Sculpture

A selection of public discussions by Bertrand Lavier. Limited edition accompanied by a unique work for each copy (acrylic painting on paper).

A selection of public discussions by Bertrand Lavier.

First monograph (available in English edition).

All black and white photographs reproduced in the book as well as the cover image were taken by Gygi during the winter 1990-1991. Immediately thereafter, the quasi totality of the negatives were stacked in a press and pierced with a drill. 4 - color leaflets present recent works of the artist.

Monograph on the conceptual artist' early works.

Artist's book.

Unpublished story illustrated with a virtual work in original signed lithograph.

27 interviews with Bertrand Lavier.

A true false Caribbean biennial imagined by Maurizio Cattelan for ten real artists.

Publication documenting a public commission of the sculptor for the campus of the University of Burgundy in Dijon.

Venet's writings.

Exhibition catalogue.

Monograph.

Monograph.

Unpublished text, original accumulation signed, unique.

Unpublished text. Original intaglio etching signed.

A whimsical artist's book by Pardo and White with word "Dodgers" running through book.

Unpublished text, signed original work, unique for each copy.

Artist's writings.

Unpublished text with an original artwork signed by the artist.

Unpublished text with an original silkscreen print signed by the artist.

Sketchbook.

Catalogue.

Reference monograph.

The use of concrete in visual arts, from 1976 to 1987.

Catalogue documenting the eponymous installation—250 clocks and 250 hammers mounted on a wall—especially commissioned by Le Magasin in 1987. The publication includes texts by Jacques Guillot, Franz Kaizer, Dominique Gonzales-Foerster, and René Denizot.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

The use of concrete in visual arts, until the late 1970s.

Reference monograph, with an introduction by Max Bächer and texts by the artist and architect.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

The legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record.

Limited edition of the legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record, and with an original lithograph, dated, numbered and signed.

Reference monograph, with an introduction by Giulio Carlo Argan.

Reference monograph, with an introduction by Giulio Carlo Argan.

Reference monograph, with introductions by Pierre Peissi and Carola Giedion-Welcker.

Reference monograph, with an introduction by Friedrich Heer and the transcriton of Fritz Wotruba's personal diaries.

Reference monograph, with an introduction by J. P. Hodin.

Reference monograph, with introductions by Pierre Peissi and Carola Giedion-Welcker.

Reference monograph, with an introduction by Friedrich Heer and the transcriton of Fritz Wotruba's personal diaries.

Reference monograph, with an introduction by Friedrich Heer and the transcriton of Fritz Wotruba's personal diaries.

Reference monograph.

Reference monograph, with introductions by Pierre Peissi and Carola Giedion-Welcker, and with an original signed lithograph.

Reference monograph, with a introduction by Michel Seuphor.

Reference monograph, with a introduction by Michel Seuphor, with an original lithograph, numbered and signed.

The 1959 study that simultaneously established sculpture as a major art form in the 20th century, and established Michel Seuphor as a pioneer in art criticism, with 411 illustrations and 438 biographies of sculptors.