Poland

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

In this critical biography, Omar Kholeif offers an introductory field guide to Magda Stawarska's practice.

Emblematic works by the Belgian-Polish sculptor and textile artist produced in the 1970s, revealing Tapta's attention to the tactility of her materials, the suppleness of structures, individual and collective practice, and the interaction between artwork, space, and viewer.

The Malakow Tower of Zeche Hannover becomes a space-consuming sound installation that transforms voices from different communities in Bochum into a physically palpable listening experience.

A piece for saxophones and electronics, performed live by Kasper T. Toeplitz (real time electronics) and Bertrand Gauguet (alto & baritone saxophones).

Artist book: a visual and poetic investigation of the enigmatic figure of the "Middleman", combining short punchlines and full-page illustrations, which are wryly reminiscent of Kafka's fictional world. The publication comes with a cardboard puppet, to be screwed and assembled.

A musical project that investigates the perception of the otherness of the world of the crippled and their right to their own self-expression.

First monograph of Roma artist Małgorzata Mirga-Tas: an attempt to expand the Polish and European iconosphere and art history with representations of Roma culture.

The Polish artist's memorial archive traces a history of homosexuality and queer culture in Eastern Europe and opens up possibilities for the future.

This book is dedicated to the work of Marcin Rusak, as part of a series of monographs on the thought and work of young contemporary designers.

A piece composed by Phill Niblock, performed live by Ensemble IRE trio: Kasper T. Toeplitz (ebass), Franck Vigroux (eguitar), Hélène Breschand (e harp) on side A / a piece composed and performed by Kasper T.Toeplitz (ebass) and Franck Vigroux (guitar, electronics) on side B.

A collection of drawings by Aleksandra Waliszewska published in Pool Of Tears, a series of small format artist's books.

This monographic catalogue maps and decodes fifteen years of an artistic practice oriented towards DIY strategies and new technologies, investigating manifold spaces of reflections with a powerful political and theoretical radicality.

Catalogue.

Dorata Sajewska proposes an innovative perspective for looking back at the formative process of Polish modernity, delving into repressed areas of experience connected with World War I and the ensuing emancipatory movements.

Dedicated to the manifestation of sisterhood in art from the 1970s until today, All Men Become Sisters focuses on art that resonated with feminist perspectives on work, production, and reproduction.

A book of portraits with a difference, culled from a 2002–2018 photo archive of porn actors who resemble or actually even portray celebrities and public figures. Polish artist Piotr Uklański draws on a stock of hard and soft copies of “dirty” glossy men's magazines like Hustler and Loaded—as well as a plethora of meme culture material dumped on websites and blogs.

Reference monograph.

First monograph dedicated to the Polish visual artist, designed in close cooperation with graphic designer Krzysztof Pyda, and focusing mostly on Łakomy's sculptures and installations (texts by Jakub Bąk, Martha Kirszenbaum, and Chris Sharp).

An intimate diary in the shape of an apparently cold, monochromatic book, Negative Book collects a series of eighty-four black-and-white photographs taken by Grzeszykowska following a very particular procedure, which is both visual and performative.

An overview of the works of the avant-garde group Warsztat Formy Filmowej (WFF), pioneers of video art in Poland and structural cinema in Central and Eastern Europe between 1970 and 1977. The publication examines all of the aspects of the WFF's activity, as well as their pedagogical heritage.

First major catalogue dedicated to one of the biggest representatives of Polish art and experimental cinema, Józef Robakowski. The publication presents some of the artist's most significant works and his research on the language of film and montage. It includes and interview with Marina Abramović, one of Robakowski's colleague at the time of the Soviet Union.

Catalogue dedicated to the Polish painter and conceptual artist, featuring his most recent works, an essay by Maria Brewińska, and an interview. The publication reviews some of Bujnowski's key concepts, such as painting as a physical object and its concomitant deconstruction, the centrality of time and the question of futurology, and the randomness of existence.

Rite of the End is composed of six musical pieces by Polish composer, producer and violinist Stefan Wesołowski. Between romanticism and modernism, going from Richard Wagner to Ben Frost, this celestial pastoral work resembles the soundtrack of our civilization and the witness of our mutation.

Rite of the End is composed of six musical pieces by Polish composer, producer and violinist Stefan Wesołowski. Between romanticism and modernism, going from Richard Wagner to Ben Frost, this celestial pastoral work resembles the soundtrack of our civilization and the witness of our mutation.

With this collage book Polish artist Olga Lewicka draws an illuminating parallel between the visual and cultural history of clouds and the historical development and structures of capitalist and neo-liberal society.

The first monograph ever published on the work of Roman Stańczak: an incredible opportunity to discover the work of this influential and yet under-known artist. The publication includes an interview with Stańczak conducted by Zuzanna Hadrys & Michał Lasota and essays by Jan Verwoert, Zofia Krawiec, Łukasz Ronduda in addition to an extensive portfolio of images.

The publication is the first comprehensive review of Oskar Dawicki's oeuvre. Trained as a painter, it was his practice as a performer and as a post-conceptualist with a singularly fatalistic slant that brought him into the public realm.

Zbigniew Karkowski's last recording, in Sweden, November 2013—a few weeks before his death—accompanied by musicians Jean-Louis Huhta and Lars Akerlund.

This trilingual publication dedicated to the Polish artist and theorist deceased in 2014 emphasize his essential contribution to action art by gathering previously unpublished articles from his friends and colleagues in the contemporary art world. The authors recount his ideas, career and influence. Photos, reproductions of the artist's original articles and a DVD all serve to enrich this publication.

Reissue of the first album recorded by the Polish composer in 2008 at the age of 21: a work composed to breviary prayers and hymns for two voices (vocalist Maja Sieminska and Wesołowski himself), string quartet and electronics.

Reissue of the first album recorded by the Polish composer in 2008 at the age of 21: a work composed to breviary prayers and hymns for two voices (vocalist Maja Sieminska and Wesołowski himself), string quartet and electronics.

A large survey of Monika Sosnowska's sculptural work.

This publication examines the impact of Oskar Hansen within contemporary visual culture and the redefined role of the viewer since the 1960s.

Disordered Structures is a book of drawings by the Polish sculptor and installation artist, which documents her artistic research on structures and constructions.

A magazine dedicated to art and theater (artistic director : Paulina Ołowska).

Catalogue / artist's book.

An in-depth critical examination of the Piotr Uklański's ongoing series of abstract “blood” and “ink drop” paintings.

Seven fold-out posters and a text by Martin Herbert.

A visual and textual journey through the participatory processes that inform the work of the Warsaw-based artist.

A parallel between the artistic paths of four leading figures in contemporary art: Enrico Castellani, Dan Colen, Dadamaino and Piotr Uklański.

Reference monograph: an overview of Paulina Olowska's work, with an interview with Adam Szymczyk and an essay by Jan Verwoert.

Comprehensive monograph.

An album of photographic documentation of Cezary Bodzianowski's ephemeral ‘events' gently disrupting the course of everyday life, with essays by Catherine Wood, Jarosław Suchan, and Susanne Titz.

Konrad Smoleński, an active participant in both the independent music scene and the visual art scene, combines punk rock aesthetics with the precision and elegance typical for minimalism. This book reflects on the artist's practice in the context of his most challenging and conceptually complete effort to date.

First monograph (work from 2009 to 2012), with three essays and an interview.

A manual of political instructions and recipes, delivered by more than forty international authors, rather than a traditional exhibition catalogue (publication accompanying the exhibiton for the Polish Pavilion at the 54th Venice Biennale.

First monograph.

An anthology.