Contemporary art

Amazonia: Anthology as Cosmology is devoted to Amazonia, its peoples, allies, and nonhuman spirits, and their myriad material and immaterial practices, from certain cosmopolitics and visual languages to past and present forms of resistance.

First monograph.

The catalog of the international exhibition initiated at Les Abattoirs reveals a little-known story that was a milestone in 20th century psychiatry and its new links with art brut and modern art, taking as its starting point the career of the Catalan psychiatrist François Tosquelles (1912-1994).

Cura. #37 intertwines the themes of After Language and Post Society, and explores the way in which the radical change in the economic, political, cultural, linguistic and emotional structures that define our present is called upon to identify alternative and functional models for the advancement of "new."

The artist Denise Bertschi highlights the little-known Swiss presence between the two Koreas in the aftermath of the war in 1953, and questions the supposed neutrality of the country.

The birth and evolution of graffiti writing in Italy.

Artist's book.

Artist's book.

In the age of "post-truth", Spike busts the line between fact and fiction open, untangling the politics and implications of crafting (and being crafted by) narrative.

Retrospective monograph of the Greek painter Yannis Tsarouchis (1910-1989).

The second volume of the Wattis's annual reader, ​A Series of Open Questions.

Mark Leckey finally presents the soundtrack to his autobiographical allegory 'O' Magic Power of Bleakness', a mind sluicing fantasy/autobiographical narrative inspired by folklore and half-remembered tales of teenage life growing up in the Wirral, a personal history woven into screwed 808s, ringtones, sacred chimes, smudged synths, sirens and levitating ambience that sounds like nowt else.

Reference monograph of Georges Mathieu (1921-2012), a major figure of mid-20th century abstraction, founder of Lyrical Abstraction, inventor of performance art, pioneer of Action Painting, speed and risk, dripping, early inspirer of street art.

A multiformat release inspired by and channeling the culture and traditions of the Aeta, an indigenous group from the Zambales region in the Philippines, some of the most ancient nomadic and hunter gathering cultures. A sonic exorcism filled with ancestral frequencies, haunted ghosts, and other animistic spirits from the Pinatubo forests, going from the realms of the real to the imaginary, from transcription to syncretism, from concrete to abstract.

A caustic diagnosis of the situation of the current art, by one of its major protagonists.

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

A series of failed, rejected, or unused animals from Rop van Mierlo's archive; the reserve bench animals.

The first photographic book by agnès b., reinterpreting two portraits by Claire Tabouret, displayed in the fashion designer's garden.

The catalogue of the 2021 Belgrade Biennale, exploring the space of dream as a metaphorical space of freedom, capable of re-reading categories, rules, and the most common certainties.

A new set of sculptures created by Daniel Arsham from the vast collection of molds produced by the Ateliers d'Art du RMN - Grand Palais.

The masterpieces of classical antiquity revisited by Daniel Arsham: pursuing his fictitious archaeological approach, the American artist offers through his reappropriation of the Venus de Milo or Michelangelo's Moses a reflection on our relationship to time.

The 2022 Toilet Paper wall calendar features food-themed photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their cult and obsessive image-only magazine.

On the occasion of Natures Mortes, her carte blanche at the Palais de Tokyo, the artist Anne Imhof is the guest editor-in-chief of issue 31 of the magazine PALAIS.

The exhibition catalogue for the Château d'Oiron presents more than 170 artworks from the collection of Antoine de Galbert, placed in such a way as to dialogue with the permanent collection of contemporary art Curios & Mirabilia, assembled by Jean-Hubert Martin in 1993.

A small selection of Ronan Bouroullec's ballpoint pen drawings.

A small selection of Ronan Bouroullec's recent drawings.

The complete edition of Takashi Homma's acclaimed homage.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

A “minimal encyclopedia” for ideas and visions beyond the pandemic, that also contributes to a polyphonic and polysemous vision of contemporary Italian artistic production.

The new collection of drawings by the Portuguese artist.

Cao Fei, Fatima Al Qadiri, Caterina Barbieri, Will Benedict, Cecilia Bengolea, Giulia Essyad, Roe Ethridge, Jenna Gribbon, Ru Kwok, Lydia Ourahmane, Heron Preston, Emily Segal...

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

Deluxe boxed set of Graham Lambkin's remastered first four solo records, including an expansive 42-page book with unseen photos and reproductions of artworks as well as essays and anecdotal recollections.

The partitions, to be activated by the reader, by Mette Ingvartsen, Violaine Lochu, Sonia Chiambretto, Garance Dor, Aurélie Noury, Melaine Dalibert, Didier Aschour, Roland Sabatier, Vincent Menu, IKHEA@SERVICES, Florent Delval & David Liver, Pierre di Sciullo.

How the organization of time structures the creative process and more broadly our relationship to the world.

The archives of the 1980s: 23 archives involved, 106 archival documents found, 6 original interviews, 1 horoscope from Gilardi's Phototeca in a poster size.

Dave McEnzie, Luke Libera Moore, Niki de Saint Phalle, Chao-Chen Yang...

The iconic everyday objects, “soft” sculptures, ceramic pieces and collages by the Swiss duo.

An artistic project around the secret code of the Incas developed with a system of knotted cords.

The power of art to anticipate future social and technological developments inspired the new issue of Cura. to investigate the notion of futurity through the work of some of the most visionary and promising artists of the contemporary landscape.

Retrospective monograph.

An industrial and psychedelic sound piece recorded at the opening of CM von Hausswolff’s solo exhibition “INSNITT” at 3:e Våningen, Gothenburg, in 2018, with John Duncan, Leif Elggren, Jean Louis-Huhta, Joachim Nordwall, and Henrik Rylander.

A split album as part of the GRM Portraits series with two electroacoustic pieces by Florian Hecker (computer-generated multiphonic sounds and resynthesized recordings of localized textures) and Okkyung Lee (an acousmatic piece written for computer-generated sounds, pre-recorded materials and cello that was developed for the Acousmonium sound diffusion system during a residence at Ina GRM, Paris, in January 2019).

169 fundamental free jazzrecords recommended in 180 pages by Maurizio & Roberto Opalio (My Cat Is An Alien) and Philippe Robert, from must-have classics to indispensable curiosities.

The misappropriated notion of care and the paths for its rehabilitation.

This publication brings together photographs taken by Marion Scemama during a trip through the American desert with David Wojnarowicz, shortly before his death. It features documents from Scemama's personal archives and notes from Wojnarowicz's diary, along with texts by Thibault Boulvain and Elisabeth Lebovici.

A comprehensive record of the London-based art collective BANK's notorious project from the late 1990s, a fierce critic of the language elements of the art market.