Contemporary art

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Various artistic and anthropological perspectives on the theme of water and the liquid element.

Digital Interventions investigates the potential of artistic practices that aim at either creating and safeguarding emancipatory spaces of the digital or challenging and countering the many forms of digital surveillance, exploitation and repression.

The mythologies and ecologies of water, the poetics and politics of voice through film and other arts.

A survey of Latinx and Latin American women artists that used mail art, postal networks, messages, and distribution in their work.

Bianka Rolando's first book published in English, Inselbergs is a volume of poetry accompanied by the author's own lithographs, combining word and image to reflect her interdisciplinary practice.

Maxiprocesso showcases the first-ever presentation of Maria D. Rapicavoli's complete photographic series of the same name: 360 photographs, one for each of the archival folders that collectively document the largest mafia "Maxi Trial" in history, held in Palermo from 1986 to 1987.

Full Rotation brings together texts and images to trace the forces that draw bodies beyond themselves (artist's book).

Featuring numerous previously unpublished photographs and archival documents, this richly illustrated book sheds new light on Marcel Broodthaers’ entire body of work through his little-known photographic practice.

The first in-depth examination of the life and work of the Pakistani feminist artist, activist and pedagogue Lala Rukh (1948-2017).

The Brazilian artist Roberto Burle Marx (1909–1994) revolutionized landscape architecture in the first half of the twentieth century by applying design principles from painting and music to nature. He also brought social and ecological questions to the forefront. This catalogue gives a broad audience insight into his interdisciplinary artistic cosmos.

Comprehensive monograph.

Reference monograph.

An in-depth record of Barrada's latest experiments in the fields of color, dyeing, language, mythmaking and material culture for the French Pavilion at the 61st Venice Biennale.

This first major monograph on Alfredo Aceto offers a comprehensive overview of his manifold practice, across sculpture, installation, video, photography, and drawing.

This first monograph, richly illustrated with images and texts, offers a broad overview of the diversity of Marie-Ange Guilleminot's work spanning four decades.

An overview of the unique work produced by the studio for artists with disabilities that has been active in Fribourg since the late 1990s.

Stone Assemblies takes Jumana Manna's major public artwork for Oslo's Government Quarter as its starting point, opening up a collective reflection on the politics of stone, ruination, and dissent.

Silent speeches is a book on the non-compliant force of sound in contemporary art and a career-spanning catalog focusing on the employment of music, songs, and silence in the work of the artist duo Pauline Boudry & Renate Lorenz.

An account of a pilgrimage amid the sacred and the profane through the cemeteries of the Swiss Confederation, to pay tribute to the memory of illustrious figures from the worlds of poetry, literature, religion, painting, fashion, sport, philanthropy, cinema and psychoanalysis.

An investigation into the repertoire of performative gestures emerging from the work of German artist Ulla von Brandenburg and the practice of her troupe of performers.

First monograph.

A collective photography project that explore the borders between artistic research and scientific investigation, with special reference to the study of dark matter and dark energy.

Through a series of photographs of 1970s American cars created using expired Polaroids, Aurélien Mole pays a dual tribute to both photography and the history of the automobile.

A collection of critical reflections on the role of digital tools in artistic practices, and on how networks are redefining our sensibilities, our imaginations, and our ways of living together.

A programmatic book for rethinking and implementing montage as a medium in contemporary art.

A collection of sketches and research notes, texts, transcriptions of sound works, and visuals that document Dominique Petitgand's sound work.

Soft Photography examines the role of human emotions in the creation and reception of images produced using generative Artificial Intelligence (AI) or computer-generated imagery (CGI).

An interview conducted on December 18, 1974, with photographer Peter Hujar about an ordinary day in his life, released to the public half a century after it was recorded.

New monograph.

An immersive journey through the woven metal and linen sculptures created intuitively by the Belgian designer and textile artist.

A monograph centered on a series of recent oil paintings on linen by Calvin Marcus, that depict magnified renderings of the artist's flesh, extending Marcus's investigation of media, process, and the abject in the familiar.

An ambitious publication by the artist duo mountaincutters, offering an in-depth insight into their multidisciplinary practice.

The second volume of the defiinitive reference work on Belgian artist Philippe Van Snick, richly illustrated and featuring in-depth essays, offers a comprehensive overview of the artist's oeuvre, and new insights and discoveries about his work.

A collection of works selected by Ai Weiwei that traces the artist's career, in tribute to his father, the poet Ai Qing, and the Belgian poet Emile Verhaeren.

A dialogue between masterpieces from the collections of the Centre Pompidou, Kanal, and other significant Belgian public and private collections.

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

22 new dreamlike (or nightmarish) living tableaux by Maurizio Cattelan and Pierpaolo Ferrari.

Originally developed as the sonic counterpart to an exhibition by visual artist Anastasia Bay, Mæstra Lacrymæ is an opera conceived and directed by Bay and written and composed by multidisciplinary artist Joseph Schiano di Lombo.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Zeynep Öz, this volume explores the relationship between publication and exhibition-making.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Megan Tamati-Quennell, Ihi expands on her curatorial framework, exploring Indigenous knowledge systems, ancestral relationships, and the ways in which contemporary artistic practices carry memory, identity and cultural continuity across time and place.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Alia Swastika, this volume expands on Rossestrata, a curatorial framework named after the Rosetta Stone that explores how feminist perspectives and nonlinear readings of bodies and texts can reshape curatorial and educational practices.

Designed in collaboration with the artist, this monograph provides a comprehensive overview of Benoît Piéron’s work from the late 2000s to the present.

In For I am a Sign, an artist's book for children, Ryan Gander collaborates with his non-verbal son, Baxter, to explore the intersection between verbal and non-verbal language.

A multidisciplinary perspective on illegibility as a cultural phenomenon (new edition).

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing (new edition).

An essay on the figure of the writer-