A musical journey that pays tribute to René Daumal's unfinished Moutain and his enchanting world of mysteries and magic, through sound with
Bill Laswell, P.ST, featuring Nils Petter Molvaer,
Henry Kaiser,
Anna Clementi, Dorian Cheah, Percy Howard, Graham Haynes, Hideo Yamaki, Peter Apfelbaum.
The album shares its title with Daumal's novel, Mount Analogue: A Novel of Symbolically Authentic Non-Euclidean Adventures in Mountain Climbing, published posthumously in 1952, eight years after the author's untimely death.
Mount Analogue is a classic allegorical adventure novel. The novel describes an expedition undertaken by a group of mountaineers to travel to and climb the titular Mount Analogue an enormous mountain on a surreal continent, that is invisible and inaccessible to the outside world and can be perceived only by the application of obscure knowledge. The central theme of mountaineering is extensively explored through literary and philosophical lenses. Daumal died before the novel was completed, providing an uncanny one-way quality to the story, which ends abruptly in the middle of a sentence.
The first disc features a fifty-minute composition divided into six chapters: Introduction, Meeting, Supposition, Crossing, Arrival, and Conclusion. This album weaves together a rich tapestry of diverse instruments, sounds, and voices that collectively tell the story of this conceptual work, loaded with a synesthetic multitude of colors, aromas, meanings, textures, and moods. Contributors to this musical poem include Bill Laswell (bass), Henry Kaiser (guitar), Anna Clementi (vocals), Percy Howard (voice), Hideo Yamaki (percussion), Graham Haynes (cornet), Dorian Cheah (violin), Nils Petter Molvaer (trumpet), Peter Apfelbaum (keyboard), and P.ST (concept, electronics), who all lend their talents to a series of excerpts from Daumal's text. A truly global project, the recordings took place across various locations in Europe, North America, and South America, culminating at Orange Music Studio in New York, thanks to the collaborative efforts of Bill Laswell, James Dellatacoma, and Michael Fossenkemper.
The second disc disc presents five improvisations for solo electric guitar by Henry Kaiser. The first solo, Jodorowsky's Peradam, draws its inspiration from Alejandro Jodorowsky's 1973 film The Holy Mountain, which was inspired by the Daumal novel. Kaiser's initial forty-eight-minute guitar solo serves as a foundational guide for his four subsequent, Rashomon-esque, solo musical interpretations of Mount Analogue, as seen through the psychedelic labyrinth of Jorodrowsky's cinematic masterpiece.
Over the course of some three decades, visionary bassist-producer Bill Laswell (born 1955 in Salem, Illinois) has been one of the most prolific and restlessly creative forces in contemporary music. A sound conceptualist who has always been a step ahead of the curve, he has put his inimitable stamp on nearly 3,000 recording projects by such artists as Mick Jagger,
Yoko Ono, Iggy Pop,
Laurie Anderson,
Brian Eno, Bootsy Collins, Nine Inch Nails, Motorhead, Peter Gabriel, Blur, les Ramones, George Clinton, Pharaoh Sanders, le Dalaï Lama, Matisyahu, Angelique Kidjo, DJ Krush, RAMM:ΣLL:ZΣΣ, Sting, The Last Poets, Afrika Bambaataa, PiL,
Julian Schnabel, Whitney Houston, Manu Dibango, Fela Kuti, Herbie Hancock,
William Burroughs…