especially written by Nurse With Wound (here, Steven Stapleton, Colin Potter, Andrew Liles, Matt Waldron, Quentin Rollet, and It could be Worse).

In his “Book” George Brecht describes the specific nature of each single page, in a gesture that renders the printed matter a tautological object.

A collection of texts on the various aspects of radio creation, published on the occasion of the twentieth anniversary of the ACSR – the Belgian-based studio dedicated to radio and sound creation.

Limited edition box set with 43 instrumental tracks recorded with an alto saxophone, a radio and an electric toothbrush by Mart Küchen. The musical pieces are accompanied by four poems written by the Swedish musician and eight plates by Austrian plastic artist Johannes Heuer.

An artist book juxtaposing text and image, history and its revision, The Blind Merchant provides the reader with alternative written and drawn narratives to Shakespeare's The Merchant of Venice adopting the point of view of Jewish moneylender Shylock.

Animals questions through a poetic approach the modernist apprehension of time and locomotion, in the realm of today.

Cut-up, lectures, incantations, soundworks recorded by the American writer himself in hotel rooms in Paris, London & New York, in the early 1960s (one of Sub Rosa's absolute classics, officially re-released).

Fifty verses by New-York musician Moondog.

Inferno sheds a sharp light on the news of contemporary art and scenes. In this issue: Yoko Ono, Fischli & Weiss, Trajal Harrell, Jodorowsky, Cindy Sherman, Sigmar Polke, Dance in New York, Berlin special feature, Philippe Parreno, Paul McCarthy, Ai Weiwei, Castellucci's Moses und Aron, Arty Lisbon, Lyon and Istanbul's Biennials, Winter-Spring 2016 program...

An electrical poem by Charles Plymell first published in 1966 in Lawrence Ferlinghetti's City Lights Journal, with a CD on which Bill Nace plays a music inspired by his own reading of Apocalypse Rose.

Featuring: Julien Mabiala Bissila, Benjamin Dupé, Édouard Louis & Guillaume Bresson, Tunisian film societies, Marie Losier, portfolios by Florian van Roekel and Simone Holliger, Life? or Theatre? by Charlotte Salomon...

Issue 22 of Palais magazine is entirely devoted to the Ugo Rondinone's exhibition “I Love John Giorno” at the Palais de Tokyo (October 21, 2015 - January 10, 2016), the first retrospective of the life and work of the American poet John Giorno, a key figure of America's counterculture since the 1960s.

A subjective compilation by David Le Simple and Vincent Romagny concluding the three exhibitions cycle “Doppelgänger” at CEAAC curated by Romagny.

An interactive book where you are the hero, written by the game designer FibreTigre, edited by Fanette Mellier (a collector's item for graphic art lovers as well as for readers-players).

This publication is devoted to the phenomenon of the artist novel, and whether it can be considered to be a medium in its own right within the visual arts. Thanks to the contributions of a selected group of artists, writers, curators, and scholars this publication strives to demonstrate that literature, when treated by visual artists, can take place well beyond the space of the book.

A concrete / post-digital oratorio in 5 parts.

A text by André Salmon on French anarchist Léon Léhautier, accompanied by a mini-CD containing a piece by Nurse With Wound, Close to You.

First issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, including a CD with music by Frédéric Acquaviva and Phill Niblock, a DVD with performances by Tomomi Adachi, Bernard Heidsieck, Katherine Liberovskaya, Jacques Lizène, Alvin Lucier, Loré Lixenberg, and Alex Mincek, posters, and documents.

Headless, an exhilarating murder-mystery by the elusive K. D., probes the sordid secrets and sinister deeds of powerful financiers who use Caribbean firms to conceal their fortunes.

Alberto García del Castillo's first novel is a comedy-science-fiction novelette about “faggotry” and the art world; depicting a retour-au-passé in contemporary painting and waving to some of the most beautiful homosexuals on Earth.

An extreme experience seeking to hear the body's internal sounds. It uses both the medium of drawing and of writing to account for the metamorphoses produced by this sensorial experiment.

12 typescripts of concrete poetry (signed and numbered artist's book).