Painting

This enchanting convening of texts and images, diaries and epistles celebrates a unique voice and ongoing dialogue around the erotics of art.

A broad survey of the Brazilian artist's work since 2016, dwelling on the recurring motifs and iconographic sources that feed the complex imagery of his painting.

First monograph.

Painting after Painting explores the dynamic and evolving landscape of contemporary painting in Belgium, reflecting on its complex history and diverse practices.

A major monograph dedicated to the last series of works by the American hyperrealist painter, exploring images derived from cameras, typewriters and machine parts he calls "components".

Ten drawings by the American painter.

A selection of works by the Saudi artist that center on mud-brick houses, their central courtyards, and distinctive elements—drawing on a personal archive of memory and place—as well as scenes of traditional Bedouin life.

A selection of paintings, drawings, and preparatory works by the Saudi artist that invite into a dreamlike realm where reality and imagination blur.

A fascinating encounter between two artists from different generations.

A fascinating encounter between two artists from different generations.

What meaning can be given to abstract art forms when the figurative is evacuated in favor of pure gesture and color? This book investigates the case of Hans Hartung, delving into the depths of his psyche—at the frontier between aesthetics, neuroscience, psychoanalysis and medicine.

Blending critical discourse with striking visual documentation, this volume is both a tribute to a singular exhibition and a testament to Juan Araujo's enduring exploration of memory, perception, and the shifting nature of visual heritage.

The catalogue of the Lebanese-American artist's first exhibition in Italy.

This luxurious monograph reveals the strangeness of the Swiss artist's practice, which blends traditional painting techniques with digital technology, and captures the very special texture of the works reproduced on the glossy surface of paper.

First monograph.

This inaugural retrospective volume unveils the œuvre of Lebanese artist Jamil Molaeb (b. 1948) and marks a seminal moment in the appreciation of his artistic legacy.

How contemporary painting embraces the possibilities offered by digital technology.

This monograph on Rosemarie Castoro (1939-2015) spans the New York-based artist’s entire practice.

Lavishly illustrated, this publication on the Argentine-Swiss artist Vivian Suter offers an immersive approach to her acclaimed painting practice, whose relationship with the natural world makes it particularly challenging.

The collected writings of artist Marc Camille Chaimowicz, along with the stories behind them told by Alexis Vaillant.

Hans Ulrich Obrist leads readers into the world of path-breaking Syrian artist Simone Fattal in this intensely personal volume.

The very personal New Year's greetings published by the Swiss artist in the form of zines over the last twenty years.

Reference monograph.

The new edition of Campo di Marte by Nathalie Du Pasquier is enriched with sixteen additional compositions, expanding and complementing the original selection of the first edition.

Ffirst monograph on Argentinian artist Santiago de Paoli.

Comprehensive monograph.

60 painted portraits of friends at work from the art world and culture.

The enigmatic oil paintings of Sicilian-born artist Tancredi Liliana Salone, “premonitory memories” of a disturbing future, a dystopia steeped in ancient images.

Comprehensive monograph: a complete overview of Salvo's work, with never-seen-before documentation and archive.

The revelatory world of Emma Reyes.

Two series of brutal, raw drawings by Miriam Cahn.

Chris Johanson's ant and abstract paintings.

A panorama of the work of French painter Silvère Jarrosson (lithographs, monotypes, paintings on canvas and on paper).

The first examination of the practices of two French artists who were key exponents of the Nouveau Réalisme movement, highlighting two opposing and complementary aspects of their poetics.

An artist’s book, a work to be read, a journey through the history of painting, drawing on the collection of paintings at the Musée des beaux-arts de Rennes.

The re-release of the much-sought-after art book by Coil's John Balance—the first ever extensive overview of his drawings, paintings and sketches—in a reformatted and largely redesigned edition.

This issue of the journal of the inter-schools of art, design and architecture research network Réseau Peinture explores the genre of portraiture.

Without ever giving a lesson in painting, Alain Gunst lists 32 reasons for painting that, “bad” or “not so bad”, take malicious pleasure in mocking an art world.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

John Armleder delivers a series of drawings for his “autobiography”.

A selection of Eisenstein's writings (new expanded edition).

A monograph developing an iconographic apparatus that casts a light on the relationships between Italy and Louis Fratino's oeuvre, with newly commissioned essays and contributions by scholars of art and queer theory (new edition).

A retrospective of Alfredo Volpi, a key figure of Brazilian modernism, covering the central themes of his work from the 1940s to the 1970s, his most prolific period.

Catalog of an exhibition that presents the discourse and developments in the arts of Saudi Arabia that took place between 1959 and the 1980s, highlighting a group of Saudi artists who contributed to shaping the identity of the local art movement.

An overview of the pictorial work of a leading figure on the Saudi art scene.

An overview of the pictorial work of a leading figure on the Saudi art scene.

Comprehensive monograph.

Over 200 drawings and paintings to explore the visionary, obsessive, and hypnotic qualities of Jacopo Pagin's work.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.