Painting

First monograph.

This inaugural retrospective volume unveils the œuvre of Lebanese artist Jamil Molaeb (b. 1948) and marks a seminal moment in the appreciation of his artistic legacy.

How contemporary painting embraces the possibilities offered by digital technology.

This monograph on Rosemarie Castoro (1939-2015) spans the New York-based artist’s entire practice.

Lavishly illustrated, this publication on the Argentine-Swiss artist Vivian Suter offers an immersive approach to her acclaimed painting practice, whose relationship with the natural world makes it particularly challenging.

The collected writings of artist Marc Camille Chaimowicz, along with the stories behind them told by Alexis Vaillant.

Hans Ulrich Obrist leads readers into the world of path-breaking Syrian artist Simone Fattal in this intensely personal volume.

The very personal New Year's greetings published by the Swiss artist in the form of zines over the last twenty years.

Reference monograph.

The new edition of Campo di Marte by Nathalie Du Pasquier is enriched with sixteen additional compositions, expanding and complementing the original selection of the first edition.

Ffirst monograph on Argentinian artist Santiago de Paoli.

Comprehensive monograph.

60 painted portraits of friends at work from the art world and culture.

The enigmatic oil paintings of Sicilian-born artist Tancredi Liliana Salone, “premonitory memories” of a disturbing future, a dystopia steeped in ancient images.

Comprehensive monograph: a complete overview of Salvo's work, with never-seen-before documentation and archive.

The revelatory world of Emma Reyes.

Two series of brutal, raw drawings by Miriam Cahn.

Chris Johanson's ant and abstract paintings.

A panorama of the work of French painter Silvère Jarrosson (lithographs, monotypes, paintings on canvas and on paper).

The first examination of the practices of two French artists who were key exponents of the Nouveau Réalisme movement, highlighting two opposing and complementary aspects of their poetics.

An artist’s book, a work to be read, a journey through the history of painting, drawing on the collection of paintings at the Musée des beaux-arts de Rennes.

The re-release of the much-sought-after art book by Coil's John Balance—the first ever extensive overview of his drawings, paintings and sketches—in a reformatted and largely redesigned edition.

This issue of the journal of the inter-schools of art, design and architecture research network Réseau Peinture explores the genre of portraiture.

Without ever giving a lesson in painting, Alain Gunst lists 32 reasons for painting that, “bad” or “not so bad”, take malicious pleasure in mocking an art world.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

John Armleder delivers a series of drawings for his “autobiography”.

A selection of Eisenstein's writings (new expanded edition).

A monograph developing an iconographic apparatus that casts a light on the relationships between Italy and Louis Fratino's oeuvre, with newly commissioned essays and contributions by scholars of art and queer theory (new edition).

A retrospective of Alfredo Volpi, a key figure of Brazilian modernism, covering the central themes of his work from the 1940s to the 1970s, his most prolific period.

Catalog of an exhibition that presents the discourse and developments in the arts of Saudi Arabia that took place between 1959 and the 1980s, highlighting a group of Saudi artists who contributed to shaping the identity of the local art movement.

An overview of the pictorial work of a leading figure on the Saudi art scene.

An overview of the pictorial work of a leading figure on the Saudi art scene.

Comprehensive monograph.

Over 200 drawings and paintings to explore the visionary, obsessive, and hypnotic qualities of Jacopo Pagin's work.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.

Stefano Arienti's photographic "autobiography" (artist's book).

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

The artist book Sand is Water You Can walk On by Katharina Schilling brings together the series of paintings of the same name with texts by the authors Eva Hegge, Miriam Stoney and Sophia Eisenhut. In her series of works, Schilling refers to Gothic illuminations, an early form of painting that tells of a time before the concept of the subject.

Retrospective monograph.

Judith Eisler's first monograph, bringing together paintings made between 1997 and 2024, featuring an essay by Kirsty Bell, an introduction by Christopher Bollen, and an interview with Wade Guyton.

The story of a series of over seventy paintings that thematically play on the pitch that in recent decades the Church has increasingly had to cede to football.

Three long poems by American writer, artist and actor Rene Ricard (1946-2014), an icon of the New York underground in the 1970s, accompanied by a series of drawings by American painter Robert Hawkins.

A series of paintings synthesising big wave surfing, turning the human element into a visual punctuation on the immense aquatic backdrop.

Ludovic Nkoth's exhibition at Fondation Le Corbusier – Maison La Roche, a masterpiece of twentieth-century modern architecture.

A body of 100 paintings worked through from 2019 to 2023 (artist's book).

Catalogue dedicated to the series of paintings exhibited at the Musée d'Art Moderne de Paris, Wade Guyton's first exhibition in a French museum.

New monograph.

The catalogue of the Lithuanian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.