Sculpture

Catalogue documenting the eponymous installation—250 clocks and 250 hammers mounted on a wall—especially commissioned by Le Magasin in 1987. The publication includes texts by Jacques Guillot, Franz Kaizer, Dominique Gonzales-Foerster, and René Denizot.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

The use of concrete in visual arts, until the late 1970s.

Reference monograph, with an introduction by Max Bächer and texts by the artist and architect.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

The legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record.

Limited edition of the legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record, and with an original lithograph, dated, numbered and signed.

Reference monograph, with an introduction by Giulio Carlo Argan.

Reference monograph, with an introduction by Giulio Carlo Argan.

Reference monograph, with introductions by Pierre Peissi and Carola Giedion-Welcker.

Reference monograph, with an introduction by Friedrich Heer and the transcriton of Fritz Wotruba's personal diaries.

Reference monograph, with an introduction by J. P. Hodin.

Reference monograph, with introductions by Pierre Peissi and Carola Giedion-Welcker.

Reference monograph, with an introduction by Friedrich Heer and the transcriton of Fritz Wotruba's personal diaries.

Reference monograph, with an introduction by Friedrich Heer and the transcriton of Fritz Wotruba's personal diaries.

Reference monograph.

Reference monograph, with introductions by Pierre Peissi and Carola Giedion-Welcker, and with an original signed lithograph.

Reference monograph, with a introduction by Michel Seuphor.

Reference monograph, with a introduction by Michel Seuphor, with an original lithograph, numbered and signed.

The 1959 study that simultaneously established sculpture as a major art form in the 20th century, and established Michel Seuphor as a pioneer in art criticism, with 411 illustrations and 438 biographies of sculptors.

Reference monograph, with introductions by Herbert Read and Leslie Martin, six texts by Naum Gabo, an interview, numerous documents on the history of constructivism including the 1920 Realistic Manifesto reprint, and stereoscopic reproductions, with a pair of special glasses included in the book.

Pad enhanced silkscreen (120 numbered and signed copies limited edition).

Silkscreen (120 numbered and signed copies limited edition).

Alice Anderson dialogues with the objects of the Fontevraud Museum of Modern Art, by placing her own works in the spaces of the permanent collections.

Nina Canell's artistic practice does not revolve around the finished artwork; instead, it foregrounds process and synergy. This artist's book/catalogue is based on an experiential installation that considers the material vitality of calcite.

A survey of Louise Nevelson's research on collage.

Flipbook.

Retrospective monograph.

A journey of invention and experimentation through more than 200 pieces by international artists, observing the diversity not only of forms and decorations, but also of manufacturing processes of ceramic.

Catalogue of the last solo exhibition of Ettore Spalletti (1940-2019).

Monographic catalogue: for more than a decade, Israeli installation and performance artist Naama Tsabar subverts the gender roles associated with art and music, with a particular emphasis on rock'n'roll.

New monograph.

Cable cuts, energetics, and gunk: moving back and forth between a group of core subjects, Reflexologies converts the past five years of Nina Canell's sculptural work into a 384-page book.

New monograph.

On the occasion of his carte blanche at the Palais de Tokyo (from 17 October 2018 to 6 January 2019), the artist Tomás Saraceno is the guest editor-in-chief of issue 28 of the magazine Palais.

This catalogue traces a comprehensive itinerary within the artist's rigorous and appealing body of work. A research where austere geometric forms, shaped in tones of white and black, become the alphabet of an open reflection on the world. The publication includes an interview with Balliano by curator Chrissie Iles, a critical essay by Luigi Fassi, and a rich collection of images.

Specially designed box containing a series of five books conceived by the New York–based Swiss artist Ugo Rondinone, published over two years to accompany a cycle of exhibitions devoted to works inspired by the color spectrum, with the centerpiece being Vocabulary of Solitude, forty-five life-size sculptures of clowns. Limited edition of 100 copies, box set signed by the artist.

A collective photographic series focusing on the on the subject of agalmatophilia—the sexual attraction for statues.

The “chairs-poems” conceived by the Quebec sculptor Michel Goulet for the Palais-Royal garden in Paris, with contributions from nearly 70 authors, visual artists, poets, critics, theoreticians, philosophers and thinkers.

Limited special edition, signed and numbered by the artist with a custom seal. Also included is a card of the 50th and final lifecast self portrait of Edmier made on the exact minute of his 50th birthday and the day of the exhibition opening at Petzel Gallery. Special editions come in a set of 2 books: one first edition copy & one sealed and signed by the artist with the final card.

This catalogue is conceived as a continuation and circulation of Saraceno's eponymous sound project: The artist uses spider webs as musical instruments embodying the incredible structural properties of the spider's silk, but also the spider's sophisticated mode of communication through vibrations. Saraceno recorded jam sessions between arachnids and musicians, included in this publication, as well as documentation, essays, and a manifesto.

Catalogue accompanying a selection of works by the German artist showcased at Castello di Rivoli. Weisz combines references to Renaissance art, psychoanalysis, memories and the female body, creating complex and poetic installations, inspired by a text by poet Paul Celan.

Comprehensive monograph in the style of a catalogue raisonné, giving unique insight into the multidisciplinary practice of Reto Pulfer for the past fifteen years (with texts by Anselm Franke and Benoît Maire).

The second of a four-chapter publication series by Rondinone, Golden Days & Silver Nights documents a cycle of works recently made by the artist in Rome: the installation of white olive trees's mouldings among the ruins of the Trajan Forum, and the exhibition “Vocabulary of Solitude” at the MACRO Museum, where sculptures of forty-five clowns were accompanied by a multitude of rainbow drawings.

The first of a four-chapter publication series by Ugo Rondinone, this catalogue documents the installation Vocabulary of Solitude—an arrangement of his works inspired by the color spectrum. The centerpiece comprises forty-five life-size sculptures of passive and contemplative clowns, who together describe the anguish of human solitude.