Painting

The first “Cahier Enseigne des Oudin” (Enseigne des Oudin's booklet) highlights three periods of Marcel Alocco's work in two volumes, emphasizing the scale of a mythological tale printed in every image the artist and poet has offered over a fifty-year period, through his Patchwork Painting and the ornamented unweaving on the canvas surface.

The first study of all the archives and documents relating to the artist's museum created by Martin Kippenberger.

An extensive overview of Olivier Mosset's six-decade painting practice.

A number of more or less benevolent considerations on the work of Jacques Halbert.

Four artist's posters.

The work of Ceija Stojka (1933-2013) is considered today an invaluable testimony on the deportation and the holocaust of the Romani people during the Second World War. For the very first time, this publication considers equal to her graphic work the notes she wrote on the back of her drawings and paintings.

A retrospective of Anne Van der Linden's paintings and drawings from 2015 to 2020.

An extensive overview of Olivier Mosset's six-decade painting practice.

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

“Just painting, without any pattern-pretext nor anecdote”: the first monograph of Moroccan abstract painter Fouad Bellamine.

A study that explores the complex relationship between nationalism, traditionalism and the critique of modern culture in France in the decades preceding the First World War.

A reconstruction of the vast network of images and texts that give shape to Italian fascist totalitarianism.

Across the pages of this issue of Flash Art, there are three words that resonate throughout: coexistence, identity, and protest. While codes to define new standards of identity are being rewritten, populist authorities still distrust the idea of a diversified coexistence of individuals, inciting resistance in physical and digital realms and spreading confusion about who or what to follow or unfollow. This issue invites readers to pay attention to the stereotypes that infect our gaze.

A series of still lifes and interior scenes by the Swiss artist.

Rafael Pérez' sketchbook presented in this publication was created in his studio in December 1992 in Dielsdorf, Zurich, as a Christmas present for his wife Ursula. Only minor alterations to the pagination, size and dedication have been made.

Steve DiBenedetto's drawings.

Why does a painter like Delacroix paint so many religious subjects?

First monograph.

Six films around six exhibitions by Cécile Bart, closer to the aesthetics of an artist's film than a documentary, introducing the viewer to the proximity of the works.

This book surveys the work made in the last few years by Portuguese artist Ana Manso.

This issue of Flash Art comes with a new brand identity, introducing a seasonal publication schedule starting from fall 2020. A new logo also heralds this change: an apparent return to the visual identity of Flash Art, albeit revised and updated with an evolving graphic layout and doubled page count and contents to offer readers a more in-depth, discursive experience. This issue explores the dynamic hybridization of the languages of contemporary art, focusing on the theme of the curatorial process—the exhibition as a moment of reflection and revelation with infinite potential for investigation.

This luxurious monograph presents a wide selection of works by Izumi Kato, Japanese painter and sculptor known for his mysterious representations of human figures with primitive aesthetics, alongside exhibition views. It is accompanied by four original critical texts and a poem by the artist.

The current state and future of painting in the digital age.

A collection of paintings by Angela Dalinger published in Pool Of Tears, a series of small format artist's books.

A collection of drawings by Sandra Martagex published in Pool Of Tears, a series of small format artist's books.

A collection of drawings by Aleksandra Waliszewska published in Pool Of Tears, a series of small format artist's books.

New monograph.

Artist's book.

Catalogue of Ambera Wellmann's first monographic exhibition in a public institution, presenting a set of about ten recent paintings, several of which were created for the occasion.

Six American artists share their invaluable perspectives on the decisive work of Martin Barré, a major figure in French Abstraction of the late 20th century.

Drawing on extensive documentation and unpublished sources, this collective publication proposes an ambitious re-examination of Hans Hartung's prolific work and eventful personal trajectory as an actor in a broader history of abstraction, which also provides a fertile matrix for many other reflections on twentieth-century art.

Retrospective monograph of the photographer and filmmaker Paolo Gioli, an active member of the Italian avant-garde of the 1970s: an overview of his work, with a dozen essays, an interview and the artist's writings.

A painter and an inventor, Eugène Frey (1863-1930) pioneered techniques of animated sets for the theatre at the same time period as the cinema was invented. While he is contextualized beside the creations of Loie Fuller, Georges Méliès or Lotte Reiniger, he is reinterpreted by the artist João Maria Gusmão. First publication devoted to the work of Eugène Frey, the luxurious catalogue of the exhibition at the New National Museum of Monaco presents texts by Stéphane Tralongo (University of Lausanne) and Laurent Mannoni (Cinémathèque française), as well as a work of fiction by João Maria Gusmão.

Flash Art Summer Issue.

Monograph dedicated to the set of 70 pieces by Arnulf Rainer constituting the Fonds Michel Foëx, of which Rainer Michael Mason presents the first study.

The catalogue raisonné of Jean-François Maurige's prints produced with Michael Woolworth from 1991 to 2019.

Artist's book.

Oracular Transmissions weaves together three of the most recent collaborative projects Etel Adnan and Lynn Marie Kirby have completed through processes of exchange and translation: Back, Back Again to Paris (2013), The Alhambra (2016), and Transmissions (2017).

The theme of this issue, put together back on the pandemic, is an examination of a new sort of figuration in painting that has emerged in recent years.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

A retrospective look at the work of our contemporary art godfather.

First monograph.

A detailed analysis of Franz Erhard Walther's pioneering Werksatz series of wearable fabric sculptures by Erik Verhargen, accompanied by a history of the piece by Thierry Davila.

First monograph.

A selection of erotic paintings by the American artist, produced between 1969 and 1971: an ecstatic and mystical celebration of the sexual act.

Olivier Mosset's reference monograph offers a complete panorama of the work of one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters, covering six decades of practice, from the first experiments to the monumental recent works.