A story about what survives—of bodies, ideas, objects and the artistic or literary forms that might describe them—in the wake of catastrophe.
is a fiction set in the ruins of a Modernist building on the outskirts of a city in Northern Europe. The structure, a Catholic seminary built in the 1960s and abandoned twenty years later, embodies the failure of certain ambitions: architectural, civic, and spiritual. But it is the site too of a more recent disappearance. A young artist, intent on exploring the complex and its history, has gone missing among the wreckage. Months later his lover visits the place, unsure what she is looking for, and finds herself drawn into the strange nexus of energies and memories that persist there.
is a story about what survives—of bodies, ideas, objects and the artistic or literary forms that might describe them—in the wake of catastrophe. Invoking key works of the last century—the fiction of Samuel Beckett
and Alain Robbe-Grillet, the art of Robert Smithson, the films of Alfred Hitchcock, Chris Marker
and Andrei Tarkovsky
—it maps a small but resonant portion of the ruins of the recent past.
Brian Dillon (born 1969 in Dublin, lives and works in Canterbury) is the UK editor of Cabinet
magazine and AHRC Research Fellow in the Creative and Performing Arts at the University of Kent. He is the author of Tormented Hope: Nine Hypochondriac Lives
(Penguin, 2009) and a memoir, In the Dark Room
(Penguin, 2005). His writing appears regularly in such publications as frieze
, the Guardian
, the London Review of Books,
and the Wire